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  • [MUSIC PLAYING]

  • SPEAKER 1: Hello, everyone.

  • Aswath Damodaran is here and I couldn't

  • be more pleased because I have learned

  • a lot about investment valuation from just reading his blogs.

  • I think he is one person who has single-handedly made

  • investment valuation open source and available to all of us.

  • In addition to his original classroom at NYU,

  • he also has a virtual classroom on YouTube of tens of thousands

  • of students spread all over the world.

  • And one thing I really admire about Aswath

  • is that he does not shy away from discussing current ideas

  • and let them be examined over time in real time.

  • He's also somebody who has been very open and transparent

  • about sharing investment mistakes,

  • which you don't really see in the investment

  • community in general.

  • I think they're the really special thing about professor

  • is that he brings the side of an academic and bridges it

  • all the way to that of a practitioner

  • and does it in a very open, candid way.

  • He's written phenomenal books about investing

  • and today he is here to discuss with us

  • the latest in the edition of books, which

  • is "Narrative and Numbers."

  • So without any further ado, I am very delighted, please

  • join me in welcoming Professor Aswath Damodaran.

  • ASWATH DAMODARAN: Thank you.

  • [APPLAUSE]

  • So let me start with a story.

  • I came to NYU in 1986, that was when I was hired

  • as an assistant professor.

  • And I was given a class to teach called security analysis, which

  • is an old class with a collection of topics

  • that I chose to replace with a valuation class.

  • I actually didn't tell them I was doing it,

  • I just went into the class and made it a valuation class.

  • And that was 1986.

  • This will be my 31st year teaching valuation, my 53rd

  • semester.

  • And everything I know about valuation

  • I've learned in the course of teaching this class.

  • So one of the lessons I'd like to talk about

  • is something I didn't know when I started teaching this class

  • that I had to teach myself.

  • So I'm going to take you on a personal journey on something

  • I had to learn to do better to actually do valuation.

  • So I'm going to start out with a question

  • that I start off every one of my classes.

  • Let me give you a sense of what my classes look like.

  • I have a typical class of about 300.

  • It's an MBA class, it's about 300 people

  • who walk into the room.

  • And if you're familiar with how MBA programs have evolved,

  • they've become more and more diverse.

  • So I've got not just bankers, but I've got museum directors,

  • I've got ballet dancers and NBA players.

  • In a sense, it's a very diverse classroom.

  • So here's one of the first questions I ask them,

  • and I'm going to start off this session with that question.

  • There's no right answer, don't look at your neighbor.

  • So here's my question.

  • If I asked you to classify yourself as a person,

  • would you more naturally think of yourself

  • as a storyteller or a number cruncher?

  • Think about it for just a moment.

  • What comes more naturally to you, storytelling

  • or number crunching?

  • Howard, I know you've known for a long time,

  • so you probably knew.

  • I'll tell you when I knew.

  • I knew when I was about 13 or 14,

  • right after my first English literature class.

  • And I was asked to read "Moby Dick," and I did.

  • And I was ready for the discussion, ready to talk

  • about whales and captains.

  • So I show up in class ready to talk about whales and captains

  • and there's nary a mention of whales or captains.

  • And about 15 minutes into the session,

  • the instructor says, there was no whale.

  • And so what?

  • I distinctly remember a big black fish going all the way

  • through the book.

  • And then she started talking about hidden meanings

  • in the book and I remember sitting there saying, really?

  • That's what Herman Melville was thinking when he wrote that?

  • And my reaction when I came out of that class

  • was, never again am I going to subject myself

  • to this kind of bullshit.

  • And my life was laid out for me--

  • it was Algebra I, Algebra II, Algebra III,

  • out of high school.

  • And these were the good old days when you could go to college

  • and not have to deal with the crap you have to do today--

  • core curriculum, you know where they

  • make you take classes for two years you never want to take.

  • Those days, you could take numbers class, numbers class,

  • numbers class, numbers degree out there.

  • And then you had a numbers job-- you were a banker, an engineer.

  • And after about four years of entering numbers

  • into spreadsheets, you got incredibly bored so

  • what did you do?

  • Come back to business school, you're in that class.

  • About 180 people in my class are number crunchers,

  • recovering number crunchers.

  • But there were people in that literature class

  • who loved this hidden meaning stuff.

  • I've never understood them.

  • They're the poets.

  • My youngest son is a poet.

  • He showed me his first poem and I

  • don't think he's going to show me too many poems after this

  • because he showed me the poem and I said, [INAUDIBLE],

  • I think there's a problem.

  • Aren't the last words supposed to rhyme?

  • He said, Dad, you're not a poet, that's why you don't get this.

  • I said, you're right.

  • But there were people who loved this hidden meaning stuff.

  • They took Literature I, Literature II, Literature III,

  • became history majors at Yale, went to work,

  • and discovered that even Yale history majors don't

  • get paid very much.

  • So after about three years of poverty-stricken lives,

  • they come back to business school,

  • they're the other 120 people in my class.

  • That's roughly speaking what my class breaks down into,

  • 60% number crunchers, 40% storytellers.

  • And once this classification happens,

  • the number crunchers start to preen.

  • They say, what the hell are you guys doing in this class?

  • This is a numbers class, it's a valuation class.

  • And that's when I let them in on what

  • I think is the biggest hidden secret in valuation.

  • Valuation can never be just about the numbers.

  • If you have just a collection of numbers in a spreadsheet,

  • you just have a collection of numbers in a spreadsheet.

  • To me valuation, is a bridge between stories and numbers.

  • And let me explain what I mean by that.

  • When you show me a valuation, I point to a number

  • and ask you, why is that number what it is, I need your story.

  • And when you tell me a story about a company, about

  • great management, about a brand name

  • and I say, what does that story mean, I need to hear a number.

  • Good valuations bridge that divide.

  • And it is what--

  • I mean, I know this word is going to sound strange

  • in the context of valuation.

  • The story is what gives soul to your valuation.

  • A valuation, that's a spreadsheet.

  • The story is what gives your valuation a soul.

  • And here's where my personal journey begins.

  • I started teaching the valuation class in '86.

  • And when I first started teaching it,

  • I taught it as a number cruncher does, which is what?

  • All numbers all the time.

  • When in doubt, add an equation.

  • You're in further doubt, add two equations.

  • That's how number crunchers think.

  • And about six years into the process,

  • I discovered I had no faith in my own valuations,

  • another word you don't see in the context of valuations,

  • right?

  • And here's what I mean about faith in your own valuations.

  • When you value a company, especially if you're not

  • being paid to do the valuation, why do we value companies?

  • It's not because we're intellectually curious.

  • I don't lie awake and say, I wonder what

  • Facebook is worth right now.

  • If you do, see a psychiatrist.

  • I value companies because I want to act on those valuations

  • in what sense?

  • If I find something to be undervalued,

  • I need to be able to buy that stock, right?

  • And what I discovered about six years into this process was