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  • We're allowed to see now interesting natural phenomenon that we couldn't see with

  • the naked eye. There's so much that's just beautiful and their image will capture correctly.

  • Being able to show people a massive amount of time in

  • a short piece, I think is really beautiful.

  • Having that power with the

  • format is something that's extremely beneficial for people

  • to appreciate what is already there.

  • Science can be beautiful. Art can be scientific.

  • Some of the most beautiful images I've ever seen are produced either through a

  • telescope or through a microscope.

  • At it's heart, the microscope will basically allow you to see something that you

  • cannot see with the naked eye. Photomicrography began in the 1830's. William Talbot

  • basically took a light microscope, removed the

  • eyepiece and projected the image that he would've seen with his eye

  • on to a white wall. He then took a photograph of that image

  • and that was basically how it began.

  • Today, photomicrography is relatively easy to do.

  • In the simplest case, you can basically just attach a

  • camera to the eyepiece. And so that's actually used very commonly for

  • imaging things like

  • crystals to insects to fluorescent images

  • of intracellular particles, of virtually

  • every single cell and tissue within the human body. When you spend your time staring at images

  • you can't help but

  • think about the aesthetic of what you're looking at

  • and how best to present that image.

  • So a lot of those issues

  • people think about when they're taking a conventional photograph, also apply to photomicrography. The only

  • difference is that we may be looking down a microscope as opposed to looking at a macroscopic object.

  • You can photograph the moon, any of the plants in the solar system. You can photograph the sun,

  • stars, galaxies: the biggest and most numerous objects out there.

  • In the late fifties, early sixties everybody wanted to see the stars and so did I and that's how I

  • started in photography.

  • Most of us are using full spectrum cameras like a Canon or a Nikon DSLR.

  • In the case of the hubble images, they're looking at narrow-band filters of iron,

  • sulfur, oxygen, hydrogen and trying to pick up the light from

  • different nebulae that are fluorescent in these narrow back holes.

  • The sheer art of the images, the colors, the dynamic range, and the shapes and the beauty.

  • That's one level of attraction. And the other one is the science, the knowledge those same

  • images provide.

  • They teach us things. The photographs and the general study of the night sky

  • shows us our true place in the universe as little tiny things of

  • not much consideration or significance.

  • Basically by looking back out into space, we're in a way looking back at ourselves.

  • The element that draws you into slow motion is it's a moment that slows down the action and

  • presents it to you in a much more clear fashion.

  • The technology behind slow-motion is allowing the lens on the camera to open up and see more frames in a condensed period of time.

  • In terms of slow-motion exhibition I think the most interesting aspect of it

  • is the fact that we're allowed to see now things we've never seen before. For example

  • the hummingbird's wings flapping. You couldn't see that under any other circumstance

  • beside high-speed slow-motion acquisition. Eight Hours in Brooklyn was almost an experiment. Coming from a

  • documentary background, I always thought it would be really cool to shoot docu-style with the phantom.

  • The subject matter was all just us driving around on a Sunday afternoon in Brooklyn in the summer.

  • My favorite clips in the whole thing are the clip of the basketball players screaming and the clip of the kids in the spring yard because those

  • are actually moments of raw spontaneity and raw emotion and that kind of stuff can't really be staged. In India we shot a festival called Holi. It's a celebration

  • for Indian culture.

  • It's just these beautiful colors and things being thrown around. It's really awesome to see people

  • coming together in this atmosphere where without the colors it's very depressing.

  • But once the colors go in the air and the smiles are on people's faces, there's a very

  • spiritual experience. I think why I love shooting slow motion so much is because it adds this

  • beautiful aesthetic to where people actually want to look. I'm just passionate

  • about making people aware of the beauty of life.

  • I like the idea that photographers work their entire life to

  • capture a few hours of time.

  • There were forty thousand images in the Manhattan Project and it took me five months.

  • It was an idea of slowing down the rest of the world while speeding up the people around it.

  • When I first moved to New York City it was extremely intimidating. The grandiosity of it.

  • There's so many talented people,

  • there's so many things happening that it's hard to feel like you're anything better than anything else.

  • You want to do something big and you're going to make

  • it and you get here and you feel like a tiny little speck.

  • This project for me was a way of wrapping my arms around the city and being able to feel

  • more than this city made me feel.

  • I wanted to show the humanity. I had to stop focusing on

  • pretty buildings and tons of cars. I wanted it to have that wave from the humanity

  • of it up into the grandiosity of it and

  • back down into the humanity of it again.

  • What the camera allows you to see is what people call the beauty of nature or the symmetry of

  • nature.

  • New technologies allow us to see things that we could never see before.

  • What that appeals to and what

  • that speaks to is just the curiosity of the human mind.

  • I think it's cool for people to see things they've seen so many times before shot in this different format

  • and get people to

  • appreciate what is actually already there.

We're allowed to see now interesting natural phenomenon that we couldn't see with

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人間の目を超えるものを見る|オフブック|PBS (Seeing Beyond the Human Eye | Off Book | PBS)

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    sybil に公開 2021 年 01 月 14 日
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