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  • NARRATOR: When we think of E = mc2 we have this vision of Einstein as an old wrinkly

  • man with white hair. E = mc2 is not about an old Einstein. It's actually about a young,

  • energetic, dynamic, even a sexy Einstein.

  • ALBERT EINSTEIN: What would I see if I rode on a beam of light?

  • MICHAEL FARADAY (Dramatization): Perhaps some sort of electrical force is emanating outwards

  • from the wire.

  • HUMPHRY DAVY (Dramatization): What?

  • WILLIAM THOMAS BRANDE (Dramatization): Faraday, my dear boy, electricity flows through a wire,

  • not sideways to it.

  • MICHAEL FARADAY: You see, John? You see?

  • ANTOINE LAVOISIER (Dramatization): It is my great ambition to demonstrate that nature

  • is a closed system, that in any transformation no amount of matter, no mass, is ever lost,

  • and none is gained.

  • JEAN-PAUL MARAT (Dramatization): The people...

  • CAPTAIN: Lavoisier.

  • JEAN-PAUL MARAT: ...it is they who will determine right and wrong.

  • FRANCOIS-MARIE AROUET DE VOLTAIRE (Dramatization): Emilie, you are being absurd. Why ascribe

  • to an object a vague and immeasurable force like vis viva? It is a return to the old ways.

  • EMILIE DU CHí‚TELET (Dramatization): Are you capable of discovering something of your

  • own?

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: I discovered you.

  • EMILIE DU CHí‚TELET: There is no right time for the truth.

  • OTTO HAHN (Dramatization): Fraulein Meitner?

  • LISE MEITNER (Dramatization): Yes?

  • OTTO HAHN: Otto Hahn.

  • LISE MEITNER: The nucleus is our focus.

  • KURT HESS (Dramatization): The Jewess endangers our Institute.

  • HEINRICH HORLEIN (Dramatization): We can't harbor a Jew. If she stays the regime will

  • shut us all down.

  • LISE MEITNER: He's split the atom.

  • OTTO ROBERT FRISCH (Dramatization): No, no, no. You've split the atom.

  • ALBERT EINSTEIN (Dramatization): Energy equals mass times the square of the speed of light.

  • MILEVA MARIC EINSTEIN (Dramatization): Would you like me to check your mathematics?

  • Google is proud to support NOVA in the search for knowledge: Google.

  • Major funding for NOVA is provided by the Howard Hughes Medical Institute, serving society

  • through biomedical research and science education: HHMI.

  • Funding for Einstein's Big Idea is provided by the National Science Foundation, America's

  • investment in the future.

  • And by the Alfred P. Sloan Foundation, to enhance public understanding of science and

  • technology.

  • And the U.S. Department of Energy, fostering science and security.

  • Major funding for NOVA is also provided by the Corporation for Public Broadcasting and

  • by PBS viewers like you. Thank you.

  • NARRATOR: A hundred years ago, a deceptively simple formula revealed a hidden unity, buried

  • deep in the fabric of the universe. It tells of a fantastic connection between energy,

  • matter and light. Its author was a youthful Albert Einstein. It's the most famous equation

  • in the world: E = mc2.

  • STATION MASTER (Dramatization): All aboard.

  • NARRATOR: But while we've all heard of Einstein's big idea, very few of us know what it means.

  • In fact, E = mc2 is so remarkable that even Einstein wasn't sure if it was really true.

  • MILEVA MARIC EINSTEIN: Albert, darling, you are later than I expected. We've only got

  • sausage and cheese tonight. What is it?

  • ALBERT EINSTEIN: We need to talk.

  • MILEVA MARIC EINSTEIN: Has something happened?

  • ALBERT EINSTEIN: Oh, no, nothing, sorry, no. I spent most of the day staring out the window

  • at work looking at trains, and I started to think about an object and how much energy

  • it had. Can I explain it to you?

  • MILEVA MARIC EINSTEIN: Of course you can, but first, dinnerfood and talk.

  • ALBERT EINSTEIN: I think the gods are laughing at me.

  • NARRATOR: The gods were not laughing at Einstein. He'd united, in one stunning insight, the

  • work of many who had come before him, scientists who'd fought, and even died, to create each

  • part of the equation. The story of E = mc2 starts long before Einstein, with the discovery

  • of "E" —for energy.

  • In the early 19th century, scientists didn't think in terms of energy. They thought in

  • terms of individual powers or forces. These were all disconnected, unrelated things: the

  • power of the wind, the force of a door closing, a crack of lightning. The idea that there

  • might be some sort of overarching, unifying energy which lay behind all these forces had

  • yet to be revealed. One lowly man's drive to understand the hidden mysteries of nature

  • would begin to change all that.

  • DAVID BODANIS (Author, E=mc2): Young Michael Faraday hated his job. He was uneducated;

  • the son of a blacksmith, he'd been lucky to become a bookbinder's apprentice. But Faraday

  • craved one thing, he craved knowledge. He read every book that passed through his hands.

  • He developed a passion for science. All of his free time and his meager wages were poured

  • into his self-education. He was on the threshold of an incredible journey into the invisible

  • world of energy.

  • NARRATOR: Faraday had impressed one of his master's customers and was rewarded with a

  • ticket that would change his life.

  • MICHAEL FARADAY: Excuse me please. Can I pass, please?

  • WILLIAM THOMAS BRANDE: Can I pass?

  • MICHAEL FARADAY: Some of us are trying to improve ourselves, if people will let us.

  • CHATER (Dramatization): Of course, of course. Pass, pass. This way to a better life.

  • S. JAMES GATES, JR. (Physicist, University of Maryland): In the early 1800s, science

  • was the pursuit of gentlemensomething Faraday was clearly not. He had a rudimentary education,

  • he'd read widely, he'd gone to public lectures, but in 1812, he was given tickets to hear

  • Sir Humphry Davy, the most prominent chemist of the age.

  • NARRATOR: Nineteenth century scientists were the pop stars of their day. Their lectures

  • were hugely popular, tickets were hard to come by, and Davy reveled in his status.

  • JOHN NEWMAN (Dramatization): They're waiting.

  • HUMPHRY DAVY: I know.

  • NARRATOR: He was also a keen follower of the latest fashion: nitrous oxide, or "laughing

  • gas." He said it had all the benefits of alcohol without the hangover.

  • HUMPHRY DAVY: Electricity, ladies and gentlemen, a mysterious force that can unravel the confusing

  • mixture of intermingled substances that surround us and produce pure, pure elements. How do

  • we do this?

  • S. JAMES GATES, JR.: Davy was an absolutely first-rate scientist, however, many will come

  • to say that his greatest discovery is Michael Faraday.

  • HUMPHRY DAVY: ...unknown metals. Unknown that is until I, I isolated potassium from molten

  • potash and sodium, as I showed you last time, from common salt. That same metal...

  • NARRATOR: Faraday may not have been born a gentleman, but he wasn't going to let class

  • barriers stop him from pursuing a career in science. He worked for nights on end to bind

  • his lecture notes into a book for his new hero.

  • MICHAEL FARADAY: Lord, help me to think only of others, to be of use to mankind. Help me

  • be part of the Great Circle that is your work and love. Lord, I am your servant.

  • HUMPHRY DAVY: This is excellent work, Faraday. So, what is it you aim to do with your life?

  • MICHAEL FARADAY: My desire, sir, is to escape from tradewhich I find vicious and selfishand

  • to become a servant of science, which I imagine makes its pursuers amiable and liberal.

  • HUMPHRY DAVY: Really? Well, I shall leave it to the experience of a few years to set

  • you right on that score. Look, I haven't anything at the moment. I'll send a note if anything

  • comes up.

  • NARRATOR: Despite this humiliating setback, Faraday was determined to break free from

  • his daily toil. His patience was rewarded.

  • HUMPHRY DAVY: Newman, meet Mr. Michael Faraday, he's going to be my helper while I recover.

  • He assures me he is a Christian fellow. Perhaps with God and Faraday in charge of the chemicals

  • you and I will be safe in our place of work.

  • JOHN NEWMAN: Thank you, Professor Davy. Welcome Faraday.

  • MICHAEL FARADAY: Oh, no, thank you. And thank you, Sir Humphry.

  • HUMPHRY DAVY: Just stick to your job and do as you're told, and you'll be fine, Faraday.

  • NARRATOR: Faraday became the laboratory assistant, eagerly absorbing every scrap of knowledge

  • that Davy deigned to impart. But in time the pupil would surpass the master.

  • The big excitement of the day was electricity.

  • HUMPHRY DAVY: Another charge, Newman.

  • NARRATOR: The battery had just been invented and all manner of experiments were being done.

  • But no one really understood what this strange force of electricity was.

  • S. JAMES GATES, JR.: The academic establishment, at the time, thought that electricity was

  • like a fluid flowing through a pipe, pushing its way along. But, in 1821, a Danish researcher

  • showed that when you pass an electric current through a wire and place a compass near it,

  • it deflected the needle at right angles.

  • NARRATOR: This was the first time researchers had seen electricity affect a magnet: the

  • first glimpse of two forces, which had previously been seen as entirely separate, now unified

  • in some inexplicable way.

  • HUMPHRY DAVY: Faraday, come look at this. You're the bright spark around here, perhaps

  • you can work it out. Oersted's reported an amazing finding. We're just replicating it

  • here.

  • WILLIAM THOMAS BRANDE: Let's try the compass on the other side.

  • CHATER: Now, that is remarkable.

  • WILLIAM THOMAS BRANDE: But if the electrical force is flowing through the wire, why does

  • the needle not move in the same direction, parallel to the wire?

  • HUMPHRY DAVY: Quite.

  • CHATER: Let's try turning the whole apparatus round.

  • HUMPHRY DAVY: Again, Newman.

  • CHATER: So, the electrical force goes this way, the compass points that way. How can

  • one affect the other?

  • MICHAEL FARADAY: Perhaps the electricity is throwing out some invisible force as it moves

  • along?

  • HUMPHRY DAVY: What?

  • MICHAEL FARADAY: Perhaps some sort of electrical force is emanating outwards from the wire.

  • WILLIAM THOMAS BRANDE: Oh, my dear boy, let me tell you that at the University of Cambridge,

  • electricity flows through a wire, not sideways to it.

  • MICHAEL FARADAY: Well, that may be what they teach at Cambridge, but it doesn't explain

  • what's happening before our eyes.

  • HUMPHRY DAVY: Now, now. Let's just get on. Let's swap the compass to below the wire.

  • NARRATOR: Why the compass was deflected at right angles, why the electricity was affecting

  • the compass at all, dumbfounded Davy and many others.

  • MINISTER (Dramatization): As we celebrate the marriage of Michael and Sarah...

  • NARRATOR: For Faraday, however, the problem became an obsession. It was a fascination

  • inspired by his religion. For him the problem was a way to understand God's hidden mysteries.

  • DAVID BODANIS: There is a small, almost persecuted group in London called the Sandemanians. They

  • were religious...not really a sect, they were just a small sub-sect, sort of like Quakers.

  • Faraday was a member of that group. It was a very gentle, decent group. They believed

  • that underneath the whole surface of reality, everything was created by God in a unified

  • waythat if you opened up one little part of it you could see how everything was connected.

  • S. JAMES GATES, JR.: Michael Faraday was someone who, like Einstein, thought in terms of pictures.

  • DAVID BODANIS: Faraday was different from anybody else. He had a flair for understanding

  • his experiments, for understanding what was really going on inside them.

  • NARRATOR: By methodically placing a compass all around an electrified wire, Faraday started

  • to notice a pattern.

  • DAVID BODANIS: What everyone else at the time had been taught was that forces travel in

  • straight lines. Faraday was different. Faraday imagined that invisible lines of force flowed

  • around an electric wire. And then he imagined that a magnet had similar lines emerging from

  • it and that those lines would get caught up in this flow. It was a bit like a flag in

  • a wind.

  • NARRATOR: But Faraday's great leap of imagination was to turn this experiment on its head. Instead

  • of an electrified wire moving a compass needle, he wondered if he could get a static magnet

  • to move a wire.

  • JOHN NEWMAN: I've never seen you like this, Faraday. You look like a happy child.

  • MICHAEL FARADAY: I'm shaking, Newman. Underneath I'm shaking. You see, John, you see?

  • JOHN NEWMAN: Yes.

  • S. JAMES GATES, JR.: This is the experiment of the century. It's the invention of the

  • electric motor. Scale up the magnets and the wires; make them really big. Attach heavy

  • weights to them and they'll be dragged along. But almost more importantly, he's inventing

  • a new kind of physics here.

  • NARRATOR: Although he didn't realize it at the time, Faraday had also just demonstrated

  • an overarching principle. The chemicals in the battery had been transformed into electricity

  • in the wire, which had combined with the magnet to produce motion. Behind all these various

  • forces there was a common energy.

  • DAVID BODANIS: A couple of months earlier, Davy had been elected President of the Royal

  • Society, which was the elite body of English science. But then he saw this great discovery

  • published in the Quarterly Journal of Science. I don't know if he was envious, but he certainly

  • saw that this young man who had been his assistant, this mere blacksmith's son, had come up with

  • one of the greatest discoveries of the Victorian era.

  • S. JAMES GATES, JR: Davy accuses Faraday of plagiarizing similar work from another eminent

  • British scientist, William Wollaston.

  • WILLIAM THOMAS BRANDE: So Faraday, what does Wollaston make of all this?

  • MICHAEL FARADAY: He's written to me and assures me that he's taken no offense, and he acknowledges

  • that what I published was entirely my own work.

  • CHATER: Quite, quite. Davy is just being an ass.

  • MICHAEL FARADAY: But will Davy now retract his allegation?

  • WILLIAM THOMAS BRANDE: Sadly, no. In fact, he is still vehemently opposed to you being

  • elected a member of the Society.

  • MICHAEL FARADAY: Really? And what do you think?

  • WILLIAM THOMAS BRANDE: Faraday, my dear boy, you have my vote.

  • CHATER: And mine. And I believe you even have Wollaston's.

  • MICHAEL FARADAY: Oh, what a mess.

  • WILLIAM THOMAS BRANDE: Well, no matter, no matter. It's the science that counts. So,

  • tell me, how does this wire of yours spin round its magnet? What mysterious forces are

  • at play?

  • MICHAEL FARADAY: There seems to be an electro-magnetic interaction. In my mind, I see a swirling

  • array of lines of force spinning out of the electrified wire, like a spiraling web.

  • WILLIAM THOMAS BRANDE: But invisible lines of force? It's all a bit vague, isn't it?

  • HUMPHRY DAVY: Faraday, might I have a word in private?

  • MICHAEL FARADAY: Certainly.

  • HUMPHRY DAVY: Listen, Faraday, let's stop this nonsense. I want you to take down your

  • ballot paper from the notice board.

  • MICHAEL FARADAY: Sir Humphry, I see no reason to take it down. My friends have proposed

  • me. It is they who put the paper up. I will not take it down. Good day.

  • NARRATOR: Faraday was elected to the Royal Society. Davy died five years later, a victim

  • of his many gaseous inhalations. In time, Faraday's world of invisible forces would

  • lead to a whole new understanding of energy. He'd started what Einstein would call "The

  • Great Revolution."

  • It was in the very heart of this exciting new world of energy that Einstein grew up.

  • ALBERT EINSTEIN: My father and uncle wanted to make their fortune by bringing electric

  • light to the streets of Germany. From an early age I loved to look at machines, understand

  • how things work.

  • HERMANN EINSTEIN (Dramatization): He's going to kill himself. Albert, stay there.

  • ALBERT EINSTEIN: I experienced a miracle when my father showed me a compass. I trembled

  • and grew cold. There had to be something behind objects that lay deeply hidden.

  • At high school, they had their ideas about what I should learn, I had my own. I was merely

  • interested in physics, maths, philosophy and playing the violin. Everything else was a

  • bore.

  • PROFESSOR FRITZ MUHLBERG (Dramatization): Einstein, on your feet. As you obviously know

  • everything about geology, tell me how do the rock strata run here?

  • ALBERT EINSTEIN: It's pretty much the same to me whichever way they run, Herr Professor.

  • NARRATOR: Einstein's teachers tried to drum into him, as Faraday had shown, that energy

  • could be converted from one form into another. They also believed that all forms of energy

  • had already been discovered. Einstein was going to prove them wrong. He would discover

  • a new, vast reservoir of energy, hidden where no other scientist had ever thought of looking,

  • deep in the heart of matter.

  • A hundred years before Einstein's birth, King Louis the XV was on the throne of France,

  • but the ancient, absolute power of the monarchy over the people was starting to be challenged.

  • MONSIEUR PAULZE (Dramatization): Jacques, leave the windows, forget the rain, we need

  • air.

  • NARRATOR: The French Revolution was just around the corner.

  • PATRICIA FARA (Historian, University of Cambridge): This was the era of the Enlightenment, when

  • intellectuals believed very firmly that the way forward lay in science. And they felt

  • that one of the first tasks that lay ahead of them was to rationalize and to classify

  • every single kind of matter so they could see how it all interacted together.

  • NARRATOR: Antoine Lavoisier, a wealthy, aristocratic young man decided to take up this task to

  • see if there was some basic connection between all the stuff of everyday life, all the different

  • substances in the world. But what worked for Lavoisier as a scientisthis meticulous,

  • even obsessive attention to detailwas also to be his downfall.

  • MARIE ANNE PAULZE (Dramatization):Monsieur Lavoisier, you are, if my eyes do not deceive

  • me, consuming only milk this evening. First you had a glass of milk, now you are "eating"

  • a bowl of milk. Will you move on to a plate of milk?

  • ANTOINE LAVOISIER: Your precise observations commend you as a lady of scientific curiosity,

  • Mademoiselle, most unusual. As you seek knowledge, so I shall dispense it. For the last five

  • weeks I have taken nothing but milk.

  • COUNT DE AMERVAL (Dramatization): Good god, man, I would rather die than fast on milk

  • for five weeks. Are you in the grip of some horrendous ailment?

  • ANTOINE LAVOISIER: On the contrary. I am investigating the effects of diet on health.

  • COUNT DE AMERVAL: Monsieur, with the greatest of respect to a member of the Royal Academy

  • of Sciences, your gut must think your throat has been slit.

  • MARIE ANNE PAULZE: Whereas your gut, Count, is, no doubt, petitioning the Academy for

  • a widening of your throat.

  • BARONESS DE LA GARDE (Dramatization): Marie Anne, how dare you insult the Count? Don't

  • forget what the Count offers. Not just marriage, but think of how you will be introduced to

  • all the Salons. You will be the toast of Paris.

  • ANTOINE LAVOISIER: Would it not be a shame, Madame, to burden you with the duties of matrimony

  • before you have had a chance to experience your curiosity for nature?

  • BARONESS DE LA GARDE: Shall we all go through? It's getting rather hot in here.

  • ANTOINE LAVOISIER: Do you really plan to marry de Amerval?

  • MARIE ANNE PAULZE: There is a plan, but it is not mine.

  • ANTOINE LAVOISIER: Then I must contrive to save you.

  • NARRATOR: Lavoisier wasn't a scientist by profession. He was the head of tax enforcement

  • in Paris. His great idea was to build a huge wall around the city and to tax everything

  • that came and went. But his taxes on the simple things in lifebread, wine and cheesedid

  • not endear him to the average Parisian. This scrupulous, fastidious young man did still

  • allow himself the occasional act of passion.

  • In 1771, Lavoisier married Marie Anne Paulze, the daughter of his colleague in the tax office.

  • Thus he saved her, as he had promised, from an arranged marriage to a count 40 years her

  • elder.

  • ANTOINE LAVOISIER: Allow me to show you something.

  • PATRICIA FARA: Lavoisier, I think, found his job as a tax collector really rather tedious,

  • and the times he looked forward to were the evenings and the weekends when he could indulge

  • his passion for chemical experimentation. And he called those times his "jours de bonheur,"

  • his "days of happiness."

  • ANTOINE LAVOISIER: Madame. What will happen if I take a bar of copper or iron and leave

  • it outside in the rain for months on end, Madame Lavoisier?

  • MARIE ANNE PAULZE: Mmmm, Monsieur Lavoisier?

  • ANTOINE LAVOISIER: The metals what will become of them?

  • MARIE ANNE PAULZE: Is this a verbal examination prior to an examination proper, sir?

  • ANTOINE LAVOISIER: I merely seek the truth.

  • MARIE ANNE PAULZE: Then you toy with me, Monsieur, for you know the truth. The copper will become

  • covered in a green verdigris and the iron will rust. I believe the term is "calcined."

  • ANTOINE LAVOISIER: Most impressive, my charming wife. But let me press you further.

  • MARIE ANNE PAULZE: Mmmm.

  • ANTOINE LAVOISIER: When the metal rusts, does it get heavier or lighter?

  • MARIE ANNE PAULZE: Why, sir, I think you mean to trap me.

  • ANTOINE LAVOISIER: Then perhaps this little butterfly should land and allow me take a

  • closer look.

  • MARIE ANNE PAULZE: Every last citizen in France of sensible age knows that when a metal rusts

  • it wastes away, it gets lighter and eventually disappears.

  • ANTOINE LAVOISIER: Ah, but...

  • MARIE ANNE PAULZE: Huh? Stop. I have not finished. Contain yourself, sir. There is more. In a

  • recently published pamphlet by a brilliant young chemist, Antoine Lavoisier demonstrates

  • that the iron combines with the air. It, in fact, becomes heavier.

  • ANTOINE LAVOISIER: Most impressive. I intend...

  • MARIE ANNE PAULZE: Now whatever you intend, Monsieur, I intend to be by your side. I will

  • learn all I can about your science and become your worthy colleague.

  • ANTOINE LAVOISIER: Then let me show you how the iron combines with the air to form such

  • a delicate union.

  • MARIE ANNE PAULZE: Tomorrow, Monsieur, tomorrow.

  • NARRATOR: Marie Anne learned chemistry at her husband's side, but soon sought other

  • ways to contribute to his work. She learned English so that she could translate contemporary

  • scientific works. She took drawing lessons so that she could record in forensic detail

  • the minutiae of their work together. She ran their laboratory and was the public face of

  • "Lavoisier, Inc." She was central to the whole research effort.

  • MARIE ANNE PAULZE: Monsieur, that is a terrible thing to say. You are a cheeky man.

  • ANTOINE LAVOISIER: This way please, gentlemen.

  • Messieurs, it is my great ambition to demonstrate that nature is a closed system, that in any

  • transformation, no amount of matter, no mass, is ever lost, and none is gained. Over here,

  • please.

  • This precise amount of water is heated to steam. This steam is brought into contact

  • with a red hot iron barrel embedded in the coals. From this end, we cool the steam, but,

  • interestingly, we collect less water than we started with. So clearly we lose a certain

  • amount of water. However, we also collect a gas, and the weight of the iron barrel increases.

  • Now, when we combine these two increases, the new weight of the iron barrel and the

  • gas we have collected, they are exactly equal to the weight of the lost water.

  • MEMBER OF ACADEMY: Aha! But is it atmospheric air, Monsieur Lavoisier?

  • ANTOINE LAVOISIER: No, no because I am measuring it, to the very last grain, I can see that

  • it is lighter than the air around us, and moreover, it is flammable. Voila.

  • DAVID BODANIS: Water is made out of hydrogen and oxygen. So what he had done is get the

  • oxygen to stick to the inside of a red hot iron rifle barrel. He was basically just making

  • rust, which is oxygen iron, but he was making the rust really quickly. Now that left the

  • hydrogenwhat he called combustible "air"—and that was just floating around as a gas.

  • No mass had been lost, it had merely been transformed, and now he wanted to transform

  • it all back into water.

  • ANTOINE LAVOISIER: This is only the beginning. In the next few months, I hope to demonstrate

  • that I can recombine this combustible air with vital air and transform them both back

  • into water. I will recreate exactly the same amount of water that was lost here in this

  • process. It is my hope to complete the cycle, water into gas into water, and not a drop

  • lost.

  • DAVID BODANIS: For a long time, Lavoisier had suspected that the exact amount of matter,

  • the mass, involved in any transformation was always conserved. But to prove this he had

  • to perform thousands of experiments, and he had to do the measurements with incredible

  • accuracy. That's where his great wealth from being a tax collector came in. He could afford

  • to commission the most sensitive instruments ever built. He became obsessed with accuracy.

  • NARRATOR: But Lavoisier's exacting methods were also starting to anger the growing mob

  • of hungry, disenchanted Parisians.

  • MARIE ANNE PAULZE: Antoine, Antoine. Oh, wake up, Antoine.

  • ANTOINE LAVOISIER: I'm sorry. What time is it?

  • MARIE ANNE PAULZE: It is almost time to receive Monsieur Marat. The Academy asked you to assess

  • his designs. He claims to have made a great discovery. Oh Antoine, have you forgotten?

  • ANTOINE LAVOISIER: What? My god, another charletan with an idea to peddle! God give me patience.

  • Well, Monsieur Marat.

  • JEAN-PAUL MARAT: Monsieur, I have invented a device which projects an image of the substance

  • of fire onto a screen. You see, when a lantern is shone through a flame we see a shimmering

  • pattern above the flame. My device renders the substance of fire visible.

  • ANTOINE LAVOISIER: Have you collected it, this substance of fire? Have you trapped it

  • and measured it?

  • JEAN-PAUL MARAT: Well, no, but, but one can see it.

  • ANTOINE LAVOISIER: I'm sorry, in the absence of exact measurements, of precise observations,

  • without rigorous reasoning, one can only be engaging in conjecture. So this is not science.

  • JEAN-PAUL MARAT: I am not given to conjecture, Monsieur.

  • ANTOINE LAVOISIER: No. If you will you excuse me, I am extremely busy today. Thank you.

  • Thank you.

  • JEAN-PAUL MARAT: So that is all? Then, good day, Monsieur.

  • JEANE MANSON (Dramatization): Let me guess, Marat. The King's scientific despot has decreed

  • that your invention does not conform to the version of the truth as laid down by the Academy.

  • JEAN-PAUL MARAT: Lavoisier, he talks about facts; he worships the truth.

  • JEANE MANSON: Listen to me, my friend. They are all the same, the Royal Academies. They

  • insult the liberty of the mind.

  • JEAN-PAUL MARAT: They think they are the sole arbiters of genius. They are rotten to the

  • core, just like every other tentacle of the King. The people, it is they who will determine

  • right and wrong.

  • JEANE MANSON: Don't worry. In my next pamphlet, I will expose this persecutor of yours.

  • NARRATOR: For years the Lavoisier's burned, chopped, melted and boiled every conceivable

  • substance. They'd shown that as long as one is scrupulous about collecting all the vapors,

  • liquids and powders created in a transformation then mass is not decreased. Liquids might

  • become gases, metals may rust, wood may become ash and smoke, but matter, the tiny atoms

  • that make up all substances, none of it is ever lost. The crowning glory of this opus

  • was their remarkable use of static electricity to cause oxygen and hydrogen to recombine

  • back into water.

  • MARIE ANNE PAULZE: What is happening?

  • NARRATOR: As the French Revolution exploded, the royal family and whole swathes of aristocrats

  • lost their heads on the guillotine.

  • PATRICIA FARA: To the French revolutionaries of 1790, Lavoisier meant one thing and one

  • thing only: he was the despised tax collector who'd built the wall around Paris.

  • NARRATOR: Lavoisier's job as a tax collector brought him under suspicion. He was denounced

  • by a failed scientist turned radical journalist, Jean-Paul Marat.

  • DAVID BODANIS: What Lavoisier did was absolutely central to science and especially to E = mc2,

  • because what he said is if you take a bunch of matter, you can break it apart, you can

  • recombine it, you can do anything to it, and the stuff of the matter won't go away. If

  • the mob burned Paris to the ground, utterly raised it, shattered the bricks into rubble

  • and dust, and burned the buildings into ashes and smoke, it turns out if you put a huge

  • dome over Paris and weighed all the smoke and all the ashes and all the rubble, it would

  • add up to the exact same weight of the original city and the air around it before. Nothing

  • disappears.

  • NARRATOR: A century later, all of nature had been classified into two great domains. There

  • was energyhe forces that animated objectsand there was massthe physical stuff that made

  • up those objects. The whole of 19th century science rested on these two mighty pillars.

  • The laws that governed one did not apply to the other. But young, newly enrolled physics

  • student Albert Einstein didn't like laws.

  • MICHELE BESSO (Dramatization): Good grief, Einstein, what happened to you?

  • ALBERT EINSTEIN: It is more than a little ironic, having been reprimanded yesterday

  • by that idiot Professor Pernet for poor attendance, that I should, in fact, attend a practical

  • lesson which was as long as it was boring, and utterly pointless by the way, only to

  • be the victim of an explosion of my own apparatus.

  • MICHELE BESSO: And so it was your own fault then?

  • ALBERT EINSTEIN: Thank you. And how are you today, Fraulein Maric?

  • MILEVA MARIC: Extremely well, Herr Einstein. All the better for seeing you have escaped

  • the physics laboratory with your life.

  • ALBERT EINSTEIN: Well, in order not to alarm you any further, I pledge to forever continue

  • my studies here at the Cafe Bahnhof, reading only the great masters of theoretical physics

  • and eschewing the babbling nonsense of the polytechnicians.

  • MICHELE BESSO: Hah. That's about all you ever do.

  • ALBERT EINSTEIN: It's getting a little stuffy in here, Fraulein Maric. Would you care to

  • take a walk with me? There's something I'd like to discuss with you.

  • MILEVA MARIC: Why, Herr Einstein, of course. Perhaps, you'd like me to tell you what you

  • have missed in lectures this week?

  • DAVID KAISER (Physicist and Historian, Massachusetts Institute of Technology): Einstein wasn't

  • exactly a model student. He excelled in certain subjects, especially physics and math, but

  • he wasn't very diligent in a lot of his other classes. He was undoubtedly very questioning,

  • which seems to have annoyed most of his professors throughout his life. He would pursue his fascinations

  • with just incredible determination.

  • MICHIO KAKU (Physicist, City University of New York): We know from his letters that Einstein,

  • even from the age of 16, was literally obsessed with the nature of light. Everyone he could

  • speak to, his friends, his colleagues, even his then girlfriend, Mileva Maricwho would

  • become his wifeeveryone he badgered with the question, "What is light?"

  • ALBERT EINSTEIN: What would I see if I rode on a beam of light?

  • MILEVA MARIC: What? A beam of light? By what method do you propose to ride on this beam

  • of light?

  • ALBERT EINSTEIN: The method is not important. Let us just imagine we two are young, radical,

  • bohemian experimenters, hand in hand, on a journey to the outer reaches of the universe,

  • and we are riding on the front of a wave of light.

  • MILEVA MARIC: I really don't know what you are suggesting, Herr Einstein. Do you wish

  • to hold my hand or ridicule me?

  • ALBERT EINSTEIN: Ridicule you? No, never. I merely want you to help me to understand.

  • What would we see, do you think, if we were together, and we sped up and up until we caught

  • up to the front of a beam of light? What would we see?

  • NARRATOR: It was Einstein's relentless pursuit of light, which would bring about a revolution

  • in science. With light he would reinvent the universe and find a hidden pathway that would

  • unite energy and mass.

  • Light moves incredibly fast: 670 million miles per hour. That's why scientists use the term

  • "C." It stands for Celeritas, Latin for "swiftness." Long before the 19th century, scientists had

  • computed the speed of light, but no one knew what light actually was. Back in England,

  • a man we've already met was willing to make an educated guess.

  • After Sir Humphry Davy's death, Michael Faraday became Professor Faraday, one of the most

  • important experimenters in the world. The scientific establishment still found it hard

  • to accept that electricity and magnetism were just two aspects of the same phenomenon, which

  • Faraday called "electromagnetism." But now he has an even more outrageous proposal for

  • his audience.

  • MICHAEL FARADAY: ...invisible lines that can emanate from electricity in a wire, from a

  • magnet, or even from the sun. For it is my contention that light itself is just one form

  • of these vibrating lines of electromagnetism.

  • NARRATOR: For 15 years, Faraday struggled to convince the skeptics that Light was an

  • electromagnetic wave, but he lacked the advanced mathematics to back up his idea. Eventually,

  • someone came to his rescue. Professor James Clark Maxwell believed in Faraday's farsighted

  • vision, and he had the mathematical skill to prove it. Maxwell and the aging Faraday

  • became close friends.

  • MICHAEL FARADAY: James, James, forgive me. A word of advice: don't get old.

  • JAMES CLARK MAXWELL (Dramatization): Michael, how are you?

  • MICHAEL FARADAY: Oh, I'm fine. Memory isn't too good though.

  • JAMES CLARK MAXWELL: Well, I thought you might like to see what I've just published.

  • MICHAEL FARADAY: Oh, yes, yes, splendid.

  • JAMES CLARK MAXWELL: So your results show that when electricity flows along a wire what

  • it actually does is create a little bit of magnetism. As that magnetic charge moves it

  • creates a little piece of electricity.

  • MICHAEL FARADAY: Electricity?

  • JAMES CLARK MAXWELL: Electricity and magnetism are interwoven, like a never-ending braid,

  • so it is always pulsing forward.

  • MICHAEL FARADAY: That's wonderful.

  • JAMES CLARK MAXWELL: Michael, Michael. There's something very crucial in the math. This electricity

  • producing magnetism and magnetism producing electricity, it can only ever happen at a

  • very particular speed. The equations are very clear about it. They come up with just one

  • number, 670 million miles per hour.

  • MICHAEL FARADAY: I'm not sure I...

  • JAMES CLARK MAXWELL: It's the speed of light. That is the speed of light. You were right

  • all along, light is an electromagnetic wave.

  • NARRATOR: Maxwell had proven Faraday right. Electricity and magnetism are just two aspects

  • of a deeper unity, a force, now called electromagnetism, which travels at 670 million miles per hour.

  • In its visible form it is nothing other than light itself.

  • And nothing fascinated the young Einstein more than light.

  • MILEVA MARIC EINSTEIN: We have lectures in half an hour.

  • ALBERT EINSTEIN: Oh, let me think: Professor Weber and his life-draining monologue or you,

  • Mozart and James Clark Maxwell?

  • MILEVA MARIC EINSTEIN: We can't. We'll get a warning.

  • ALBERT EINSTEIN: Our project is too precious to waste time listening to those dullards.

  • Come with me. We'll read Maxwell and think about the electromagnetic theory of light.

  • MILEVA MARIC EINSTEIN: Oh, why, my dear little Johnnie, how you enchant a lady. She's very

  • pretty.

  • ALBERT EINSTEIN: Yes, but can she soar and dance like our dark souls do?

  • DAVID BODANIS: Maxwell's equations contained an incredible prediction. They said you could

  • never catch up to a beam of light. Even if you were traveling at 670 million miles an

  • hour, you would still see light squiggle away from you at 670 million miles an hour.

  • ALBERT EINSTEIN: Do you see how she stares at that wave?

  • MILEVA MARIC EINSTEIN: Yes.

  • ALBERT EINSTEIN: You see how, for her, it is static? She and the wave are traveling

  • at the same speed. We see the moving through the water. But relative to her it just sits

  • there. So is light like that?

  • MILEVA MARIC EINSTEIN: Common sense would say that if you caught up to a light beam,

  • there would be a wave of light, just sitting there. Maybe it would be shimmering, a bit

  • of electricity and a bit of magnetism.

  • ALBERT EINSTEIN: So, if she was traveling alongside the light wave it wouldn't be moving.

  • It would be static. But Maxwell says you can't have static light.

  • MILEVA MARIC EINSTEIN: Maybe Maxwell is wrong. Maybe if you catch up to light it is static,

  • Albert, like a wave next to a boat.

  • ALBERT EINSTEIN: Imagine if I were sitting still and holding a mirror to my face. And

  • the light travels from my face to the mirror, and I see my face. However, if I and the mirror

  • were traveling at the speed of light?

  • MILEVA MARIC EINSTEIN: You're going at the same speed as the light leaving your face?

  • ALBERT EINSTEIN: Exactly.

  • MILEVA MARIC EINSTEIN: The light never reaches the mirror?

  • ALBERT EINSTEIN: So would I be invisible?

  • MILEVA MARIC EINSTEIN: That doesn't make sense.

  • NARRATOR: Young Einstein was starting to realize that light was unlike any other kind of wave.

  • Einstein was about to enter a surreal universe where energy, mass and the speed of light

  • intermingled in a way no one had ever suspected. But there was one last mathematical ingredient

  • that Einstein would need, the everyday process of squaring.

  • Long before the French Revolution, scientists were not sure how to quantify motion. Equations

  • that explained how objects moved and collided were in their infancy. A crucial contribution

  • to this subject would come from an unusual source. Meet the aristocratic, 16-year old

  • daughter of one of King Louis the XIV courtiers, Emilie Du Chí¢telet.

  • CHARLES (Dramatization): Quickly, father's coming.

  • NARRATOR: Emilie du Chí¢telet would have a huge effect on physics in her tragically

  • short lifetime. Unheard of, for a woman of her time, she would publish many scientific

  • works, including a translation of Sir Isaac Newton's Principia, the greatest treatise

  • on motion ever written. Du Chí¢telet's translation is still the standard text in France today.

  • TUTOR (Dramatization): Musa, mihi causas memora?

  • CHARLES: Muse, my memory causes...?

  • EMILIE DU CHí‚TELET: "O Muse. The causes and the crimes relate; what goddess was provok'd,

  • and whence her hate; For what offence the Queen of Heav'n began to persecute so brave,

  • so just a man."

  • EMILIE'S FATHER (Dramatization): Do not be cross with your sister because she persecutes

  • many a just man. Only the other night Emilie silenced the Duc du Luynes when she divided

  • a ridiculously long number in her head in a matter of seconds. You should have seen

  • the incredulity on their faces when they realized Emilie was correct.

  • CHARLES: Was it my sister's astounding intelligence or her boundless beauty that made their mouths

  • gape, I wonder?

  • EMILIE'S FATHER: Ah well, yes, you have a point, Monsieur.

  • EMILIE DU CHí‚TELET: Messieurs, I thank you for your kindness. I fear, however, that

  • my wit is only a curiosity to others. If only my mind was permitted opportunity.

  • EMILIE'S FATHER: My dearest, Emilie. You are blessed with intellect and courage. Use them

  • both and the world will fall at your feet.

  • JUDITH ZINSSER (Du Chí¢telet Biographer): In one sense, she is a woman utterly out of

  • her true time and place. She is a philosopher, a scientist, a mathematician, a linguist.

  • She demands a freedom that women didn't begin to enjoy until over 150 years later, a freedom

  • to study science, to write about it and to be published.

  • NARRATOR: Du Chí¢telet married a general in the French army at age nineteen and had

  • three children. She ran a busy household, all the while pursuing her passion for science.

  • She was 23 when she discovered advanced mathematics. She enthusiastically took lessons from one

  • of the greatest mathematicians of the day, Pierre de Maupertuis. He was an expert on

  • Newton, and she was his eager young student. It seems they had a brief affair. But then

  • he set off on a Polar Expedition.

  • Du Chí¢telet then fell passionately in love with Voltaire, France's greatest poet. A fierce

  • critic of the King and the Catholic Church, Voltaire had been in prison twice and exiled

  • to England, where he became enthralled by the ideas of Newton. Back in France, it wasn't

  • long before he again insulted the King. Du Chí¢telet hid him in her country home.

  • CHARACTER (Dramatization): The poor little creature is devoted to him.

  • NARRATOR: Isolated far from Paris, Du Chí¢telet and Voltaire turned her chateau into a palace

  • of learning and culturecomplete with its own tiny theatreand all with the apparent

  • blessing of her husband.

  • PATRICIA FARA: There is a great deal of myth surrounding Du Chí¢telet and her love life.

  • And most of it is very exaggerated. But her husband did accept Voltaire into his household,

  • and he often went to Paris on behalf of Voltaire. He went to his publisher to plead Voltaires'

  • case, to keep Voltaire out of jail. And it is also true that Emilie Du Chí¢telet did

  • have several affairs of a fleeting nature.

  • JUDITH ZINSSER: She created an institution to rival that of France's Royal Academy of

  • Sciences. Many of the great philosophers, poets and scientists of the day visited.

  • EMILIE DU CHí‚TELET: Ah, Monsieur you are young. I hope that soon you will judge me

  • for my own merits or lack of them, but do not look upon me as an appendage to this great

  • general or that renowned scholar. I am, in my own right, a whole person, responsible

  • to myself alone for all that I am, all that I say, all that I do.

  • NARRATOR: Du Chí¢telet learned from the brilliant men around her, but she quickly

  • developed ideas of her own. Much to the horror of her mentors, she even dared to suspect

  • that there was a flaw in the great Sir Isaac Newton's thinking.

  • Newton stated that the energy of an object, the force with which it collided with another

  • object, could very simply be accounted for by its mass times its velocity. In correspondence

  • with scientists in Germany, Du Chí¢telet learned of another view, that of Gottfried

  • Leibniz. He proposed that moving objects had a kind of inner spirit. He called it "vis

  • viva," Latin for "living force." Many discounted his ideas, but Leibniz was convinced that

  • the energy of an object was made up of its mass times its velocity, squared.

  • DAVID BODANIS: Taking the square of something is an ancient procedure. If you say a garden

  • is "four square," you mean that it might be built up by four slabs along one edge and

  • four along the other so the total number of paving slabs is four times four, is 16. If

  • the garden is eight square, eight by eight, well eight squared is 64, it'll have 64 slabs

  • in it. This huge multiplication, this building up by squares is something you'd find in nature

  • all the time.

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: Emilie, Emilie, you are being absurd. Why ascribe

  • to an object a vague and immeasurable force like vis viva? It is a return to the old ways.

  • It is the occult.

  • EMILIE DU CHí‚TELET: When movement commences, you say it is true that a force is produced

  • which did not exist until now. Think of our bodies, to have free will we must be free

  • to initiate motion. So, all Leibniz is asking is, "Where does all this force come from?"

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: In your case, my dear, the force, I'm sure, is primeval.

  • EMILIE DU CHí‚TELET: Aaah, you're infuriating. You hide behind wit and sarcasm. You only

  • think you understand Newton. You are incapable of understanding Leibniz. You are a provocateur.

  • Everything you do is about something else and makes trouble for you. Criticize this,

  • denounce that. Are you capable of discovering something of your own?

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: I discovered you.

  • NARRATOR: Despite the overwhelming support for Newton, Du Chí¢telet did not waver in

  • her belief. Eventually, she came across an experiment performed by a Dutch scientist,

  • Willem 'sGravesande that would prove her point.

  • EMILIE DU CHí‚TELET: 'sGravesande, in Leiden, has been dropping lead balls into a pan of

  • clay.

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: Dropping lead balls into clay? How very imaginative.

  • EMILIE DU CHí‚TELET: Using Newton's formulas, Monsieur Voltaire, he then drops a second

  • ball from a higher height, calculated to exactly double the speed of the first ball on impact.

  • So, Messieurs, care for a little wager? Newton tells us that by doubling the speed of the

  • ball, we will double the distance it travels into the clay. Leibniz asks us to square that

  • speed. If he is correct the ball will travel not two, but four times as far. So who is

  • correct?

  • PIERRE LOUIS DE MAUPERTUIS (Dramatization): Messieurs, I feel Mister Newton's reputation

  • dwindling, ever so slightly.

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: Oh, Maupertuis, do not succumb to her. There is no earthly

  • reason to ascribe hidden forces to this Dutchman's lead balls.

  • EMILIE DU CHí‚TELET: Well, the ball travels four times further.

  • DAVID BODANIS: Turns out Leibniz is the one who is right. It's the best way to express

  • the energy of a moving object. If you drive a car at twenty miles an hour, it takes a

  • certain distance to stop if you slam on the breaks. If you're going three times as fast,

  • your going sixty miles an hour, it won't take you three times as long to stop, it'll take

  • you nine times as long to stop.

  • PIERRE LOUIS DE MAUPERTUIS: Oh. Well, it does seem worth consideration.

  • FRANCESCO ALGAROTTI (Dramatization): Perhaps we might look over his calculations?

  • EMILIE DU CHí‚TELET: I have already checked his figures. I am sure Leibniz is correct

  • on this point. I intend to include a section on this matter in my book.

  • PIERRE LOUIS DE MAUPERTUIS: Really? Do be careful, Madame. Do you think the Academy

  • is ready for such an opinion?

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: Quite, quite. We really should be careful...

  • EMILIE DU CHí‚TELET: "We?"

  • I see no reason to delay. There is no right time for the truth.

  • JUDITH ZINSSER: Emilie du Chí¢telet published her Institutions of Physics in 1740, and it

  • provoked great controversy. Voltaire wrote that "she was a great man whose only fault

  • was being a woman." In her day that was a great compliment.

  • EMILIE DU CHí‚TELET: I am with child.

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: You are sure?

  • EMILIE DU CHí‚TELET: Undoubtedly. Two to three months. I'm afraid...

  • FRANCOIS-MARIE AROUET DE VOLTAIRE: You are afraid? Well you should have...Oh, well, this

  • child is obviously not mine, nor is it your husband's. Oh, Emilie, Emilie.

  • PATRICIA FARA: Emilie Du Chí¢telet knew that in the 18th century, for a woman to become

  • pregnant at the age of forty-three was really very dangerous, and all the while she was

  • pregnant she had terrible premonitions about what was going to happen.

  • NARRATOR: All her life Du Chí¢telet had tried to rise above the limitations placed

  • on her gender. In the end it was an affair with a young soldier that led to her demise.

  • Six days after giving birth to her fourth child she suffered an embolism and died.

  • Emilie du Chí¢telet's conviction, that the energy of an object is a function of the square

  • of its speed, sparked a fierce debate. After her death it took a hundred years for the

  • idea to be acceptedjust in time for Einstein to use this brilliant insight to finally bring

  • energy and mass together with light.

  • Einstein pursued light right through university and beyond. Unfortunately, he'd upset so many

  • professors that no one would write him a reference. He accepted a low paying job in the Swiss

  • patent office. He and Mileva married and had a child. The young family struggled, but none

  • of it seems to bother Albert.

  • DR. HALLER (Dramatization): Einstein, I see you are busy as usual.

  • Look, Einstein, you have shown some quite good achievements. But listen, about your

  • promotion, I really think it would be better to wait until you have become fully familiar

  • with mechanical engineering. I'm sorry, perhaps next time.

  • MILEVA MARIC EINSTEIN: But I wanted to hire a maid so I can get back and finish my degree.

  • Now I'll never pass my dissertation.

  • ALBERT EINSTEIN: Oh, come, come, my pretty little duck. All will be fine, you'll see.

  • MILEVA MARIC EINSTEIN: But how will it be fine Albert? Do I have to just wait another

  • year, until you are promoted?

  • ALBERT EINSTEIN: All will be fine. All will be fine. You'll see.

  • DAVID BODANIS: There really is a very charming, but kind of a self-centered streak to Einstein.

  • He focuses only on his particular obsessions. If the rest of the world fits in around him,

  • that's fine, if they can't, it doesn't bother him.

  • MICHELE BESSO: Albert, Albert, Albert. A pretty neck and your head spins.

  • ALBERT EINSTEIN: Besso, we must behold and comprehend the mysterious.

  • MICHELE BESSO: Well, that kind of mysterious is going to get you into trouble.

  • ALBERT EINSTEIN: I'll tell you what is truly mysterious, the secret of a long and happy

  • marriage. Ha, ha.

  • CONRAD HABICHT (Dramatization): The mathematics are fine, if a little unconventional. But

  • this only works for big systems. It'll fall down when you apply it to small systems.

  • ALBERT EINSTEIN: I disagree.

  • MICHELE BESSO: Oh, no, here we go: another grand theory by Herr Albert Einstein, Patent

  • Clerk, Third Class.

  • ALBERT EINSTEIN: What would happen if one applied those formulas to electromagnetic

  • radiation?

  • CONRAD HABICHT: Albert, you can't just borrow one bit of physics and apply it, without proper

  • regard, to a completely different area.

  • ALBERT EINSTEIN: Why not?

  • MICHELE BESSO: Albert, I know you like the grand linkages, the big theories, but wouldn't

  • things be better all'round if you just got going in some small area, got a university

  • post. Get a decent wage, for God's sake. At least Mileva could study again. Then she'd

  • be happy and you'd be happy.

  • ALBERT EINSTEIN: Ah, the vulgar struggle for survival, food and sex: spoken like a true

  • bourgeois, Besso. I want to know how God created this world. I am not interested in this or

  • that phenomenon, in the spectrum of this or that element. I want to know his thoughts.

  • The rest are details.

  • MICHELE BESSO: Yes, but you can't feed your children on his thoughts, Bertie.

  • DAVID KAISER: So it turns out Einstein was going for walk with his very close friend

  • Michele Besso. They'd studied physics together and talked about physics and philosophy for

  • years and years. They were very close. They had cornered the question of light from every

  • possible angle.

  • NARRATOR: As Einstein and Besso were ruminating on how much time it would take light to reach

  • them from clocks at different distances, Einstein had a monumental insight.

  • ALBERT EINSTEIN: Thank you, thank you! I've completely solved the problem.

  • MICHELE BESSO: Albert?

  • DAVID BODANIS: What Einstein did was completely turn the problem on its head. Other scientists

  • had found it impossible to accept Maxwell's idea that light would always move away from

  • you at 670 million miles an hour, even if you, too, were traveling really fast. But

  • Einstein just accepted that as a fact: light's speed never ever changes. Then what he did

  • was bend everything we know about the universe to fit light's fixed speed. What he discovered

  • was that to do that you have to slow down time.

  • LISA RANDALL (Physicist, Harvard University): His extraordinary insight is that time...as

  • you approach the speed of light, time itself will slow down. It's a monumental shift in

  • how we see the world.

  • MICHIO KAKU: The instant, the very instant when Einstein had this brilliant insight that

  • time could slow down, well the floodgates began to open. You see, before then people

  • had assumed that time was like a wristwatch on God's hand, that it beat at a steady rate

  • throughout the universe no matter where you were. Einstein said no, that the tick, tick,

  • tick of this wristwatch was actually the click, click, click of electricity turning into magnetism

  • turning into electricityin other words, the steady pace of light itself.

  • DAVID BODANIS: 1905 was a miraculous year for Einstein and for physics. He had an unbelievable

  • outpouring of creativity. It starts with his publication of a paper on how to work out

  • the true size of atoms. Two months later is the publication of his paper on the nature

  • of light. That's what will earn him the Nobel Prize. The third paper, only a month later

  • is on how molecules move when heated, and that finally ends the debate on whether atoms

  • really exist. The fourth paper is published at the end of this half-year period. In it

  • Einstein sets out his theory of light, time and space. It was the "Theory of Special Relativity"

  • that changed the way we see the world.

  • NARRATOR: In Einstein's new world, the one true constant was not time or even space,

  • but light.

  • But Einstein's miracle year was not over; in one last great 1905 paper, he would propose

  • an even deeper unity. As he computed all the implications of his new theory he noticed

  • another strange connection, this one between energy, mass and light.

  • DAVID BODANIS: Einstein realizes that the speed of light is kind of like a cosmic speed

  • limit, nothing can go faster. So imagine we have a train charging along. And let's say

  • it's getting up to the speed of light, and we're stuffing more and more energy in trying

  • to get it to go faster and faster, but it's still bumping up against the speed of light.

  • So all this energy, where does it go? It has to go somewhere. Amazingly it goes into the

  • object's mass. From our point of view, the train actually gets heavier. The energy becomes

  • mass. It's an incredible idea. Even Einstein is amazed by it.

  • ALBERT EINSTEIN: Look. I think I have found a connection between energy and mass. If I

  • am right then energy and mass are not absolute. They are not distinct. They can be converted

  • into one another. Energy can become mass, and mass can become energy, and not just energy

  • equaling mass. Energy equals mass times the square of the speed of light.

  • MILEVA MARIC EINSTEIN: Would you like me to check your mathematics?

  • NARRATOR: Einstein sent his fifth great 1905 paper for publication. In three pages he simply

  • stated that energy and mass were connected by the square of the speed of light: E=mc2.

  • With four familiar notes in the scale of nature, this patent officer had composed a totally

  • fresh melody, the culmination of his 10 year journey into light.

  • DAVID BODANIS: Here we are, for thousands of years, thinking that over here is a world

  • of objects, of matter, and over there is an entirely separate world of movement, of forces,

  • of energy. And Einstein says "No. They are not separate. Energy can become mass. And

  • crucially, mass can also become energy." There is a deep unity between energy, matter and

  • light.

  • MICHIO KAKU: "E = mc2." That equation shows that every piece of matter in our universe

  • has stored within it a fantastic amount of energy. The speed of light for example is

  • about 300 million meters per second, you multiply that by itself and you get 90 quadrillion.

  • So, in other words, what is matter? In some sense, matter is nothing but the condensation

  • of vast amounts of energy. So, in other words, if you could unlock, somehow unlock, all the

  • energy stored within my pen, that would erupt with a force comparable to an atomic bomb.

  • LISA RANDALL: After Einstein's fifth great 1905 paper, physicists no longer spoke of

  • mass or energy. They are now the same thing to us.

  • NARRATOR: Probably the most miraculous year in human science ends in silence. The articles

  • are published to resounding...nothing.

  • ALBERT EINSTEIN: I think the Gods are laughing at me.

  • NARRATOR: Then slowly it starts: a letter here, a letter there. For four years Einstein

  • answered each inquiry dutifully, trying to explain his difficult, complex ideas to a

  • confused physics community.

  • S. JAMES GATES, JR.: I love the idea that life just went on as normal. Here are these

  • universe-changing papers circling around, and the world is struggling to come to terms

  • with them.

  • MICHIO KAKU: Einstein had a fan club of just one. Luckily, it happened to be the most important

  • living physicist.

  • DR. HALLER: Einstein, Einstein. Max Planck has sent someone to see you.

  • ALBERT EINSTEIN: Max Planck?

  • DR. HALLER: Yes, he has sent his assistant. He's here to see you.

  • NARRATOR: Max Planck encourages the world's most eminent physicists to take Einstein seriously.

  • After four years of waiting he is appointed Professor of Physics at Zurich University.

  • From there his career is meteoric. He is made Professor of Physics in Berlin, achieves world

  • renown and becomes a household name. He is the undisputed father of modern physics.

  • But Einstein's success was the downfall of his marriage. In 1919, he divorced Mileva

  • and married his cousin. His fame led to numerous affairs.

  • E = mc2 became the Holy Grail of science. It held out the promise of vast reserves of

  • energy locked deep inside the atom. Einstein suspected that it would take a hundred years

  • of research to unlock it. But he hadn't banked on the Second World War and the genius of

  • a Jewish woman in Hitler's Germany.

  • Twenty-eight year old Austrian Lise Meitner was painfully shy. Despite her anxiety, the

  • young Doctor of Physics arrived in Berlin determined to pursue a career in the exciting,

  • new field of radioactivity. Unfortunately, in 1907, German universities did not employ

  • female graduates. Luckily, one man came to her aid.

  • OTTO HAHN: Fraulein Meitner?

  • LISE MEITNER: Yes?

  • OTTO HAHN: Otto Hahn. I'm a researcher in the Chemistry Institute. Professor Planck

  • suggested I...

  • LISE MEITNER: Ah yes, Herr Hahn. I have read both your papers on Thorium and Mesothorium.

  • Dr. Planck suggested that I...

  • OTTO HAHN: Yes, he suggested I speak to you. I need someone to collaborate with.

  • LISE MEITNER: I think I could really help with the physical analysis.

  • OTTO HAHN: And the mathematics?

  • LISE MEITNER: Yes, yes, and the mathematics.

  • OTTO HAHN: Studying radioactive atoms has become so much a collaboration between chemistry

  • and physics these days.

  • LISE MEITNER: Yes, yes.

  • OTTO HAHN: I'll ask Fischer for a laboratory then.

  • LISE MEITNER: Excellent.

  • OTTO HAHN: I'll speak to you soon.

  • NARRATOR: Lise Meitner had just taken the first step on a journey that would irrevocably

  • change world history. For her, it would be a road marked with success and renown, but

  • also with terror and betrayal.

  • DAVID BODANIS: At this time, not a lot was known about the atom. At first people thought

  • it was like a miniature cellular system, there's a solid nucleus of the center and electrons

  • would spin around it, sort of like planets around our sun. A little later, some researchers

  • proposed that the nucleus itself wasn't a solid chunk but was made up of separate particles,

  • of protons and neutrons. But then, in what are called radioactive metals, things like

  • radium and uranium, the nucleus itself seemed to be unstable, leaking out energy and particles.

  • Perhaps this was an example of E = mc2, the mass of a nucleus turning into energy?

  • NARRATOR: Meitner and Hahn's collaboration to unlock the secrets of the atom, started

  • out on an extremely unequal footing. He was given a laboratory. She was forced to work

  • in a woodshop.

  • OTTO HAHN: I see you haven't set your hair on fire?

  • LISE MEITNER: Herr Hahn?

  • OTTO HAHN: The boss. He thinks that if he lets women into the Chemistry Institute they'll

  • set their hair on fire.

  • LISE MEITNER: Ah, so his beard must be fireproof.

  • STAFF MEMBER (Dramatization): Good day, Herr Hahn.

  • OTTO HAHN: Good day.

  • LISE MEITNER: You see. I am nonexistent to this place. At least physicists recognize

  • me for my abilities.

  • OTTO HAHN: Ah, yes, where would we chemists be without the steadying hand of the physicist?

  • RUTH LEWIN SIME (Meitner Biographer): It took years, but Lise lost her shyness eventually.

  • In 1912, she and Hahn moved to the brand new Kaiser Wilhelm Institute for Chemistry where

  • their status was really that of equals. Lise became the first woman in Germany to have

  • the title of Professor.

  • OTTO HAHN: Lise, I have news. You remember the art student I told you of?

  • LISE MEITNER: Yes. Edith.

  • OTTO HAHN: Yes, well, I have asked her to marry me, and she has accepted.

  • LISE MEITNER: Ah. Doctor Hahn, congratulations.

  • OTTO HAHN: Yes, well, I wanted you to be the first to know.

  • LISE MEITNER: I'm very pleased for you, very pleased.

  • RUTH LEWIN SIME: Lise Meitner was warm hearted by nature, she had many friends, and she may

  • have wanted to have a closer relationship with Otto. But it really does seem that physics

  • was Lise's first love, maybe even her passion.

  • NARRATOR: The 1920s and '30s were the golden age of nuclear research. The largest known

  • nucleus at the time was that of the Uranium atom containing 238 protons and neutrons.

  • Meitner and Hahn were leading the race to see if even bigger nuclei could be created

  • by adding more neutrons.

  • LISE MEITNER: So, the atompretty familiar, nucleus in the center, electrons orbiting

  • around. The nucleus is our focus: the nucleus, made up of protons and neutrons. Now, the

  • largest nucleus we know is that of the Uranium atom. Its nucleus is a tightly packed structure

  • of 238 protons and neutrons. The thrust of our work is to try to fire neutrons into this

  • huge structure, and if we can get a neutron to stick in here, it will be a breakthrough.

  • NARRATOR: Meitner may have been on the brink of a major discovery, but Germany in the 1930s

  • was a dangerous place to be, even for a world-class scientist.

  • KURT HESS: The Jewess endangers our Institute.

  • RUTH LEWIN SIME: When the Nazis came to power, one of the first things they did was to drive

  • out Jewish academics from the universities. Einstein was very prominent, and for that

  • reason he was one of the first to go. He was hounded out of Germany in 1933. Lise was not

  • dismissed at that time. She was able to stay because she was Austrian. But in March 1938,

  • Austria was annexed into Germany, and at that point her situation became untenable.

  • OTTO HAHN: What is it?

  • LISE MEITNER: Frightening news.

  • FRITZ STRASSMAN (Dramatization): What's happened?

  • LISE MEITNER: Kurt Hess is going around saying that I should be got rid of.

  • OTTO HAHN: I, I actually knew. I heard today. I was going to speak to the treasurer of the

  • Institute before I told you. We'll speak to him tomorrow.

  • Come on, let's get you home. It's late. We'll finish up.

  • NARRATOR: The pressure on Meitner was unbearable. Hahn, who was known for his anti-Nazi views,

  • did his best to protect her, at least initially.

  • OTTO HAHN: I need to talk to you about Lise.

  • HEINRICH HORLEIN (Dramatization): Not now, I'm too busy.

  • OTTO HAHN: We have to protect her.

  • HEINRICH HORLEIN: How? What can we do? The situation is the way it is. Who knows what

  • could happen next? She can't stay. It's just not tenable.

  • OTTO HAHN: But she hasn't got a visa or even a valid passport, and she may soon be forbidden

  • to leave Germany.

  • HEINRICH HORLEIN: We can't harbor a Jew. If she stays the regime will shut us all down.

  • OTTO HAHN: Lise, Horlein demands that you leave.

  • FRITZ STRASSMAN: You can't throw her out.

  • OTTO HAHN: Horlein says you should not come into the Institute any more.

  • LISE MEITNER: Well, I have to write up the thorium irradiation tomorrow, so I have to

  • come in.

  • FRITZ STRASSMAN: You've given up.

  • NARRATOR: When it became clear that Meitner would be dismissed and probably arrested,

  • physicists all around Europe wrote letters inviting her to conferences, giving her an

  • excuse to leave Germany. The Nazis refused to let her go. In July of 1938, a Dutch colleague

  • traveled to Berlin and illegally took Lise back with him on a train to Holland. The trip

  • was so frightening that at one point she begged to go back. Despite the great danger, she

  • got through.

  • RUTH LEWIN SIME: She had lost everything: her home, her position, her books, her salary,

  • her pension, even her native language. She had been cut off from her work just at the

  • time when she was leading the field and was on the brink of a major scientific discovery.

  • NARRATOR: No matter what privations she suffered, Lise was still thinking of physics. Amazingly

  • she and Hahn were able to collaborate by letter.

  • LISE MEITNER: I hope, my dear Otto, that after 30 years of work together and friendship in

  • the institute, that at least the possibility remains that you tell me as much as you can

  • about what is happening back there.

  • RUTH LEWIN SIME: Lise was invited by an old student friend to spend Christmas on the west

  • coast of Sweden. Her nephew, Otto Robert Frisch, who was also a physicist, came to join her

  • there.

  • OTTO ROBERT FRISCH: Aunt? Aunt? Aunt Lise? How are you, my dear? Merry Christmas?

  • Aunt?

  • LISE MEITNER: I need your help, come on let's go out.

  • OTTO ROBERT FRISCH: But, I was hoping you'd help me.

  • NARRATOR: Back in Berlin, Hahn was getting strange results. He found no evidence to suggest

  • that bombarding the uranium nucleus with neutrons had caused it to increase in size. In fact,

  • his experiments seemed to be contaminated with radium, a smaller atom. He desperately

  • needed Meitner's expert analysis. From afar, she was starting to suspect that something

  • very different was happening in their experiment.

  • LISE MEITNER: Hahn and Strassman are getting some strange results with the uranium work.

  • OTTO ROBERT FRISCH: Really?

  • LISE MEITNER: A couple of months ago Hahn told me that they were finding radium amongst

  • the uranium products. We are looking for a much bigger element, and here we are finding

  • something much smaller. I urged Hahn to check again, it couldn't be radium. And now he writes

  • to me and tells me that it's not radium, it's barium.

  • OTTO ROBERT FRISCH: But that's even smaller.

  • LISE MEITNER: Exactly. Hahn is sure that it's another error, but I don't know any more.

  • It is at least possible that barium is being produced.

  • OTTO ROBERT FRISCH: So Hahn still needs you to interpret the data.

  • LISE MEITNER: It is my work too, you know.

  • OTTO ROBERT FRISCH: Exactly.

  • LISE MEITNER: Well, I can't be there, can I? Come on, let's walk.

  • OTTO ROBERT FRISCH: Surely, he's made a mistake, hasn't he? He hasn't done what you told him

  • to.

  • LISE MEITNER: My darling, Robert, he may not be a brilliant theorist, but he's too good

  • a chemist to get this wrong.

  • RUTH LEWIN SIME: If you imagine a drop of water, a big drop, it's unstable, on the verge

  • of breaking apart. It turns out that a big nucleus like uranium is just like that. Now

  • for four years Meitner and Hahn and all other physicists had thought that if you pump more

  • neutrons into this nucleus, it'll just get bigger and heavier. But suddenly Meitner and

  • Frisch, out in the midday snow, realized that this nucleus might just get so big that it

  • would split in two.

  • LISE MEITNER: If the nucleus is so big that it has trouble staying together, then couldn't

  • just a little tiny jog from a neutron and...

  • OTTO ROBERT FRISCH: Yes, but if the nucleus did split, the two halves would fly apart

  • with a huge amount of energy. Where's that energy going to come from?

  • LISE MEITNER: How much energy?

  • OTTO ROBERT FRISCH: Well, we worked out that the mutual repulsion between two nuclei would

  • generate about 200 million electron volts. But something has to supply that energy.

  • LISE MEITNER: Wait, let me do a packing fraction calculation. The two nuclei are lighter than

  • the original uranium nucleus by about one-fifth of a proton in mass.

  • OTTO ROBERT FRISCH: What? So some mass has been lost? Einstein's E = mc2?

  • LISE MEITNER: If we multiply the lost mass by the speed of light squared we get...200

  • million electron volts. He's split the atom.

  • OTTO ROBERT FRISCH: No, no, no. You've split the atom.

  • RUTH LEWIN SIME: It was an amazing discovery. Of course in the laboratory we are talking

  • about tiny amounts of uranium and correspondingly tiny amounts of energy. But the point is that

  • the amount of energy released was relatively large and that came from the mass of the uranium

  • itself. The energy released was entirely consistent with Einstein's equation, E=mc2.

  • NARRATOR: Meitner and Frisch published the discovery of what they called nuclear fission

  • to great acclaim. But betrayal awaited them. Otto Hahn was under pressure from the Nazi

  • regime to write his Jewish colleague out of the story. He alone was awarded the 1944 Nobel

  • Prize for the discovery. In his speech he barely mentioned the leading role of Meitner.

  • Bizarrely even after the war, Hahn maintained it was he and not Meitner who had discovered

  • nuclear fission.

  • LISE MEITNER: Now I want to write something personal, which disturbs me and which I ask

  • you to read with more than 40-year friendship in mind, and with the desire to understand

  • me. I am [now] referred to as "Hahn's long time co-worker." How would you feel if you

  • were only characterized as the longtime co-worker of me? After the last 15 years, which I wouldn't

  • wish on any good friend, shall my scientific past also be taken from me? Is that fair?

  • And why is it happening?

  • DAVID BODANIS: Lise Meitner had been working on this for 30 years. She'd only broken apart

  • a handful of atoms, but that was enough, once she had broken even one, the genie was out

  • of the bottle.

  • What Meitner had started...after that physicists around the world began to realize they could

  • take it a lot further.

  • NARRATOR: In 1942, an intense effort to build an atom bomb was begun. All over America,

  • secret installations sprang up under the code name "The Manhattan Project."

  • DAVID BODANIS: Meitner was asked to join the Manhattan project, and she refused. She refused

  • to have anything to do with the atomic bomb. But Robert Frisch was different. He was an

  • important member of the team, because he was convinced of the need to beat the Nazis in

  • a nuclear arms race.

  • NARRATOR: A nuclear bomb was never used on Germany, but the atomic bombs dropped on Hiroshima

  • and Nagasaki demonstrated the terrible destructive power of E = mc2. Vast amounts of energy,

  • in the form of electromagnetic radiation, were released from a few pounds of uranium

  • and plutonium.

  • While the pure inquisitiveness of the world's most gifted scientists ironically had brought

  • humanity a weapon of mass destruction, the equation's life has a parallel story of creation

  • and beauty. Today, young physicists carry on Einstein's quest. Ever since its birth,

  • E = mc2 has been used to delve into the depths of time, to answer the biggest question of

  • all, "Where did we come from?"

  • At particle accelerators, researchers propel atomic particles to the speed of light and

  • smash them together, creating conditions like those in the Big Bang.

  • DAVID KAISER: E = mc2 actually tells us how the Big Bang itself happened. In the first

  • moments of creation, the universe was this immensely dense, immensely concentrated eruption

  • of energy. As it rushed apart and expanded, huge amounts of energy or "E" were converted

  • into mass or "M." Pure energy became matter, it became the particles and atoms, and it

  • eventually formed the first stars.

  • DAVID BODANIS: Our sun is a huge furnace, floating in space, and it's powered by E = mc2.

  • Now it turns out, every second, four million tons of solid mass of the sun, disappears.

  • It comes out as energy. Not just a little bit of energy, it's enough to light up our

  • entire solar system, make the solar system glow with heat and light.

  • MICHIO KAKU: And not only do stars emit energy, in accordance with E = mc2, the whole process

  • actually creates life itself. Eventually, a massive star dies, the debris floats around,

  • clusters together, gets pulled into the orbits of another star and becomes a planet. We humans

  • and the earth we stand on are made of stardust; we are a direct product of E = mc2.

  • NARRATOR: Building on the work of scientists through the ages, new generations are searching

  • for answers. Using bold new tools that reach almost to the speed of light, they can now

  • ask questions that their predecessors could never have even imagined.

  • As Einstein himself knew, the journey of discovery is sometimes painful, sometimes joyful. It

  • is as old as human curiosity itself and never, ever ends.

NARRATOR: When we think of E = mc2 we have this vision of Einstein as an old wrinkly

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