字幕表 動画を再生する 英語字幕をプリント [ENGINE REVVING] [MUSIC PLAYING] JF MUSIAL: What you're about to see is the most authentic, honest car factory in the world. Welcome to the Morgan Motor Company. Unlike other factory tours that take weeks of phone calls and emails just to orchestrate, Morgan is an open book. Every other car factory we've been to, we're always ushered past secret rooms that hold future designs and technology worth millions of dollars. This Malvern, England based workshop holds no secrets. All you'll find here are happy designers, craftsmen and women, the smell of wood, glue, leather. And did I say wood? So what do you need to know about this place? Well, this is the oldest car company in the world owned by a single family. Their designs, not much different from five decades ago. They produce a three-wheeled car called, well, the three wheeler. And simply put, this is just the coolest [BLEEP] place you'll ever visit as a car enthusiast. And what better person to give us a tour than a Morgan? A Mr. Charles Morgan. So, Charles, where are we right now? CHARLES MORGAN: Right, well, this is where it starts, really. This is the start of the Morgan assembly line. It all starts with the chassis, of course, that we actually import in from Birmingham, which is only about 30 miles north of us. But this is built for a [INAUDIBLE] shape to our designs, obviously. It's designed on a CAD [INAUDIBLE]. And as I said, it's cohesively bonded aluminium. You've got what is the same principle as the racing cars. In other words, what I'm saying is, the chassis does all the work. It provides all the stiffness. It provides all of the mounting points for the engine and the gear box and the power train. And we even, of course, fit the fuel tank. We fit all the electric wiring, which is neatly hidden inside the chassis. And you can actually start the car. You can drive it as a chassis. It's not actually driven. But we do run it. And of course we run it because we have a quality check that is demanded by BMW or by one of our engine suppliers. And that means you go through all the diagnostic checks on the engine. And what I quite like about that, doing it as a chassis, is that everything is visible. So if there are any leaks, or if there is any problems at all, it's all accessible to put right. And that's particularly pleasant if you're an electrical engineer, for example, because modern wiring [INAUDIBLE] are very, very complicated. What happens in this e-box, there's actually five computers, I think, in this car. This is actually the 4.8 liter BMW, which it's still a current engine, but they've built it especially for us. And the reason they do that is they've gone twin turbo 4.4 liter to keep the emissions down. But actually, the 4.8 in this car, because it only weighs, less than 2,000 pounds-- it's about 1,150 kilos. This car is ultra light. So actually, the emissions are very low anyway. So we didn't need to go to the complications of the twin turbos. But this is the diagnostic check equipment, so that allows us to run the engine up. -Are you sure that doesn't pick up any Nazi frequencies? [LAUGHTER] CHARLES MORGAN: It's an early mobile phone actually. I think one of the reasons why BMW quite like working with us, to be honest, is that most of their cars are still [INAUDIBLE]. And they tend to be a lot heavier than an aluminium car. So the engineers-- I'm not talking about the marketing people here, but the engineers quite enjoy seeing their product in our lightweight frame. Dr. Schmidt-- who's left unfortunately, I think he's gone to Ford-- but he was the head of engine power train at BMW. And he got out one of the earlier versions of this and said, at last, Charles, I can feel my engine. Because normally it's so quiet. [MUSIC PLAYING] JF MUSIAL: I wouldn't be able to do a full episode on the history of Morgan. It would just take too long. But here's what you need to know. The roots of the company come from HFS Morgan, with a basic vehicle formula-- Powerful motorcycle motors, light chassis, simple, resourceful, and fun. And for Malvern, where every road somehow leads up a mountain, that's especially useful. So let's start off with-- what is this thing? I've seen it before, but I have no idea what it is. JONATHAN WELLS: OK, well, this is our 2009 life car concept vehicle, really. And this was a car that featured a hydrogen fuel cell platform underneath it. So it's a completely zero emissions car. It was a great advertisement for the company, because people see a zero emissions car, and they go, wow, Morgan, a sports car maker is building something very environmentally friendly. But then you actually to get into Morgan and the brand, and it does a lot more. When you realize that all the materials in this car are locally sourced. And the factory itself isn't using big machinery, and it's hand crafting these vehicles. It's a low energy manufacture. The car is very lightweight. You've got all these other fantastic environmentally friendly accreditations that they're adding to it. So although it is a zero emissions vehicle, every Morgan is actually very environmentally friendly. They have a long life span. They're kept for a long period of time. So, it was just a testament to the way in which we build cars considerably. JF MUSIAL: I think the one thing that we all notice when we first come in here is the smell. CHARLES MORGAN: Yes, this is the wood shop. This is very unusual to find a wood shop like this in a car factory. You'll find veneers in a luxury car factory, but you won't find guys putting together solid hard wood that's this grand. Obviously these are the back presses. When you laminate some wood-- this is really heavy-- ah, I can't pick it up. But when you laminate wood, obviously you put the grain in the different directions, and then you bond them together. And of course, you want to take all the air out of it that you can to stop the air bubbles in the glue, so that creates a bonded laminate. And that's a very strong component. And of course, it's got a lot of spring in it. And it seems to last forever. That's partly why we use wood. We also use wood, to be honest, because it's environmentally correct. Because it encourages people to plant forestry. And it's the young trees that clean the air. So it's our, if you'd like, bit of greenness too. But we're actually using wood in sustainable forestries that's being kept going by people who use wood. But I suppose the other thing is it gives us a unique proposition. And these days, basically, there's so much competition in the car industry, we want to maintain something that's very Morgan. Something that's very different. And as you said, the smell's very nice, too. The 1950s. Plus Morgan plus four coupe. And we've got it here just to show that we can actually build the cars and keep the cars going on the road. For instance, Morgan probably has got about 30,000 or 40,000 cars around the world. And they do say that a Morgan never dies. The wood-- it's not in brilliant condition, is it? But the fact is that you can replace it. So basically, what people tend to do with Morgans, is that they re-chassis them. They re-body them. And they keep them going with components, which again, is very, very good from the environmental point of view. Because ideally, what you want to do is produce a product that generation after generation, like a watch, is going to want to keep going. That's very much part of our philosophy. Now, one person definitely is responsible for a chassis and for a wood frame. So if you like that, that gives the ownership to the operator. And he signs it off. He could actually sign it. Sometimes they do. They sign it. But I think it's very important to recognize that a car is a combination. It's not one person that build the whole car, but it's a combination of different people who actually are really skilled in their own particular area. The wood's ash. It's English. It grows fairly straight. Comes from England or Europe. Not America. It's faster growing in America, but it's a slow grow here. What's good about it is the grade. You don't tend to get too many knots in it, and so you can use a lot of it. And it grows fairly straight, whereas oak tends to go in lots of different directions. But it's the same material as a handle of a cricket bat, for instance. It absorbs shock really well. In the old days, in the Italian factories, they have this thing called Superleggera, and that was the aluminum body. And then you added some tubular steel frame underneath. And in a sense, this is exactly the same. This is the structure underneath the aluminum body of the three wheeler. Under this, of course, is a big tubular chassis. Yeah, but this if you like, is just a way of keeping the aluminum taut and acting as a little bit of a cushion between the chassis and the body. The problem with Superleggera, of course, is that it was steel against aluminum. So of course the aluminum reacts with the steel and corrodes. We don't have that problem with the wood. So to an extent, this is Morgan Superleggera. Without the problems. When you actually treat the wood, and obviously this is to a certain extent, how much work you want to put in. A bit like a favorite pair of shoes. They tend to get better with age. JF MUSIAL: Yeah. CHARLES MORGAN: And so will wood. And it will look better and better and better the more you rub it and polish it. This is obviously [INAUDIBLE]. So I prefer this style of luxury interior to veneers. Veneers are an acquired taste, really. Veneered cigar boxes and all that kind of thing. This is more honest, I think. Proper real wood. And of course, what you get here is you get the same thing, where you get every bit of wood slightly different. So you've got a very personal product out of wood. These jigs are slightly fascinating. They've been here since the war, I suppose. JF MUSIAL: What is the jig for? CHARLES MORGAN: Well, this is the real [INAUDIBLE] for one of the traditional cars. JF MUSIAL: Oh, cool. CHARLES MORGAN: And as you see, it's just three bits of ash with the grain going a different direction. JF MUSIAL: So you've got the vacuum stuff over there. That's the modern version of this? CHARLES MORGAN: Yes. This is just sheer brute force. JF MUSIAL: And how long are they staying in here for? CHARLES MORGAN: Half a day. Six hours. JF MUSIAL: Cool. It's very cool. JONATHAN WELLS: But what I brought to the design team essentially is 3D surfacing. So Matt would sketch the ideas out, and I'd draw with him. And then we needed some way of relating these concept sketches and aesthetic design training to the way we build cars in the shop floor. So my job would be to take the sketches and model these in 3D, sometimes in clay as well, but mainly in 3D on the computer screen. We'd apply textures and materials and colors to this, and visualize exactly what this car is going to look like. Show this to Charles, and say, here you go, Charles, this is your car in 3D. Once we have the sign-off, we would then chop this car up on the screen, take out some printed plots to the wood shop, they would make this out of wood, and then the plan would be to hand craft this entire car. So everything you see here is hand beaten from a flat sheet of aluminum. JF MUSIAL: It's amazing you've from modern technology back to old vintage technology. JONATHAN WELLS: Exactly, yeah. [MUSIC PLAYING] -And that brings up an interesting point. Every corner you turn your smell something new and wonderful, like a chef walking into a fresh produce market. But not only that, you start looking at the faces. Less than 200 people work in these work shops. Everyone from designers to wood craftsman. It's a close-knit family. Men and women with 40 years of experience between these walls training young teenagers. There are no instruction books, no Volkswagen era just-in-time logistic systems. Everything is taught by word of mouth with the hands of experience. And despite the archaic methods, it's all just working. It will continue to work for years to come, even as they ramp up daily production. CHARLES MORGAN: So once you've got the wood frame, then we cover it in aluminum. And the panels are a combination of pre-formed and literally hand assembled. So what you'll see is somebody actually wiring the edge of this. So he's turning it around and putting a-- JF MUSIAL: It's all hand done? CHARLES MORGAN: Hand done, yeah. This is actually a 1950s or 1960s body. It's a lot narrower. People were smaller in the old days. JF MUSIAL: Seems that way, yes. CHARLES MORGAN: Cars were smaller, but they're all very light. Once you've-- JF MUSIAL: Whoa! Could we both pick it up? CHARLES MORGAN: Yeah, of course. That's the whole car. JF MUSIAL: That's incredible. CHARLES MORGAN:This, again, is about a six-hour process to assemble the aluminum panel. We tend to have a half day cycle throughout the factory, so that things move on every half-- I think you'll still find the affordable cars, they're using aluminum. The new Jaguar F type is very much an aluminum car. And we pioneered that technology on the Aero, so yes, we're not perhaps pathfinders anymore, but we were pioneers then. The trouble with carbon fibers is there's a very short supply of it. It's mostly wanted by the aircraft industry. So the price has gone through the roof. So it's really only super car territory. And our buyers are not necessarily people who want to pay 500,000 pounds for a car. JONATHAN WELLS: There's certain elements that have a nod to a more classic era of motoring. And that's what's nice about a Morgan. Morgan doesn't conform to generic car design. It doesn't follow any rule book. Nowadays, car design can be quite constricted by the rules and regulations and positions of certain parts of the car. We try not to get too blinded by that. We like the proportion of the Morgan car. The wind line in vehicles like this, we try to add a bit more tension to it, and strengthen it a bit, and give it a bit more stance and purpose. But, as you say, that classic form is very much there. It's the British Coke bottle proportion on the side of the car. But, as I mentioned, some of these lines are sped up a great deal. There's a lot more sharp edges, which break the air away cleaner, and improve the aerodynamics, while staying true to what we can achieve with the actual materials. CHARLES MORGAN: So, this is our paint shop. As I say, once the car's disassembled, they all come in here. And each component is painted. We've actually got two paint shops because the constraints on our production system is paint, really. It's the slowest process, is baking the paint. JF MUSIAL: Waiting. CHARLES MORGAN: And waiting for it to dry. JONATHAN WELLS: In the development department, there's 10 of us. Very closely tight knit team. JF MUSIAL: Are you all in the same-- JONATHAN WELLS: Literally all in the same room. And everybody is a genius and a specialist in their own right that gets involved with lots of different things. And as you mentioned, you do have to conform to things like harmonization, and get this passed off. In a lot of companies, the design may happen, and then enters the next division where you can't do this and can't do that. And something's lost. And then it moves on again, and the material engineers can't quite work with this, so something else is lost. And you end up with a fairly generic form. But for us, when we're drawing and we're sketching, I've got harmonization here looking over my shoulder going, oh those headlights need to be a bit higher. So I scrap that drawing, and I work on the next thing. And arguably, that could compromise the design in some instances, but what we find is when you do hit the nail on the head, and you get something that works, really exciting concept sketch, and harmonization are happy straight away. And so are the material engineers. So is everyone else. That idea has got more chance to make it all the way to the road, to the end user, with that same excitement and drama. I think essentially over the last 10 years, it's been a roller coaster at Morgan. Cars like the Aero have come along and shown people that you can build super cars with this DNA. And when you are building vehicles, with those performance figures like the Aeros-- and even the three wheeler on the other end the spectrum-- do have, you do have to consider a lot more suspension dynamics, and aerodynamics, and all sorts of stuff. These tests are very expensive. Wind tunnels are very expensive. So small companies like us are encouraged, really, to start using a lot of onscreen simulation. So we do. We run every single CAD model through onscreen CFD. CHARLES MORGAN: Oh, nice and quiet. JF MUSIAL: Yes. CHARLES MORGAN: We're now smelling cow or leather, as we would call it. But no, essentially as I say, the assembly goes back together, and then we start to trim the inside of the car. And this is where you see the different specifications that a customer wants coming out. We actually use Scottish leather. The cows are from Scotland. I think there's less barbed wire out there, so they don't scratch them. But no seriously, that's the reason, actually. And-- JONATHAN WELLS: We had the idea for three wheeler, and we started sketching it. And 18 months later, we're all in the workshop doing a 48-hour stint building the things up ourselves, and seeing this design come to life. And it's at the Geneva Motor Show. A matter of a few months later, the first cars are on the road going to production. So from a sketch to a full complete production car on the road, you're talking less than two years, which is no time really, compared to other companies. JF MUSIAL: Comapred to the big manufacturers. The Americans, the Germans, the Japanese, who spend six, seven, eight years designing-- JONATHAN WELLS: I think that's testament to the way in which we work. And the way the factory and development and technology are all united in this pot. CHARLES MORGAN: This is basically where all the cars come after they've been road tested. JF MUSIAL: Every car gets road tested? CHARLES MORGAN: Every car gets road tested. And then it comes in here. And this is the detailing, if you like. So it enables us to really, really inspect the paint work. Essentially, each car will spend about half a day in here, get a thorough inspection, and then be passed off for quality control. JF MUSIAL: Who's the final person that signs off on a car going to the customer? CHARLES MORGAN: One of these guys. JF MUSIAL: Each person is assigned a car and sign it off? They go through a checklist of things? CHARLES MORGAN: Absolutely. JONATHAN WELLS: I think Morgan design is uncompromised. I think it's excitement and fun. It's happiness. I think people see a Morgan, and it makes them feel happy. There's no pretentiousness, there's no arrogance. It's a very honest design, which is challenging, uncompromised, and there's a lot of stories to it. There's a lot of story. There's a lot of meat to talk about in the pub, when you pull up. CHARLES MORGAN: Morgan's link with motor racing, really, is that we've used it as a test bed. So essentially, we feel that if a car performs well on the track, then it's going to perform quite well on the road. There are now, of course, test tracks as well. And that's another thing. The German manufacturers will tell you that if you can drive a car 200 miles an hour, it's going to be really quite good at 100 miles an hour. So there's an element of that in it. But we also, of course, were one of the first cars to have a bonded aluminum chassis-- adhesively bonded aluminum. Now, when I told that to my father, he said, is that a good idea, Charles? I know we made those air fix kits, but should we actually make a car like that? So we thought it would be quite a good thing to test it on the track first before some poor owner actually finds out that the bonding doesn't work. Seriously though, Le Mans is a 24-hour race. So if a car lasts 24 hours at the max at Le Mans, then it's pretty sure it's going to be a good road car as a chassis. So we use the long distance endurance racing and the GT championships to bottom out exactly what this chassis would do under great stress and under great strain. And of course, you do put bigger strain, because typically a modern sticky race tire will pull 3G, perhaps more. Whereas a road tire will only ever go up to one or a bit over one. So you're putting a hell of a lot more stress into the components. That's the main reason we do motor racing. Because it's all about enjoyment when it comes down to it. We are about actually a car factory, which provides people with the experience of having fun behind the wheel. And I think you still can in safety. The super car world, and to a certain extent, the racing world has just gone out of-- it's gone completely out of the possibilities of the normal person, and that's a shame. Because to an extent, Morgan was really about offering an affordable way of going racing, going into motor sport. I've got some lovely stories. In fact, one of them is American. The very first race at Sebring, the 12 hours at Sebring. And in fact, a competitor had had his car blow up and was in the pub, when a Morgan owner arrived. He'd only just bought his car. I think it was a week old. And he came to watch the race. And the guy in the pub said, do you want to enter with me? Because my car's blown up. And this poor bloke went, well, all right. So he ends up doing the race, and they came 13th overall. JF MUSIAL: With the car just off the showroom floor. That's cool. CHARLES MORGAN: So that was the philosophy behind Morgan, really, was to provide a car that without much work, you could enter in a race and do quite well. Those days are certainly gone. Well, internationally they are. But that doesn't mean to say that we don't still believe in that philosophy. This is the top of the hill. We have a very sophisticated assembly line, actually. It's gravity feed. Well, it's only gravity feed relatively recently because an engineering guru came around here. And he said, gosh, this is brilliant. You've got this business of no expensive equipment because you just push the car down the hill. And I said, but the problem is we're pushing them up the hill at the moment. So we've changed it now. We are pushing them down the hill.
B1 中級 米 モーガン・モーター・カンパニー世界で最も正直な自動車工場 - /DRIVEN (Morgan Motor Company: The Most Honest Car Factory in the World - /DRIVEN) 734 17 稲葉白兎 に公開 2021 年 01 月 14 日 シェア シェア 保存 報告 動画の中の単語