years alongside the various Avis Crocombes. I absolutely loved my time as a kitchen maid

様々な料理を作る　エィヴィス・クロークンと働き 台所メイドとしての役は　楽しかったです

but why did you as English Heritage decide to put costumed characters into the Service

なぜ英国遺産は　使用人職場の 登場人物に衣装を着せたのですか？

Wing? I think we were really keen to really bring the kitchens and the service range to

台所を再現し　知ることを試みること

life so we really wanted to try and do something a little bit different and we wanted to make

現代とは違う何かを知り　作りたかったのです

the most of those days when we did have the costumed interpreters in there and the interaction

衣装は　登場人物を解釈する　重要な役割があり

between the characters was really important, getting them to be real people and not just

二番煎じではない料理　本物を再現します

generic cooks. And if it hadn't been for us portraying the genuine people then we wouldn't

当時の本物の人々を　再現できないでしょう

have discovered the cookbook because it was actually through portraying Avis Crocombe

料理本を発見していなかったら エイヴィス・クロークンの古写真があったので

that Mr Stride got in touch with us and said he's got the cookbook so if that process hadn't

ストライド氏と連絡を取り合えました 彼は　料理本を持っていて

happened we may never have discovered it. And it was an absolutely stupendous discovery.

その料理本なしには　事は起きませんでした

Not all of the recipes that we've shown in these videos come from the cookery book because

途方もない大発見でした　目にする全てのレシピは 写真ではなく　料理本からの再現です

it is a snapshot. She's sort of filling in certain things from other books and actually

あるレシピは　他の本から採用したものもあり

that means that what you've got in the cookery book is in some ways more of a representation

料理本が意味することは　ブレイブルーク卿一家が 望んでいるレシピということがわかります

of the kind of recipes the Braybrookes wanted but couldn't get from their high-end cookery

けれど　高級なレシピではないのです

cooks. I agree entirely, there are little marginal references where it actually says

そうですね、そうわかるセリフは

'got this from Lady Braybrooke' or 'got this from the Field magazine' so we can see there's

'ブレイブルーク卿の奥様がお望み'　 'フィールド新聞から'

this interaction going on between Lady Braybrooke and her cook so they're obviously close confidants

ブレイブルーク卿夫人と料理人の 密なやり取りがあることがわかります

and they're speaking to each other on a regular basis and that's really great to know that

定期的に話し合い　料理人は顔のない 使用人ではないことを知りました

she's not just this faceless servants who's sitting in the service range; she's actually

使用人職場にいるだけでなく

someone who's regularly interacting with the lady of the house. And she's doubly not faceless

実際に　邸宅の奥方とやり取りする日常がありました

is she, because one of the documents that was with the cookbook is possibly a photograph

顔があるのは明らかです 料理本の中に　エイヴィスの古写真が挟まれてました

of Avis. Just possibly, yes. Just possibly. Talk me through this, tell me what we've got

おそらく、そう、おそらく　古写真は語りかけます

here. What we have here is a photograph which has a date on it of 1886 and it seems to show

わたしたちは　ここにいたのよ 古写真に１８８６年と　日付があります

a man and a woman and we know it's from the TRobinson Art Photographer Studios in Shoreditch.

男と女が被写体です　ロンドン中心部の東側Shoreditch TRobinson Art Photographer写真スタジオ

And the ages of the people in the photograph are about right, they would have been in their

写真の人物は　当時、４０代後半

late forties at the time and these people maybe look a slight bit older than that. But

少し年より老けて見えます

on the other hand in a lot of Victorian photographs people do look somewhat older than perhaps

ヴィクトリア時代の写真に写る人びとは

they would look today at the same age. They do, they would have had a relatively hard

現代より老けていたのでしょう 当時の人びとの生活は　今時代より厳しかったこと

life and what we know about Benjamin is that he'd been a butler because we've got the marriage

執事のベンジャミンに関して　結婚証明書があります

certificate. He'd been a butler working in Maddox Street which is probably not that far

彼は　Maddox通りで執事をしていて

away from where Avis was in Upper Brook Street. And that was the London home of the Braybrookes

Upper Brook通りの　エイヴィスがいた場所から そんなに遠くはないです

wasn't it? It was. There's quite a lot of circumstantial evidence to suggest it just

つまり　ブレイブルーク卿のロンドン邸ですね？

might be Avis.

いろいろな状況から　この人物が エイヴィスではないか　と推測できます