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  • So I'm here tonight talking to Howard bloom

  • Who's a fascinating person and an an author of many books and a polymath of sorts and we've known each other by?

  • Electronic communication for quite a long time, it's it's something exceeding a decade

  • but we've never met either in person or electronically by video until now and

  • Howard is definitely well he's a singular sort of person and he has a very broad range of knowledge

  • As broad as anyone I've ever encountered

  • I would say and so what I'm going to do first is turn this over to him so that he can tell you a little

  • bit about himself and about what he's done and

  • Then we're gonna talk about his newest book which is called how I accidentally started the 60s and then well

  • We're gonna see where it goes from there, so Howard. Thanks for

  • Showing up here and let's let's see where we can go, so why don't you tell everybody about yourself?

  • Well, it's a pleasure to see you in person because I think it's about been about 14 years

  • maybe 15 years that we've known each other I

  • Put together a science of the soul initiative a long time ago, and and you were one of those kind enough to sign on

  • but I am the author of six books the first book is called the Lucifer principle a scientific expedition into the force of history and

  • Even though it's about 25 years old

  • People are buying it at because it feels like it was written yesterday

  • For tomorrow and people call it their Bible the second book is

  • global brain the evolution of masked mind from the Big Bang to the 21st century and

  • the office of the Secretary of Defense in the United States the reform based on one of the on that book and

  • brought in people from the State Department the Energy Department DARPA IBM and MIT

  • The third book is called the genius of the Beast a radical revision of capitalism

  • I preferred its original title which was reinventing capitalism porting soul the machine and that

  • Book the man who runs Dubai the Sheikh who runs Dubai

  • named a racehorse after one of that after that book the

  • His former minister of development who's on Dubai's ruling council and runs a thirty

  • Three billion dollar sovereign real estate company to built the tallest building in the world

  • went in front of the Arabian Business and Economic Forum and

  • told them there is a book that I particularly resonate with it's the genius of the Beast and

  • It contains the future of Dubai and he proceeded to read passages from that book and dr. APJ Kalam the eleventh President of India

  • Said that that book is a visionary creation

  • And this is despite the fact that the Sheikh who runs Dubai his former minister of development and dr. Abdul J

  • Column are all Muslims

  • And I'm a Zionist atheist Jew so if there's any sign of hope for peace in this world

  • That's it I've done lots and lots of other things just a few months ago. I

  • Founded and shared the Asian space technology summit with a large

  • groups of representatives from china the chinese academy of space technology and from

  • England space program, I've done the weirdest variety of things you've ever seen in your life

  • Oh, and I should not forget once upon a time. I found it. I knew nothing about popular culture

  • I founded the biggest PR firm in the music industry

  • I used my scientific tools since it's my background of science my life is science my bones and my flesh our science and

  • It became the most successful PR on that firm in the record industry

  • So I worked with Michael Jackson Prince Bob Marley about Midler ac/dc

  • Aerosmith kiss Queen Run DMC Billy Joel Paul Simon Peter Gabriel David Byrne Run DMC Grandmaster Flash and the Furious Five

  • little things like that

  • Yeah, well it's a crazy biography

  • You'd think you'd have to think that someone was making that up if you didn't know it was true

  • And then you also accidentally started the 60s apparently yes, and it was just reading that book about a week ago

  • And thought what did you think of it? Oh? I thought it was very funny

  • It was it was it was I also thought

  • It was remarkable that you managed to have a foreword by or was it wasn't a foreword

  • I don't think it was caught it by Timothy Leary. Yes. Well. Let me tell you how that came about

  • There I was well. It was about 1981 and I

  • Started to go back to my science. Yes, I was running most successful PR firm the music industry

  • Yes, we were still on the ascent

  • Yes were establishing

  • Taking unknowns like prints and establishing them as major stars or joan jett who've been turned down by 23 record companies

  • And we made her double platinum in a year and a half

  • But I finally got a little time for you to go back to my science

  • And then I was taking a bunch of journalists out to Long Island to see REO

  • Speedwagon and a bunch of them said bloom all these ideas you keep talking about us

  • you need to write a book and one of them took me under his wing and

  • Actually mentored me Timothy white who wrote for The Associated Press and Rolling Stone

  • So I started working on a book in 1984 about

  • 1988 I had gotten up and running and written the first chapters on a vacation and then I came down

  • Well for two things happen first. I really needed to get out of publicity in the music industry

  • I had satisfied all of my intellectual questions because there were SATA questions. I was answer answering

  • What are the mass exhilarations the mass ecstasy's the mass emotions that are the forces of history that power?

  • historical change

  • that's what I was after and you see that in miniature with the Beatles or with Michael Jackson or with Prince so I

  • Gotten as far as I could I mean you two would approach me to represent them. I wasn't interested

  • Mick Jagger had sent an emissary talk about representing him. I wasn't interested I'd been through all of this so

  • Let me ask you. Let me ask you a couple of questions there, so I mean the first question would be I think

  • How what is it that you had done that had prepared you for that and how and how did you manage it?

  • So I guess that's two questions, but also what did you?

  • What did you learn from all of that well these were these are very good questions to prepare me for this Martin Gardner

  • From the time I was 10 I was reading two books a day

  • My teachers hated me because I was reading a book under the desk at all times and never ever paid attention

  • to them and many of these were science books and I read the Scientific American from cover to cover and

  • Martin Gardner who was a mathematician

  • Had a column called mathematical games, and I learned what I know from mathematical games it taught me certain techniques

  • I was able to bring into the record industry, so so that's it's a hell of a stretch

  • I mean yeah, but singular story, so okay, so elaborate on that well what it taught is how to look for correlations?

  • and more than

  • mathematical techniques for finding correlations it gave you a gut feel of what a correlation looks like so that you

  • didn't have to

  • Go off to a world of mathematics of a cell or Kane that had no relationship to reality you could take the search for

  • Correlations into the real world I listen to music as obsessively from the time

  • I was about 10 years old my uncle and I used to stand next to a huge old

  • Burlwood radio that was as tall as I was at the time

  • And it had a giant speaker in Jordan in those days 12-inch speakers nobody to receive 12in speakers

  • but it had one, and we've listened to the classical music station in Canada because we were in Buffalo on the border and

  • we would compete to see who can identify a

  • Piece of music by its first four notes well often we could both identify the piece of music by its first note however

  • It was all classical music it was Rachmaninoff Barto Beethoven Stravinsky

  • Mozart stuff like that so I can't really say that I was properly prepared

  • Because I was hated by the other peak it's my age in Buffalo nior and my parents didn't have any time for me

  • So I was an outcast and the crowd of people that shut me out

  • Listen to popular music, so popular music. What started is with Elvis Presley

  • What was around before Elvis Presley and then moved on that was alien music to me?

  • and I wasn't the least bit interested in it and but in the

  • 1970 will late 1960s and early 1970s

  • I

  • Knew I had fellowships at for grad schools in what is now called neuroscience at that point?

  • It was a do-it-yourself proposition

  • I was going to have to take courses in the med school at Columbia and put them together with courses in psychology

  • At Columbia and make my own neuroscience because there were no neuroscience courses

  • But I had four fellowships to do this, and I realized that grad school would be Auschwitz for the mine

  • Why because I was fascinated by these ecstatic mass

  • fashions that

  • give people that boost people out of themselves that lift them into something much bigger than themselves a

  • deep need that every human has to feel at some point a part of something much bigger than his or herself and

  • Those are the mass passions that create historical change

  • They are the forces of history, and I was not going to get to study mass fashions

  • I was not going to get to make contact with mass fashions if I went on to an academic career

  • I'd be spending the rest of my life

  • Giving paper and pencil tests to 22 college students in exchange for a psychology credit now exactly how much

  • Ecstatic experience are you going to see in a classroom of that sort with paper and pencil tests 0 the entire?

  • Phenomena I wanted to understand would not be there anywhere in my life

  • So I took advantage of the fact that I had basically been kidnapped in my junior year

  • By the poet in residence at NYU who had said he'd said look bloom when everybody rose out of the room

  • Close the door

  • I thought I need to talk to you well Jordan that means a bawling out right

  • So I waited till everybody left. I shut the door I sat down and you're about to be bawled out chair and

  • the poet in residence

  • Said to me look last year I asked you to be on the staff of literary magazine

  • You didn't even show up this year. You are the literary magazine

  • You don't even have a faculty advisor the minute you walk out that door

  • You're it now walk out that door and I walked out the door looking totally

  • Baffled because I hated literary magazines they were the most boring things you had ever seen you could have a group of

  • Vikings each of whom had drunk a quart of ale

  • Bunk parking up against the wall on bonking each other

  • And if you put a literary magazine in the room that pale blue cover and the mists chosen type would

  • Make you I'd to put everybody to sleep instantly or would drive them out of the room

  • So I looked very confused and a student walked up to me and said you look troubled about something can I help you?

  • Why don't I take you down for a cup of coffee?

  • I didn't know what a cup of coffee was I grown up with lab rats and and hamsters

  • not with human beings

  • but but I followed him obediently down the stairs and

  • When we sat down at the we shop, and I ordered water, and he ordered coffee

  • He said if you could do anything you want with this magazine. What would it be and I said a picture book so

  • That that'd be Jordan. I learned that question that question is a very valuable tool

  • So I turned it into experimental a graphics magazine

  • And it was a wild hit and it was a wild hit not just on campus where they doubled our budget for the second issue

  • It was a wild hit in the art directorial community

  • I think I think you covered that in in how I started accidentally started the 60s right I think yeah there

  • Yeah, you know so what that allowed me to do

  • is

  • When I and my wife was putting pressure on me

  • She had had a previous husband who was assuming she was tired of having student husbands

  • She made it clear in a kind of sotto voce way that if I went off to grad school at Columbia

  • I could kiss her goodbye not a nice idea after three years of marriage so with all these pressures on me I

  • threw my lot in with the artists that I'd assembled for this magazine we we formed an art studio and

  • the first year we are in $75 a piece which is

  • Which is just enough to get you food and possibly a little bit of shelter in New York City

  • But eventually I made another cover of Earth Direction magazine. I invented a new

  • animation technique for NBC TV and most important my studio did all of the graphics for

  • ABC 7 FM stations at a time when there was a revolution taking place in radio there was this brand new form of radio called

  • rock radio or album radio or progressive radio it was ditched which disc jockey said actually play what they wanted and

  • I was there because ABC 7 FM stations all converted to this new progressive format

  • And they used me and my art studio to get that across

  • to kids all over the YC, I see so yeah, you're responsible that was I got to thank you for that because I

  • Listen to album-oriented FM stations a lot when I was a kid and so and a lot

  • I mean lots of people did but I didn't know you were you had a hand in that so that was very good thing

  • Well, I thank you for the thanks. I had a hand in that and

  • ABC asked me to form an advertising agency to handle all of their advertising and

  • Jordan I didn't want to get involved in time buying that was just too dry for me

  • But because I was walking into a we did one other thing there was a new magazine

  • With a bunch of Harvard kids. It was a monthly version of the annual Harvard Lampoon

  • It was called the National Lampoon and my art studio art directed the first seven issues that that it was ABC

  • PG o Ruth got his start there. Yes exactly and I acted in a Michael. O'Donoghue script that we did for the Evergreen revue

  • Which was leading a bohemian publication of the time it's art director was all those people who had called me

  • After he saw the Washington Square review the student literary the graphics magazine that that I've been putting together

  • But the the promotion person at ABC was

  • Extremely kind to me and every time I walked in I'd hear Carole King or James Taylor who were the biggest people in

  • Rock music at the time on the speakers on the floor

  • and she would do things like I mean she was just

  • Clue me in she was bringing me into the rock and roll world one day for example

  • she said we're going to have a stew we're gonna have a live performance in Studio B by a pianist and

  • Why don't I give you two tickets? So I took her two tickets?

  • I went down to my art studio on 4th Street and 2nd Avenue in the East Village

  • And my my leading artist was just a brilliant brilliant

  • cartoonist and

  • I invited him to come to this event with me we went to the event

  • The pianist took through the stage my artists sat next to me and from the minute the pianist played his first chord

  • my artist was on his feet going Wow yippee Yahoo and

  • Totally embarrassing me I mean I wanted to crawl under the seat and become absolutely invisible

  • The the pianist on stage was Elton John what I failed to get was that my artist was

  • Giving Elton John the energy he needed to do the very kind of ecstatic

  • Performance that takes you out of yourself and makes you feel part of something bigger than yourself that I was trapped trying to track down

  • using things like William James the varieties of religious experience and

  • taking advantage of my my

  • Special vantage point so why do you think you know? You're you there's car

  • There's a kind of a contradictory narrative that runs through that story

  • Which is that?

  • You know when you were a kid you were sort of isolated you were booked as she were more scientifically oriented

  • but at the same time you obviously had a

  • What would you call it a feel for ecstatic experience and like was that was that a consequence of your?

  • Participation in the counterculture in the 60s or was that something that had emerged even before that

  • It was suddenly an emerge probably between the age of 10 and 12

  • It probably came from the fact that I was suffering serious social deprivation

  • I really I had one friend at a time and that's about as much as I had and I was I was an indispensable

  • Figure when it came time to beat somebody up because I was the target

  • Okay, so okay, so that's interesting too because that also I mean

  • It isn't obvious how you get from that position to being interested in ecstatic experiences per se so

  • What's the connection there with your rather like what would you call it isolated childhood experiences?

  • do you think I mean you said it had something hardly to do with music which makes a perfect perfect sense to me because

  • Music is almost

  • Uh, what would you say it's an unerring gateway into that ecstatic experience right and for for very complex reasons?

  • I'd like to talk to you about that a little bit, but

  • it

  • It isn't obvious why someone who was more scientifically oriented say would also

  • Make that leap over to the more mystical end of things and then of course pursue it through pop culture so you laid out

  • You know you're surprising involvement with literary magazine your transformation of that into what was essentially in a visual art

  • publication your entry into the world of radio and then into

  • Rock, I don't want to lose that thread because that also leads to your PR firm

  • And I presume we're getting to that

  • But right what what?

  • Deikun is there anything you can put your finger on you you associated there also with with?

  • like being physically bullied and being a social outcast

  • But why did that give you the hunger for that experience for that ecstatic experience well remember back to the days of the?

  • 1960's and 1970's one sleep deprivation was a new discovery and then back in the 1990s and early

  • 2000s Jaak panksepp took that a step further and in his studies of rat behavior

  • He discovered that if he deprived a bunch of child rats little rats, baby rats

  • If he deprived them of the ability to play yeah, and didn't give them access to each other as peers

  • until they'd they'd become adults they

  • suffered play deprivation

  • And they spent just as much time

  • Playing with each other as adults as they would have spent playing with each other had they been allowed to as

  • Children okay, so I want to make a quick glad remove there

  • And we'll get back to that you know I've been thinking about these these strange

  • modern manifestations of

  • Identity fantasy or that's what it looks to me like these people who are playing at

  • what do they call them other kids and playing with their identities in a really fantasy based way and

  • Sometimes I wonder if part of that isn't a consequence of play deprivation in childhood

  • Well, that sounds that sounds like a distinct possibility, but remember

  • Herrmann has said that there is somewhere deep dark in the mind

  • There's a closet with 10,000 hidden personalities one of the things that I discovered we're going to get out of chronological order

  • But one of the things that I discovered when I first became full-time

  • Involved with rock and roll was the story of Alice Cooper and the story of Alice Cooper

  • Reveals something about the question that you just raised okay

  • Alice Cooper

  • was a little bit like me when he was a kid his mom used to dress him up in a suit every day and he

  • Was a gawky thin with a huge nose

  • I was lucky thin with a huge nose

  • I can identify and ever wore suits though

  • And he was always a teacher's pet and the result was the other kids hated him

  • and he was kicked around and beaten and and

  • Excluded the way that I'd been kicked around and beaten and excluded then one day a neighbor was in his kitchen

  • Who was into a Ouija board and making contact with spirits through the Ouija board?

  • So a spirit allegedly contacted her and said I am the ghost of a witch

  • Who was burned at the stake in the 16th century and?

  • or 17th century and

  • You pointing to Alice I'm pointing to his name was rince Fournier at the time

  • Pointing to Vince you are my modern reincarnation and my name is Alice Cooper

  • Now when when Vince Fournier won on stage and a dress with mascara at a high school?

  • talent night for the very first time playing his own music chopping up baby dolls with an axe

  • Which is the more real?

  • Person Vince ferny a the shy little kid dressed up in a suit who gave apples to his teacher

  • Or Alice Cooper the person on stage who comes to life with an ecstatic

  • Identity that makes him a surfer on the back of those mask passions those masts

  • Exhilarations that make the forces of history well Alice of the two

  • They're both real people and they're both inside events Fournier

  • But the one that's in there that has the greatest passionate intensity is the Alice Cooper not the Vince Fournier

  • And that's why though he had been picked on and none of the kids in his school had liked him the minute

  • He finished his first performance all the football guys who used to beat the crap out of him

  • surged down to the foot of the stage and

  • Volunteered to be parts of his band and when he when he was super famous some of those guys were still

  • Mainstays of his bin we carry many selves well inside of us and my job in PR

  • Was to find people who deserve to be iconic and then to explain to them first of all I will not

  • if you think that I as your publicist I'm gonna fashion an artificial mask an image and

  • Through that make you a star, I'm gonna get you an appointment with my best competitor immediately you'll be with them in hours

  • If you're gonna work with me you have to understand something the music you make is about human soul

  • that comes from the very soul of you and what happens to you when you go out on stage and feel as if

  • Yourself leaves you and you are danced like a puppet. They're like a puppet on a spring like a marionette

  • onstage the force that moves you that's one of the gods inside of you that is your soul and what you're

  • Experiencing with that audio is a soul exchange if you're willing to put up with the fact that music is not about marketing music

  • It's not about product. Music is not about downloads

  • music is about the exchange of human soul then I will work with you and quite the statement for a

  • Zionist atheist Jew yes

  • it really is all it not matter that you know I

  • Listen tell us Cooper a lot when I was a kid and still now especially that

  • Record welcome to my nightmare which I think is an absolute classic

  • You know there's a couple of pop songs on it, which which I think?

  • I mean record companies did that a fair bit on on?

  • Concept albums you know they throw a pop hit on there, but right as a concept album

  • It's brilliant, and it's really well arranged and it's really

  • Like

  • Not horrifying exactly because that's not exactly right, but it's unbelievably dramatic I would say

  • theatrical in in the best way

  • and I really think it's a work of genius that welcome to my nightmare so

  • And I had no idea that that was Alice Cooper's background although. I did hear that

  • He was the child of a minister is that also correct oh, no no, no his father was in the aerospace industry in Arizona. Oh

  • big aerospace territory

  • Right, but a lot of the kids who were turned on to Alice Cooper and were turned on by other shocked bands like that were

  • the children of

  • Ministers the children of deeply religious people from another religious, right

  • Because he's bringing out the other side of things he like exactly the kind of things right well

  • He's there obviously the precursor of people like Marilyn Manson yes exactly

  • Marilyn Manson was a sort of cheap even though Marilyn Manson signed enough to be good to me Marilyn Manson was a kind of cheap

  • Take off on Alice Cooper didn't have the staying power that Alice seems to have had but the point is that I?

  • one of the things that I told you if you were gonna be my client as what you just don't you don't just owe your

  • Audience your songs you owe your audience your life now Jordan typically 20 years to articulate what I meant by that

  • And it's simply that if you deserve

  • super sir

  • then you doesn't you will become an iconic figure and

  • Twelve-year-old kids will paste posters of you up on their bedroom walls

  • And you will be you know the concept of the trellis you grow tomato plant on a trellis well

  • You will be the trellis on which people grow you will be the role model so your life is

  • One of the most important things that you have to offer

  • But I wasn't just after their superficial life. I was after I was after this when you sit down of an afternoon

  • Let's say two o'clock in the afternoon with a blank computer screen or a blank piece of paper

  • And you need to write a lyric you

  • Feel as if you could you don't know how you've ever written a lyric in your life

  • You certainly know you can't write another one again and by four o'clock in the afternoon on a good day

  • There's a lyric in front of you by 4 o'clock in the afternoon on a really really rare

  • Good day that lyric is so perfect in itself, but it feels like it wrote itself through you

  • When you go onstage if you see the dot the pupils of the audience dilating if you see their faces

  • melting losing individual characteristics if you see their energy

  • fusing into a collective energy rather than just individual energies, and if that collective force reaches a

  • Pseudo pod out to you and hooks into something inside of you

  • That's bigger than yourself and again

  • you feel like an empty pipe and something inside you is transmogrifying all of this energy and

  • Flooding it back down to the audience and a reverberatory circuit

  • And you have an out-of-body experience

  • you watch yourself from the ceiling as

  • you're danced that self inside of you that dances you on stage that is your fucking goddamn soul and that's

  • My and tend to find and that's what I intend to introduce you to why?

  • Because you are about to become an icon

  • and if you become an icon you have to be a force that takes hundreds of thousands or even tens of millions of

  • Kids who feel lost in the world who don't dare express their feelings because there are no

  • except socially acceptable words for their feelings and who feel crazy

  • Isolated and alone and you by revealing. What's deep inside of who will validate. What's deep inside of them

  • So I think you had the other made the other shoe drop for me

  • Then because you know you're talking about that at least in part. You're talking about that ecstatic experience as the as the

  • necessary

  • counter position to isolation and abandonment loneliness and all of those things

  • Which which I think is a very?

  • very reasonable way of thinking about it's like meaning as the antidote to isolation and why and trap and tragedy and

  • Malevolence for that matter, and I think music is you know I've thought deeply about music. I've tried to figure out

  • Why it has what it represents?

  • and why it has the effects that it has and I think and this is a

  • neuroscientific view of it to some degree and you know it seems to me that

  • It's better to think about the world as

  • Something that consists of patterns rather than as something that

  • Consists of objects so an object would actually be a pattern that sustains itself across time

  • It's that's not all that very very good insight. I you get applause for that. Thank you

  • Thank you

  • and so

  • Then you think well for you can even think about the way the visual system works this way so

  • You know we tend to think that there's a world out there

  • And then there's an image of that world projected onto a retina and then the images is

  • reconstructed say in our visual cortex, and then we

  • Then we we could become conscious of that image and plan our actions and in consequence of that, but that isn't how it works

  • The way it works is that there are patterns in the world and then the patterns are shifted into patterns of light of

  • Illumination and then those are shifted into patterns of neural activity on the retina

  • And then those are shifted into patterns of neural conductance along the optical nerves and then patterns in the visual cortex

  • and then those are expressed as patterns of movement so it's all the

  • transformations of patterns and the meaning of a visual perception is the

  • Pattern of action that it gives rise to which is why you need a body meant to be able to perceive

  • And I think the reason that music speaks so deeply to us of fundamental meaning is because it's actually the most

  • Representative art form you know because people think about it in some sense is the least representative art form

  • I don't think that's right at all

  • I think it represents the reality that exists in a profound since beyond

  • What our senses revealed to us moment to moment and so it puts people?

  • Then when you're moving to the music and we're all moving to the music or when you're dancing

  • Let's say with someone else and you're and you're as pairs, and you're all dancing together

  • It's that the patterns of the cosmos so to speak

  • Manifesting themselves as the patterns of the music manifesting themselves as the patterns of your body and in

  • syncopation with everyone else it's also a symbolic representation of a

  • Harmonious and ideal Society and there it is something that's beyond us

  • and so it's it's interest so I get it so so partly what you're saying if I understand you is that for you the the

  • ecstatic collective experience that was associated with music for example in pop music perhaps was

  • You could see it out very clearly as the antidote to painful isolation, and I mean one of the things that struck me as

  • Struck me as near miraculous about music especially in a rather nihilistic and atheistic society is that it really does

  • Fill the void that was left by the death of God and it's partly because you cannot rationally critique music

  • You know it speaks to you it speaks of meaning and no matter what you say about it. No matter

  • How cynical you are you cannot?

  • Put a crowbar underneath that and lift it up and and and toss it aside

  • and it's like music was so such a powerful cultural force in the 60s and the 70s and the

  • Overwhelmingly powerful force so the other the other element is very important to this is music is the voice of a subculture?

  • So when you tell a hundred million kids who felt utterly isolated and alone that they that their

  • Experiences had not been reflected in the experience of any other person on earth that in fact. They are not alone layer a movement

  • you give a subculture a voice and you can see that with well when I

  • Finally got into working with music one of the first things. I did was work with country and western music now Jordan

  • I worked with a company called dot records

  • I was hired by Gulf and Western to found a public on artist relations department for their 14 record companies

  • And one of those companies was dot records and dot records was number three on the country charts

  • And that it was with third place company, and it wanted to be number one

  • In country and western music now when I was a child when I was about three and a half years old

  • I

  • Woke up on a Sunday before anybody else in the house had woken up

  • went out to the front room where there was sunlight which I didn't get to see as often as I'd like and

  • Turned on the radio and because it was six o'clock in the morning or something like that

  • But I got were farm reports and Country and Western music this was in nineteen

  • nineteen forty six or something like that or nineteen forty seven and

  • I immediately knew that that music was alien to me

  • And I knew that it was the music of another subculture would not necessarily be kind to the subculture from which I came

  • So I never liked country music

  • But in the 1970s when I got this position with Gulf and Western

  • One of the things I crusaded for the hardest was country and western music

  • Because I felt that these people had a right to express their identity

  • I felt they had a right to get beyond the ghetto of the Bible Belt

  • Which is where they were kept and where they were suppressed. It was an era of

  • Subcultures finding themselves and expressing their right to exist

  • It's sort of music really does seem to have that binding capacity you know and I think there's also something

  • Neurological about that because I think you tell me what you think about this if this is in accordance with your observations

  • But it seems to me that

  • The music that people listen to as they're catalyzing their adult identity say between the ages of about

  • Fourteen fifteen to twenty you know there's a there's a there's a real intense

  • Period of neural pruning that occurs at the end of adolescence so you get then this amount of neural pruning after

  • After you're born in the early stages of infancy because you have a lot of neural connections

  • And then a lot of them you kind of die into your childhood self, right

  • You're you're born with twice as many neurons as you will actually need right right exactly and so

  • You're you're a massive possibility, and then you die into your actualities and then that happens again

  • It laid out lessons right which is also in schizophrenia develops because that process seems to go wrong for some people

  • but

  • As you're dying into that adult identity one of the things that seems to catalyze that is

  • The music of your culture at that time and that also seems to unite you in some way underneath

  • rational thought with the people of your generation

  • Let's say with the people you'd have to cooperate with and compete with and so there's something really deep about that, too

  • That's not well understood and and and

  • So alright well

  • So I I don't know what you think about the second element of that because it's a brilliant

  • Observation and the second element of that is that me in your late teens your prefrontal cortex gets wired up now. What's the prefrontal cortex?

  • It's probably we talk about it as the the center of Administration in the brain executive functions

  • Its primary job is making you human

  • What does that mean you would think that means encouraging certain things like creativity and thought no the job of the prefrontal cortex

  • and making you human is to

  • repress things

  • It's too damp things down

  • It's to inhibit things and you are learning which things to inhibit after you become utterly

  • Grafted into your subculture

  • And what is one of the elements that has drafted you into your subculture music and so what Freud would call the super-ego

  • Is formed to a certain extent based on your sub cultural connections that you've developed as a team and again

  • Music helps identify that sub culture of which you feel apart all right well, okay, so so partly what's happening there

  • Is that because music is poetic and also it's poetic and emotional, let's say it also

  • constitutes the

  • Pre rational substrate from which the values of that subculture emerge, so it's like the it's part of the mythological

  • substructure of the values of that culture and you can make absolute yeah, yeah

  • You can see that expressed in the lyrics right right and where which layout a system of values in some sense, right?

  • Something like hip hop for example well roughly 95 percent of the lyrics in pop culture are about mating they're about mating

  • rituals they're about courtship rituals and

  • You as a person who's wait the meeting has been upgraded by the best and now includes, okay?

  • God knows what it was trying to tell us so at any rate

  • You have just emerged from childhood

  • Your hormones your sexual hormones have begun to act girls as young as 11 can become pregnant already

  • and you were obsessed with finding your place in the world and finding a mate and

  • Courtship rituals mean an awful lot to you

  • They're about to what they're there what you are about to embark on for the next ten years of your life at least

  • and so this obsession with courtship rituals with mating and dating and breaking up and

  • And betrayal and all of that kind of stuff makes makes absolute sense

  • Right exactly well the thing is music frames that too because it gives you something that's in common with your

  • Potential mate, and it also gives you a set of rather

  • I wouldn't say stereotyped activities

  • But at least predictable activities that are associated with courtship and mating and so that would be

  • going to concerts and going to movies which are heavily musically influenced and dancing and and even discussing your

  • Your shared immerse Minh tin whatever that subculture happens to be right and my guess is that at some point?

  • Music provokes oxytocin because oxytocin is the ultimate bonding hormone and music is a bath in

  • The sense of human belonging in the field, but even if you're alone and you're listening to Pandora

  • Awesome or Spotify all by yourself. It feeds you social bread and meat and

  • in the in the

  • nervous system the central nervous system

  • everything boils down to

  • inhibition or excitation

  • there is a hormone of

  • excitation and it's glutamate

  • there is a hormone of inhibition and that's gaba and

  • Oxytocin feeds down into the gaba system the system that keeps you calm down

  • Basically it gives you a sense of peace

  • Now music itself. I mean the first musical first

  • I have to give you an experience that I had that allowed me to see into all of this. I had already been

  • Fascinated by the gods inside of us

  • I concluded at the age of 12 that I was an atheist and if there were no gods in the heaven above us and no

  • Gods in the ground beneath us where were the gods while my parents were trying to drive drag me an atheist off to high holiday

  • Services and they were so intent about it that I was literally holding onto the doorframe of their blue Frasor by now

  • Forgotten car and and they were shredding my socks. They were very regularly tearing my shoes off

  • they were doing everything they could to get me up to the temple and

  • So I realized in that moment if the gods are not above if the gods are not below

  • Where are they they're inside my parents if they're inside my parents they're inside of me

  • They're inside of all of us so my task at

  • Basically the age of 12 to 13

  • Became use your scientific tools to find the gods inside of us, okay, okay?

  • Well you also again you

  • Elaborated on that part of the story that also made you attune to those ecstatic

  • Experiences because the case that you've just laid out and I suppose we laid out together to some degree is that?

  • Perhaps it was that the fact that you were isolated as a kid made you even more sensitive to the collective belonging

  • Element of music because you were so starved for it and right

  • and then the idea of the gods within that you just laid out seems to me to be very much akin to

  • What you described as either your tactic or your philosophy with regards to PR for the rock?

  • Personalities because what you said you were doing was trying to make them reveal some of these

  • archetypal figures within and

  • that that would and that you were actually trying to foster that which meant in some sense you were doing PR and all like I

  • Don't know what the hell. You'd call it. I call it secular shamanism. There was a name

  • I was never comfortable with because it's so unscientific but

  • That was the closest I can come to it

  • It's like dowsing for the human soul what I would have been a good name for a PR company a second

  • Yeah, yeah, but I think that's a very well. I think that's a very useful way of thinking about it because obviously

  • one of the

  • Holdovers from the shamanic traditions is obviously music

  • I mean

  • that's just that's just a continuation of the same tradition right and

  • One thing there was one very important thing that had happened to me when I was 16 years old even though

  • I was almost popular kid in my school

  • They voted me for two years in a row the chairman of the programming committee

  • Which means Iran student assemblies five days a week, and I program two a week?

  • So I was the MC for these things and one day the Tony do you manage that and simultaneously be unpopular?

  • That's a good question. I think my school had verily very classless school was founded by an acolyte of John Dewey

  • and he was behind the scenes actually setting the school up and

  • It you know schools have their popularity positions president vice president secretary treasurer all of that

  • but my school was clever enough to start putting functional two committees together in your very first days at

  • school your very first days of your freshman year now when you

  • When you have kids vote for president and vice president

  • Laguna vote for the most popular kid in the school as the president the second most popular kid is vice president

  • The most popular girl as Secretary and the most popular Jewish treasurer. That's just the way it goes

  • So I was never in line for any of those positions. I had no popularity whatsoever in fact one of my classmates actually

  • Fired with remarkable accuracy from only 20 feet away a soccer ball directly into my face and believe me

  • it has a lot of force and

  • so 20 feet so

  • But when it comes to functional positions like how do we run these school assemblies?

  • The popular kids don't have a clue so if you bring them into a room if they're arbitrary for example assigned to a committee

  • They will all piss on their little piece of territory

  • They'll all stake out a position of some kind

  • Just to establish their status in the room and after 15 minutes of this when they've all said their piece

  • And it comes time to actually do something they're clueless they're silent

  • They don't know what to do

  • And if there's an unpopular geek like me who at that 20-minute mark all of a sudden has an idea

  • They will glom around you even if they don't like you great well, so so yes

  • So competence can can can can step in where where popularity cannot go yes

  • That's a very well point phrase so there I was

  • The head of this programming committee and one of the kid one of the juniors came to me and said we're doing a dance

  • We're you know we're setting up a dance and could you advertise it for us

  • And he didn't realize just how absurd that statement was if there's a dance or a party of any kind in Buffalo?

  • New York one of the first things you have to realize about it is I am NOT just disinvited

  • I am invited to stay as far away as humanly possible

  • Yeah, yeah, and yet they want me to advertise this dance, so Jordan. I can't dance. I am I can't do a box step

  • I can't do a Foxtrot I can't do a waltz

  • I can't do any of those things

  • but I went on stage and put some music on the turntable and danced and I saw the pupils dilating of

  • the audience

  • 350 people who hated me and hated me for two and a half years at that point their pupils were dilating their faces were melting

  • I felt that soot a pod of energy coming to me and through me as if I were a pipe

  • I felt it going up to something inside of me more or less at head level that utterly

  • Transmogrified it and I felt the energy being sent back through every move that I was making and I had an out-of-body experience

  • I saw I thought I was on the ceiling I watched all of this from the ceiling and I

  • apparently looked like a Looney tune drawn on LSD

  • As if Chuck Jones had been doing Tom and Jerry after taking a very big hit of acid it was one of the strangest

  • Weirdest things you've ever seen and when it was all over

  • So that was my exciting experience when it was all over

  • The audience did something it had never done in my days at that school and would never do again so long as I was there

  • It surged to the foot of the stage and as if it had

  • Practiced this act all its life it picked me up off the stage it put me on its shoulders

  • It carried me out of the auditorium

  • And it carried me up the pathway to the building above where we had our classes, so that was my introduction

  • Yeah, and but this is stats crazy story right and this is the three years after I'd gone off

  • After the ecstatic experience knowing that it was something vital. I mean I'd heard at the age of 14 two years earlier

  • I'd heard that there was a book called The Rock of the religious experience and in those days we had no Amazon

  • We had local bookstores and local bookstores in Buffalo, I mean give me a break

  • But I finally found a copy at the University of Buffalo bookstore

  • And it felt as if William James have been laying out a series of examples of the ecstatic experience

  • with all of its delusions and hallucinations

  • And all the rest on a laboratory bench and then saying to me look you're coming along seventy years later

  • You're going to have scientific tools that I did not have this is your job, and it was my job

  • Not just because William James was giving it to me because something deep inside of me was crying out to

  • Understand it and it probably was that the privilege of social disconnection the privilege of social deprivation

  • Because that privilege made me sensitive

  • And it's always made me sensitive to group behavior right so when I was in Moscow in 2005

  • Lecturing a group of quantum physicists from all over the world my everything you know about quantum physics does wrong

  • It's because there is no such thing as an isolated particle every particle is part of a herd a mob a group of some kind

  • the a lot of quantum physics is based on the idea that when you

  • When you treat a photon a single photon in a certain way when you split it in two

  • Here's how it's gonna behave, but if it's being measured

  • That's not going to happen well guess what we're constantly taking each other's measure

  • Photons are constantly taking each other's measure because they move in groups crowds and herds

  • That's why a beam of sunshine comes through your window not a photon of

  • Sunshine and when I finished the speech

  • I was sure they were gonna throw me out of the conference because these are all people committed deeply

  • It's a quantum physics and instead they sat there beaming like proud

  • Uncles and I could not figure out why and three years later?

  • my collaborator in quantum physics at the University at the Culver Institute of Blog mathematics of the Russian Academy of Sciences in

  • Moscow sent an email

  • And he said doctor

  • You jerk off who ran that conference and gave you such a hard time about your credit card has just published a book

  • It's a new approach to quantum physics

  • It's called constructive physics. You have to get it immediately so I downloaded it from our sub org

  • I listened to at that afternoon on my

  • Hour-and-a-half walk through the park on my way to the cafe where I do all my work

  • And I got all excited

  • Every social concept that means every concept that I had given in this talk was in this

  • book oh

  • So Jordan I've had the privilege of proceeding through life with this enormous advantage

  • Social deprivation so then I'm still gonna chase you back to that story about the both the PR company

  • But I have another question for you

  • So you know you you are detailing out the kind of

  • Childhood that in principle could have left you bitter and resentful

  • So why didn't it like why didn't that happen to you? I think because of my father

  • My mother was a deep pessimist my father was a profound optimist

  • And I must have had my father's genes predominating over. I got them both

  • optimism and pessimism

  • But I'm grateful for everything that's happened in my life. I mean every deprivation

  • You know I was sick in bed for 15 years and even that turned out to be it was nightmarish. It was horrible it

  • Inflicted pains for which there are no words in the English language because I was isolated

  • For five years and could not talk literally could not muster the energy to move the larynx to give a single syllable of sound

  • and yet I

  • It was nightmarish horrible and monstrous as it was I can't I found a to international scientific groups at that time

  • I wrote three books

  • And I learned what it's like to be at that extreme of the human experience extreme isolation

  • Extreme pain what what happened to you what what were you suffering from well, we figured it out

  • I mean I figured it out on my own and then taught my doctor about it. It's called chronic fatigue syndrome

  • It's better sometimes known as myalgic encephalomyelitis and nobody knows

  • What causes it but in 1988? I really have been working on my book

  • for

  • Long enough to have fifth the first 15 chapters my cut my first book. I really wanted to get out of publicity

  • There's no way I could have because I was a legend I mean the bail board died to music publicity had

  • 20 pages of nothing, but me

  • So you know your wife is not gonna let you out of

  • a successful career and

  • If she doesn't want to lose the money. She doesn't want to lose the status

  • And all of a sudden want I didn't know what was happening to me. It was 90 degrees out, and I'd be freezing and shivering

  • It was 40 degrees out and I would be overheated I

  • Was I was losing strength I was losing the strength to pick up coat

  • um and

  • I had no idea of what was happening and I went to doctors and the doctors had no idea of what was happening and I

  • Walked into my office one day. It was the biggest PR firm in the music industry and said to myself

  • I don't know. What's happening. I could be dying, but I'm gonna be out of here in two weeks, and I'm giving you the business

  • the next day

  • A competitor from the west coast called and offered me a huge amount of money for the business

  • And I said, I cannot sell it to you. I just gave it to my staff yesterday because my word is my bond and

  • I kept trying to struggling to try to do normal things Leon URIs when I finished my

  • Manuscript of the first book the Lucifer principle a scientific expedition into the forces of history

  • I got a copy to Leon URIs the novelist and

  • Leon URIs read it and called on a Sunday night and raved about it for half an hour

  • So I tried to get into New York to see him, but I had a rent. Are you ready for this?

  • I because I couldn't afford this I had a rental limo

  • So I could lay down in the back seat all the way into

  • Manhattan to see Leon and then lay down in the back seat all the way home

  • That's not that's not the world's most glamorous limousine story no

  • It's not if not at all the world's most glamorous limousine story eventually

  • I learned I couldn't even do that and eventually I became too weak to even try

  • Because I was just lucky to be able to get to my bathroom

  • but if I tried to get to my kitchen an extra ten steps away, no my body wouldn't

  • Me do it and one of the lessons

  • I learned in my childhood again when I was 16 years old poetry was extremely important to me

  • And I learned a lesson from two poets one was at the st.

  • Vincent Millay and her poem renascence said to

  • See the infinite in the tiniest of things which was definitely a goal on my list

  • You have to be able to comprehend the suffering of every human on the face of this planet under every extreme

  • circumstance

  • and I expanded that to mean you have to come to understand not just the suffering but the point of view of

  • everyone who comes from a culture

  • That's so foreign tears that it seems like from another planet, so this was a what what Edna st.

  • Vincent Millay was telling me was fifteen years of

  • Absolute and unbelievable punishment is an advantage, and it will serve you well for the rest of your life

  • You got a story to tell you then this is something. I learned from Carl Jung so in the

  • in the Chartres Cathedral in in in France

  • there's a maze and

  • that you walk, and it's at the center point of the

  • Cathedral, that's a crucifix

  • Essentially and so the maze is at the center of the X that marks the point of maximum suffering okay right now

  • it's a symbolic pilgrimage and what you do is you it mazes a circle and

  • in the middle is a

  • symbol that looks kind of like a rose and

  • In order to get to the middle, which is that central point you have to enter the maze

  • And then you have to walk through the the each quadrant so you have to

  • Circumambulate the world you have to go north west to east and south you have to cover every bit of territory

  • And then you get to the middle and the middle is marked by the X which is the point the point of?

  • consciousness you might say the center point of the world, but also the place where you voluntarily accept your suffering and

  • Which is what Christ did I mean?

  • if I'm not a Christian, but if you believe in the

  • the religion that st. Paul created based on Jesus

  • then

  • God had to become human in order to experience human suffering and

  • When Christ was on the cross writhing in agony and screamed Eli Eli sabachthani my lord my lord

  • Why hast thou forsaken me? It's because God needed to experience the absolute extreme of human despair

  • In order to carry out his task of saving mankind

  • And one way or the other

  • Religion talks to us really about what we need to do. There's this I've got this saying in here

  • Let me see if I can find it it's not in front of me at the moment

  • But it give me a second as it's very important

  • It's an epigram that I wrote a few years ago, and it says since there is no God

  • It is our job to do his work

  • God is not a being he is an aspiration a gift a vision a goal to see

  • Ours is the responsibility of making a cruel universe turn just of turning pains two?

  • understandings and new insights into joy of creating ways to soar the skies for generations yet to come of

  • Fashioning wings with which our children's children shall overcome of making worlds of fantasy

  • Materialized as reality of mining and transforming our greatest gifts our passions our

  • imaginings our pains our

  • Insecurities and our lusts. This is the work of deity and D

  • It is a power that resides in us in other words, if these are things that we imagine

  • That Jesus has done on our behalf and on behalf of more ethereal God in the sky

  • These have to be our aspirations indeed

  • It one of my books the genius of the Beast or radical revision of capitalism talks about material miracles the very

  • Laptops with which we are having this conversation the very zoom with software that we are using these are fucking

  • material miracles

  • And and we are here to save each other when when Joan Jets manager came to me and said

  • Joan has been turned down by 20 through record companies

  • And if you get her just one line and one of the trade

  • Magazines a record company will snap her up and make her a star and I can go back

  • He's said to being a songwriter and a producer and I sat him down on the couch and said Kenny

  • That's not the way things happen the day they reckon come no record company's gonna sign you on the basis one sentence

  • the day a record company signs you is the day your troubles beginning and

  • And you have to fashion a Panzer tape tank strategy that can ride over

  • Every obstacle you can possibly imagine so if you work the way

  • I work 17 hours a day seven days a week if you do everything

  • I tell you to I guarantee you we will have a star in two years one thing that I knew is

  • That I love rock and roll was going to be a hit now. What does that?

  • Have to do with secular salvation everything because according to work. That was done

  • with deeper studies in the 1980s and 1990s

  • We all cycle through about seven major mood swings a day we adults it's more like twenty two for kids for adolescents

  • Which means we go from heaven to hell and back again?

  • seven times a day if I can

  • Succeed in making Joan Jett a star so that her salon

  • I love rock and roll appears on the radio

  • And you love that song for three and a half

  • Minutes that song is going to yank you out of the misery of a personal hell

  • That is secular

  • salvation if on the other hand I'm working with a filmmaker and I've worked with a bunch of films who can yank you out of

  • Yourself for an hour and 10 minutes or an hour and 50 minutes. That's an over an hour of secular salvation

  • Well is it isn't there always angels playing music in heaven isn't that tight yes?

  • Unfortunately it gets very boring up there because all they do is sing the praises of God

  • Well, maybe that's what Joan Jett was doing too

  • You know yes exactly making hits for heaven yeah, so at any rate anything that a God can do anything

  • We imagine that a God can do that's our aspiration and that's what we have to do our best to achieve now

  • We don't achieve these things in a single lifetime

  • Sometimes we engage in multi-generational projects that last 100 200 or 300

  • Lifetimes 300 generations, but flying we can see the myth of Daedelus

  • Has flowing in it

  • Daedelus makes a pair of wax wings for his son and Icarus indeed flies

  • He just flies a little too close to the Sun and melts the wax and falls into the sea

  • So that dream has been around for at least twenty eight hundred years. How many generations did it take to make that real?

  • I can't even do the arithmetic

  • But it took until a hundred years ago

  • Until a hundred and ten years ago to make that dream come true if we persist and I don't just mean individually I mean

  • Collectively if we persist generation after generation the things we regard as godly we can achieve

  • and we must we must

  • Okay, so I'm gonna go back now. I'm gonna go back. I agree with you. I mean I also think that

  • That and what do I mean by that well?

  • Well I think part of it is this that I don't I can't see that we have anything better to do

  • No in fact. That's a very good phrase. This is something

  • I've been talking to two people about a lot in the last year, and it seems to be resonating particularly with young men is that?

  • Because and then this is baby partly it also tied into your idea of the benefits of deprivation

  • It's like in some ways each person is

  • Permanently lost because we're fragile and finite and mortal and all of those things and so the game is up

  • Pretty much from the beginning

  • But one of the things that's so interesting about that is the fact that you're going to lose everything also means that you could risk

  • everything

  • That's a very interesting point Jordan

  • That one thing that comes out in your book cuz I read it a month or two ago

  • I know it's not coming out until something like February is there's a definite Christian perspective

  • and it is a Stern and

  • austere

  • perspective in in the book and what you just expressed comes from a deep Christian perspective

  • We're going to lose it all so we might as well risk at all

  • And I would agree with that even though I come from a very different kind of perspective

  • How did you arrive at that although? We're saving that for a later podcast when I will interview you about your book

  • Well for me. It was a matter of trying to understand. I would say mostly trying to understand what happened in in the Holocaust

  • No, me too

  • And but that's strange because you're about 10 years younger than I am maybe even more younger than I am and old are you?

  • Well, I'm 74 okay. I'm 55 so okay, so there's a big difference so but I did

  • 350 push-ups this morning, and I was very disappointed because last week I did 600 so

  • Well so you've got me on the push-up front I must say yeah, so but but the

  • You are absolutely right and that phrase of yours there. We have nothing better to do

  • That's a phrase that indicates an open-ended infinity and open-ended and as yet unstructured

  • infinity now

  • It's not completely unstructured remember you

  • Your first major work was on the underlying structures of religion, and I'm still fascinated to read it

  • I need to get it in Word or PDF format so I can listen to it on my Kindle

  • One of these days I can send it to you that would be wonderful

  • Actually if you go to my website Julia Peterson calm you can download the PDF, okay great

  • Okay because I've been hungry to read this for a long time so the future isn't entirely unformed for example somehow I

  • believe and now this is a

  • Hypothesis. This is really a hypothesis

  • We humans seem to know what to do when we come together in groups of a million five million 10 million

  • 20 million because there are many cities in China

  • With a population of 20 million there's Mexico City as well, and we fall into it naturally

  • we naturally build the

  • Infrastructures that we need we naturally develop the the infrastructure of habit that we need to get along with each other at that

  • Very compressed level, and you would think well

  • But how did that come to be from an evolutionary point of view after all?

  • Humans have never had the privilege of living roots of millions B. 3 where did all this behavior come from we'll remember our

  • Day for mothers the ones who are at the very very base of our family tree from whom we derive

  • approximately 40% of our genes are bacteria and

  • Bacteria do not live a life alone they cannot tolerate it

  • They live in groups, so James Shapiro is one of the great

  • Scholars I'm back to your real behavior when I called him one day and said James if you drop a single

  • Bacterium into a petri dish is it going to die because of isolation and he said no, no way it's gonna

  • it's going to start dividing until it makes a community it surrounds itself with a community so the idea that you cannot have a

  • Bacteria without a community is quite true. It's just the bacteria if they have enough food will make their own community

  • You know I had I had a similar intuition about

  • codfish right you know you know all the codfish have disappeared off the northeastern kurai and

  • Like I've read stories because I did a lot of work on oceanic

  • Appalling oceanic destruction about four years ago for a UN committee and

  • anyway, so I was studying about the cod, and they've all disappeared the

  • schools of those things that existed back when the Europeans first came over

  • The Portuguese probably knew about them before Christopher Columbus even hit hit hit

  • America I

  • Kept it secret, but you know the the schools were

  • Dozens or even hundreds of miles long and many many how thick and the average fish was like three to five feet

  • Across and right is densely packed

  • But it turns out that like the idea that there's a codfish is an illusion in some sense there are schools of codfish

  • Right the schools themselves know where to go for food

  • And they know how to maneuver through the ocean because the schools are actually millions of years old that's right

  • tributed knowledge and cards the cod

  • organized their their mating behavior as a consequence of the existence of the schools and

  • They also organized themselves so the larger fish are protected in the schools by hordes of the younger fish

  • And the older fish are the ones that are more

  • Fertile right the thing about the cod is that when you get rid of the school's you get rid of the cod?

  • You can't reintroduce them because the cod aren't they're like ants they're not their communal right and so once you

  • Demolish this old structure that has this you know embodied memory. Let's say, that's who knows how many ten millions of years old

  • there's no coming back from that right well back to the bacteria for a second because it's good observation and I saw a murmuration of

  • Starlings last week in Buffalo, New York when I was up there for Thanksgiving in other words groups of probably only about

  • 200 starlings, but those groups can become a million mm-hmm, and they all know what to do

  • They know how to wheel around in a much broader pattern

  • But it all goes back to the bacteria because bacteria live in groups a group a colony the size of your palm

  • Is seven trillion in just more than all the humans who have ever lived now there are bacteria like a rügen OSA

  • Which come into your body and when there are small numbers of them lay very low

  • But they're constantly monitoring to see how many of them there are and when when they get up to a sufficient number

  • Lamo, they grow through a massive change and basically. It's as if they're saying okay now

  • We're big enough to take Jordan apart and they become infectious, and they create disease

  • But they don't do that until quorum sensing tells them that there are enough of them to do that so

  • so ours is

  • That does that explain why people can Harbor?

  • Like can't continue levels of toxic bacteria in their bodies without ever falling prey to disease is it a matter of the fact that

  • They that they don't hit that

  • Core a number and that they're monitoring that constantly no we have a lot of bacteria that have adapted to living

  • Synergistically with us and actually do our digesting you go down to the market because you have a craving for chocolate

  • Éclairs, and you come back home, and you eat one of the chocolate eclairs

  • And it's not you who's digesting the chocolate eclair

  • You have just acted as a transportation mechanism to feed a bunch of bacteria in your gut

  • Who will digest that chocolate eclair and what they shit out is glucose right?

  • Well it may be it may also not be you that's craving the damn Eclair

  • But the background and the fact is that that bacteria were just at the beginning of this research?

  • But bacteria have an ability to influence your behavior right exactly exactly not and far more than we think right exactly so

  • And to engineer in a fine point fashion your behavior should they so choose the basic idea is that?

  • bacteria have been through this business of living in vast vast multitudes before and

  • They have certain social evolved social behaviors that turn them into effective groups that allow them to constantly find new food

  • to constantly find new housing and

  • If we think these things are strange to us because in the hundred thousand years since we become Homo sapiens

  • We've never had such a thing until the last century

  • We're crazy because our ancestors left us 40 percent of our genes

  • And it is very likely that

  • Encoded in those genes is a whole

  • rulebook of how you behave when there are the kinds of vast masses of tens of millions that you were talking about in the cod

  • Behavior or the 20 million who are in Mexico City or in major cities in China?

  • Mm-hmm part of our genetic potential that's there not as consequence of human evolution, but is something that preceded that right exactly

  • But it's a guess. This is a hypothesis

  • Let's go back. Let's go back to you were you you would we'd left your your biographical story at the point where you had finished

  • The art magazine and being successful at that and then we're introduced into the FM stations and so right

  • beginning of the PR firm so right

  • Just to mention it again. We're actually here talking about how accidently stirred in the 60s

  • And we've skipped over the whole story of how I accidentally started the 60s well

  • What a chance to talk we'll get a chance to talk again

  • I think because obviously there's things we could talk about for a very long period of time oh good so basically there I was

  • Helping get progressive radio off the ground and

  • also when I was 12

  • a

  • Girl had turned her eyes to mine. It was eighth grade

  • she turned her eyes to mine and I was startled because no girl had ever done that before and

  • in fact, then she locked into eye contact, and I was even more startled because I that had never happened to me before either and

  • And she said I told my mother you understand the theory of relativity now remember

  • I had been in science for two years at this point reading two books a day. I had annealed copper

  • I had made coils. I had made coal cream from an industrial formula

  • I had built my Rho design my first computer and several science fair awards

  • And I had built my first boolean algebra machine. Oh, and my mom had schlepped me off

  • To the University of Buffalo to sit down for meetings with the head of the Graduate physics department at the University of Buffalo

  • which was probably a courtesy call that he was going to allow me five minutes for and I was in there for an hour and

  • we

  • Discussed the hottest topic of the time which was the interpretation of the Doppler shift and Big Bang versus steady state theory of cosmology

  • That's why he kept me in there because it was the very year when the chief champion of steady state Theory Fred Hoyle

  • Knew with absolute certainty he was about to demolish George Gamow of theory of the Big Bang, and it would never be heard from again

  • So this was the hottest topic in science and when we got out the guy towered over my head

  • And he put my hand on my shoulder and he said to my mom

  • You don't have to study for grad school, or you don't have to save up read school for him

  • He will get graduate fellowships at any University, and he wants in theoretical physics

  • So so that's a good day

  • That's a good day, so I had a history in science already and and when this girl turned her eyes to mine

  • she said I told my mother that you understand the theory of relativity and I

  • Couldn't confess Jordan even though truth that the truth of any price including the price of your life is the first rule of science for

  • Me I couldn't confess that I didn't know that because what did I have going for me?

  • Yeah, I think God will forgive you for that well

  • So I jumped on my bicycle and I went down to the library and the librarians

  • Literally knew me better than my mother did and I said give me everything you've got on

  • Relativity and they shoved two books across the desk at me a great big fat book by Einstein and two

  • Collaborators and a little skinny book by Einstein all by himself

  • And I started with the big fat book because I'd learned at that point in life that if you go through something

  • You don't understand at all and you shove yourself all the way to the bitter dishes

  • End by the end you come out understanding something it's only on a gut level

  • So I was doing that with the big book and the big book had about seven words of English on each page and the rest

  • Was all mathematical collisions and mathematical equations are Greek to me. I've never understood

  • so

  • At 8 o'clock at night. I suddenly realize

  • I'm only 50 pages into this book and my mom's gonna put me asleep at 10 o'clock tonight

  • And if I don't go to school understanding the theory of relativity tomorrow

  • I'm gonna be humiliated, so I turn to little skinny book

  • And it was written just by Einstein all on his own

  • and there was an introduction to the book and

  • sometimes it feels as if the author is stepping out through the pages grabbing you by the lapel putting his nose to yours and

  • shouting a personal message in in your face and

  • That's how it felt Einstein grabbed me by the lapels and said schmuck listen up. Do you want to be a genius?

  • It's not enough to come up with a theory only seven men in the world can understand

  • To be a genius you have to be able to come up with that theory and express it so clearly

  • That anyone with a high school education and reasonable degree of intelligence can understand it so Albert

  • Einstein had told me to be a writer and

  • so I was

  • Operating a writing career while I was in undergraduate school

  • And then advancing it when I was when I started the art

  • Studio is the goal for me at that point was your next step to be the writer Albert Einstein told you to be is you?

  • have to write for magazines and

  • one day I'd walked into the office of a magazine carrying the portfolio by art studio and

  • wearing an outfit that I bought from a designer that I was collaborating with on designing stuff and

  • They had women at this magazine. It was an underground magazine called rags an underground fashion magazine it was

  • bankrolled by one of the people who bankrolled rolling stone

  • And the women didn't look at my portfolio

  • All they looked at was what I was wearing and they said you have more of those and I said yes

  • I've got a whole closet full of them, and they said can you write an article about that?

  • Well, I've been looking for my big break with magazine writing a fine Stein's imperative was at my back

  • So I said of course I can and I wrote an article and then I became a contributing editor

  • And I wrote 175 pieces for them and then one of the the other

  • Contributing editors started a new magazine called natural lifestyles, and it made me a contributing editor there, too

  • Which meant I was getting a 6:00 in the morning going without a stitch of clothes on to an old Remington

  • 1940s non electric typewriter pounding away at writing until 8:00 or 9:00

  • Going into the art

  • studio getting that up and running and then coming back home and sitting there with a pot of coffee until 11 o'clock at night when

  • I put myself to sleep and I was getting tired of this Jordan it had been going on for a year

  • So because of the National Lampoon because there was a great big steady check coming in every month

  • My artists voted me out of my studio

  • They didn't want to pay me the percentage that they owed me and for me that was like getting sick. It was a fortunate thing

  • Because I'd been there for three years, and I could have continued there forever running this art studio and

  • and but I was busy writing and one day I was covering of all things a

  • Parapsychology convention for natural lifestyles the other magazine I was a contributing editor, zoo

  • and I was taking notes frantically because I have no memory if I don't know that it's gonna disappear and

  • Somebody walked up to me and said do you want to edit a magazine?

  • Well in my abotu my freshman in my sophomore year of college

  • I had gotten a job writing for the Boy Scouts of America and had written there the chapter

  • I've rewritten their chapter on masturbation for the Boy Scout Handbook, and I've written the chapters get lined in your CV

  • yeah, yeah, but somehow they keep showing up and and

  • Because cause remember when I when I first got onto science at the age of 10

  • It was because a book appeared in my lap

  • And it said the first two rules of science are these the truth of any price of including the price of your life and it

  • Told the story of Galileo, and it told it all wrong it sold it as if he had been

  • Giordano Bruno and been willing to go to the stake. No that's not true

  • I

  • Ban the second rule of science was look at things right under your nose as if you've never seen them before and then proceed from

  • There and it gave the story of Anton van Lewin

  • Hope who invented the microscope and looked at pond water and discovered these tiny little things called animal culés

  • Microscopic beings he also looked at human sperm

  • And then he'd written a letter to the Royal Society

  • Describing what he had seen now think about that Jordan if yeah it took 30 years

  • Before I realized where he probably gotten the nice room, and he's confessing this to the Royal Society. Yeah, that's quite the story

  • Right so masturbation kept following me

  • Wherever I went but I wrote the Boy Scout book on camouflage that is their their handbook on camouflage and their handbook there on

  • stalking and tracking and I had been thrown out of Boy Scouts at the age of eleven for incompetence of Morse code the

  • Only child I have ever heard of who has been thrown out of the Boy Scouts

  • so

  • And none so I have learned a lesson and the lesson was if I care enough about my audience

  • I want my audience to be able to drop down on all fours and get so close to a bunny rabbit

  • Using the techniques of stalking and tracking that I teach them that the rabbit doesn't know they're there until they're rubbing noses with it

  • That I can write anything

  • so I didn't ask what the magazine was about when this kid walked up to me and said you want to edit a magazine and

  • We didn't have Google in those days

  • So I had the name of the publisher that I was supposed to set up a meeting with

  • But I had no idea of who he was and there was no way to look him up

  • And I had no idea what his magazine was I walked into his office

  • two editors were in the process of packing up their stuff and leaving on the opposite side of his office suite from his office and

  • I knew nothing about

  • rock and roll it turned out that the magazine was called circus and was a rock and roll magazine and

  • He asked he asked only one question

  • Can you turn out a magazine in two weeks?

  • because he had two weeks before he had to deliver his magazines of the printer and his editors were leaving and

  • I said yes, and I turned out the magazine in two weeks

  • And that's how I became the editor of a rock magazine and and over the course of time applying Martin Gardner's

  • approach to things looking for underlying correlations I

  • Invented all kinds of correlational studies that allowed me to get a handle on my audience

  • And I learned that my audience wasn't

  • Interested in the traditional format of the rock magazine that my publisher adhered you which is only cover a band

  • That's of interest your audience once a year

  • I discovered that like the audience for Time magazine

  • Which my boss wanted me to imitate and which I read from cover to cover when I was a child

  • Time magazine has an article of president not once a year every single week, it's a running soap opera

  • And if they have a secondary character like Henry Kissinger he's in there at least every other week

  • And then there are tertiary characters who may show up once every four months

  • But you need that Star Trek that a track that presidential track, and I discovered that my that

  • I had one artist that was twice as popular

  • With my audience as his nearest runner-up right that was it and that was Alice Cooper, and the closest runner-up was David Bowie

  • But David Bowie looked pathetic by comparison with Alice Cooper, so I went to my publisher

  • And I'd taken the sales figures, and I'd worked out additional correlations

  • Like the fact that if we had cover lines

  • About people who were in the top ten on the album charts the week

  • We came out we sold magazines, which means it was a four monthly time. I had to learn to predict

  • What was going to be in the top ten on the album charts for months in advance?

  • So I went to my publisher I had a complete format for him

  • I said I guarantee you this is only one of three statements of this kind of ever made in my life. I

  • guarantee you that if you use this format

  • we will increase the sales of our magazine and he was kind enough to let me get away with a

  • total overhaul, and the result was we increased in the next 12 months by

  • 211 percent and my publisher went from a man of modest means with an apartment on Second Avenue overlooking traffic to a man of

  • immodest means with a huge aircraft

  • Sanger sized apartment overlooking the East River and

  • And Chet flipo one of the founding editors of Rolling Stone to valide himself?

  • He didn't feel like what Rolling Stone validated

  • Sufficiently did a history of rock and roll

  • Journalism for his master's thesis at the University of Texas at Austin, and he sent me six pages by

  • Messenger one day, and it was about this guy working in a little windowless closet with a manual Remington typewriter

  • single-handedly pounding out of a magazine

  • And he said single-handedly inventing a new magazine genre the heavy metal magazine

  • so that's how and and I became a scholar of rock and roll I mean I

  • Buy did you develop an affinity for the music yes, I fucking love it

  • I had and who's your favorite well my favorite before this had been Vivaldi's winter in the four seasons?

  • Because it's angry and scowling and whip lashing

  • And now my favorites became well

  • My favorite as a person was Michael Jackson because I never met anybody like him in my life

  • And never expected to meet anybody like him

  • And he embodied the first two rules of science in a way that none of the science people that I've known and loved have ever

  • embodied it and

  • My favorites musically right now. I mean they've changed over the years uh

  • One day I was driving a rented car on Sunset Boulevard in Hollywood and a song came out in the radio

  • That made me do something

  • I had never done since had never done before and I've never done since I

  • Had to pull the car over

  • To a side the side of the road and stop and do nothing but listen to this song and it was hurt so good

  • by John Mellencamp

  • so Billy Joel I loved him in his angry period but I

  • came to him after his angry period and one day I wanted to get together with him socially because I hadn't seen him in a

  • Long time and I don't socialize very readily, I like to get together to work together

  • but not necessarily to schmooze together, but I did call him for socializing so we met for breakfast at a

  • restaurant at the outdoor

  • Cafe part of a restaurant on the ground ground floor of the Essex House where he had an apartment and he came down the elevator

  • carrying this child's notebook

  • You know how when you're in first and second grade your parents buy you a black covered marbled with white

  • notebook to write in well he had one of those and he

  • Put it in the middle of the table while we were talking and he explained something and he said

  • I was growing up and we were teenagers and we would hang out on the corner just watching all the girls go by

  • Girls to us were a separate species

  • they were like mules or donkeys or dogs or something like that if we

  • Had anything to do them with them the simple goal was to score

  • We assumed that they didn't have brains like ours, and I met a girl last night Billie said

  • Who utterly defied those rules of what girls are she is articulate? She is intelligent?

  • She is on top of things. She was a pleasure to talk to now Billie had informed me the first time

  • I met him at his home

  • out on hoister Bay

  • That I mean he had a piano room and it had a big grand piano, and he explained that that

  • Writing song this was like pulling teeth

  • That sometimes it took him three months to write a song that he would pace back and forth in their piano room and he would

  • Call his piano the beast with a da teeth

  • It was the Beast he was fighting to get songs out

  • Well Billy explained that after coming home at 2:00 in the morning for meeting this astonishing woman

  • he had sat down with this little notebook, and he had written an entire album full of

  • songs Wow he met his muse did he yes, and it was Christie Brinkley and

  • Yes, and but you could see how she might inspire a song or two yes absolutely

  • But the point is that it was Billy's most vapid album at least to me that I'd ever heard from him

  • And it's an album that I really am NOT interested

  • In listening to but his angry period when he was angry with his first wife Elizabeth

  • Hey, those were

  • really really good songs Paul Simon

  • Astonished me one day. I was in the elevator over at the Broadway. Whatever. It's called building

  • Broadway Studios or something I have the building he owns with Lauren Michaels of Saturn. I out live I

  • was in the elevator and I bumped into Paul who was my client I did Simon and Garfunkel's reunion to her in the park a

  • reunion in the park, and then I did Simon and Garfunkel's reunion tour and

  • And Paul had a piece of paper in his hands, and I said what's that and he said selearis?

  • Rinna Selvam now remember I was so heavily in the poetry the poetry changed the nature of my life when I was

  • 14 to 16 years old and that I was the editor of a literary magazine that won

  • Two national academy of poets prizes in addition to the stirrer caused in the art community, so I asked if I could see the lyrics

  • It's hard to describe this, but when I read the lyrics my knees almost buckled hmm

  • Which almost helped of the floor bones and stones or something like that? I'm terrible with album names

  • It was some of the most astonishing poetry I'd ever ever read in my life

  • And it reached so cheapened to me that I literally was losing control

  • my body so

  • I asked him if

  • He minded if I showed these to

  • The lyrics to one friend just one friend at the New York Times, and so he we went into his office

  • We made a Xerox and I walked out with the Xerox of the lyrics now

  • I had learned that the media is like sheep and

  • That if you can take one of the lead sheep and turn him in your direction

  • That you can change the perception of an artist within the critical community

  • And I had a friend who was an outsider and yet a lead sheet because he was at the New York Times

  • And he was an outsider because he was gay before you could admit that you were gay

  • So even I didn't know that he was gay

  • I just just knew he was a little bit strange and that I as a consequence felt protective of him

  • And I called him and said I have just seen the most amazing letters

  • I've ever seen in my life, but for all I know it's an illusion for all I know I've somehow hyped myself into this

  • If I send you the lyrics, can you tell me if I'm crazy?

  • And two hours later, I sent it to him by messenger in two hours later

  • I got a phone call saying you are not crazy so Paul Simon has

  • amazing astonishing

  • gifts and

  • beyond that I mean I love rock and roll and blues based service, so these days I'm listening to Joe Bonamassa and

  • Jonny Lang and Beth Hart who I think is the best vocalist I've ever heard of my life

  • they are yeah Beth Hart is just amazing she takes everything that a tagine did and

  • everything that Janis Joplin built on the on the base of what energy James had done and

  • Takes it five levels beyond what you ever thought any vocalist could ever know that's major praise because if Santa James was quite the creature

  • She really was she was an original so

  • That's but but we skipped the story of how accidentally started the sixteen. Oh well look let's do that like a week

  • That's a good place to stop. I think you know okay, because we got into well we completed this story

  • We completed that story. I would love to talk to you again. It was an absolutely great conversation and well for me

  • It's a privilege because I love your thinking about music about religion in terms of its underlying archetypes

  • Because that's a part of my life quest

  • But you've gone out and explored apart that I would never have had the time to explore with a mind

  • That's yours, and so it's going to be different than mine, so I will download the PDF

  • Hope I hope that well I'd especially because you've read the second book. There's 12 rules for life

  • That should open up maps of meaning if which is a much more

  • I would say it's a much denser book and it's probably not as well written although

  • I think it's it's I'm not complaining about it it it accomplished the goal that I had set out to accomplish which was well

  • You'll you you've experienced some of it with 12 rules for life

  • And I'd be very interested to hear what you have to say about maps meaning, so let's talk again. Well you're gonna

  • Talk to me. I think in January that was the plan right?

  • Yes, we were going to talk in January or February wouldn't make it out. Yes. I will set another talk

  • somewhere

  • And are you in New York? I'm in New York. I'm sitting here in Park Slope Brooklyn

  • Well, maybe if you wouldn't mind the next time I come down to New York we could not

  • Yes, yes, yes, let me know as foreign advance as possible because my gala walks up okay, and we'll do it. Okay good

  • I'd love that okay, you've been a pleasure

  • Oh, it's been really good talking to you, and it was it was a play

  • It was really a lot of fun, and you're you're an amazing font of stories

  • and and interesting tangents and and crazy schemes and adventures

  • It's really like I said if you didn't exist it would be hard to hard to invent you so I shall see you sometime

  • Two months good. Okay. Thanks, Jordan. Have a great night. Yeah. Okay. See ya bye, but

So I'm here tonight talking to Howard bloom

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ハワード・ブルームと一緒に火の粉から飲む (Drinking from the Firehose with Howard Bloom)

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    林宜悉 に公開 2021 年 01 月 14 日
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