Name: ハリウッドの脚本家、7分でシーンを書こうとする｜Vanity Fair (Hollywood Screenwriter Attempts To Write A Scene in 7 Minutes | Vanity Fair)
Uploaded: 2021-01-14T10:15:23.000Z
Duration: 26 min 9 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

I am a writer and director of action adventure movies.

I'm one of the writers of Pacific Rim Uprising Cordon.

Right now I'm reading Jurassic World three.

I'm gonna receive a riding crop that I have never seen before.

And I am gonna be strictly on the clock to write a scene based on that prompt.

And when I am done, I am going to get a round of studio notes, so this is not normal.

This is not normally how the process of writing occurs.

The main character has to encounter her old colleague at her local protein depository.

We'll need to include some object inside his jacket.

The scene must lead into a chase sequence.

Excellent, functional, serviceable sci fi world building.

All right, here's what I'm thinking about this.

It's one of my favorite action beats she could be running from Glen or she could be running, for she could be running from both of them.

So a lot of times I will sort of, like, dive into the most interesting part of the scene and then circle back around to do the beginning and the end and watching the whole scene sort of like close in on itself and watching those gaps close up is really fun.

John feels like everything is falling into place.

Um, text front of protein packet depository.

Um, so I'm gonna get that moment Where, uh, the almost in her ear.

In general, if somebody is gonna leap out of their chair when they see somebody else or they're gonna be clearing their throat before they say something, I try to get into a parenthetical because a parent medical takes up a little less vertical space than the screen direction.

One of the things that you'll see me do a lot and you'll see me try to get anything.

That's two lines to be one line, because why do in two lines what you could do in one line.

Now I get to choose whether I'm going to spend my time flushing out this chase sequence, which could be really fun.

But we have to establish what this object is.

It could be anything he could have, like a radioactive Chowchilla in his jacket and she could run away from the police.

It wouldn't have to be clear yet how they're related, because this is clearly a scene at the beginning of the story.

But I like the idea that, like, as soon as Haley sees the object, she knows what it ISS.

So I like the idea that it iss something like this.

Is that that that that is that, um is it like, is that my So I think these two have a criminal past.

I think she has entrusted him with something, and the fact that he is using it or that he's he's brought it out into the world is now gonna get both of them in trouble.

I'm gonna circle back and just make sure just make sure that I have the basic establishing things because I know how much time I have left.

I like to put dot dot dots in front of something in character.

Says to indicate that they take a long pause because it's the only way to indicate that a character stops or pauses without using an extra line.

When I want going to say is a variation on I thought you skipped town, but because it's sci fi like, let's use that as an opportunity to like flesh out this world a little bit more and let's say wounds.

Somehow, Um, let's just give him an outer ring.

Isn't an outer ring of planets is an outer ring of factories.

It's not my job to figure that out right now.

I'm just trying to make a good scene in a sci fi setting.

Leaving town might be something really different and having a character asked that in such an offhanded way, like I thought you left the surface or hey, I thought you rotated to the outer rig.

It's a fun way to start Thio to start to hint and to start to open up.

The sci fi world is unlike our own and that it has a deep history and that there's a lot going on there.

Now we gotta figure out what this object is.

Is that my fallback here is safe cracker like there might be an object that would be a safe cracker, but I kind of want something cooler than that.

So I just sort of casually said that Arno has a digital voice.

Obviously, what's happening is a small robot is talking to handling from inside Glenn's jacket, and I just want to establish that that voice happened suddenly that it's a little bit surprising and it needs a little bit more description.

I can't just offhandedly say our nose digital voice emerges from Glenn's jacket.

I need to describe the voice a little bit more, but I don't have time, so I'm gonna, like just make sure that I've sort of, like, flushed out the elements of the scene and maybe circle back to it.

And then I love this idea that, like there's a betrayal involved.

Why is this line breaking weird through male or female police member spinning a policeman?

I don't want to make it a policeman in, like, a mask in a white suit because that's so lame for science fiction.

A policeman in a a regal, regal, almost Victorian era suit Catch it site of Glen and talks to Wrist communicator.

No, she's in loaning Somebody bumps her elbow and now I'm gonna add just a little lying here so we know what's happening.

And then at that moment, a tiny digital voice speaks from somewhere inside.

So I blasted that scene out really quickly.

So I'm gonna circle around back to the top.

I'm gonna see if there's anything that I want to change.

Just basically going to read it to myself.

Seems a little more casual and realistic.

I'm putting this in italics to indicate to the reader that yes, what?

They're reading is unusual and SciFi ish.

Just go and have just glad have one n or two scrolls.

I guess Glen has two ends because it's SciFi big feature of fantasy and sci fi world is like people's names having more than the usual number of letters.

We're gonna give this a different font because it's in a digital voice.

If I put this in a different front, somebody's gonna love it and somebody's gonna hate it.

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ハリウッドの脚本家、7分でシーンを書こうとする｜Vanity Fair (Hollywood Screenwriter Attempts To Write A Scene in 7 Minutes | Vanity Fair)

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