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  • (Deep broken voice) Thank You.

  • I wanna share with you a little bit about something

  • that I recently had to come to terms with, letting go of.

  • It's actually something that all of us have

  • and it's taking me a long time to appreciate the role

  • that's played in my life.

  • Especially up till now when I had to let go of it --

  • But it's not my voice --

  • (Clear voice) It is --

  • what I thought was possible to do with the voice

  • versus what I used to think was impossible.

  • And what I think is possible versus impossible with the body,

  • and a lot more things in life actually.

  • So, I'm a beatboxer.

  • (Beatboxing)

  • And -- one of the things I love about it is

  • that it can really get outside

  • of what you expect is possible in the world,

  • it can go so far outside of what your expectation is.

  • And that's what got me into it in the first place.

  • It was an incredible performance by a guy named Rahzel.

  • And, you know the drum noises that some of this people make --

  • (Drum noises - beatboxing)

  • Can get pretty close to the drum -- (Applause)

  • Thanks --

  • There is more -- (Deep voice) There is more to come.

  • No -- (Laugther)

  • You can do some incredible things with beatboxing,

  • and the thing that really blew my mind,

  • in one of these performances -- we're doing

  • a beat and the choirs at the same time.

  • And -- It's this incredible performance and it doesn't seem possible --

  • You hear the beat (Beat sound)

  • and then you hear some words.

  • And -- I'm interested in what moves us, what moves you.

  • So, putting that behind some beats --

  • (Beatboxing and singing) ♫ I want to know what moves you

  • ♫ I want to know what moves you

  • ♫ I want to know what moves you

  • ♫ I want to know what moves you

  • And -- (Applause)

  • Thanks!

  • And it's funny because for me

  • the technical aspects of beatboxing

  • really push the fast parts and the cool parts

  • and making just distinct noise, sound, all on it's own.

  • (Beatboxing)

  • Those comprise the technical aspects, but what's

  • the hardest part for me in really moving forward,

  • actually comes from the hesitation to make weird sounding noises.

  • (Laughter)

  • And the more I think about that, the more I notice

  • where else that comes up in life.

  • You know, the first thing I do, for instance

  • when I get into, like a -- a stairwell

  • with some fantastic natural reever.

  • (Reever sound)

  • And you hear those big noises move --

  • And then -- the funny thing is to notice how if I hear

  • somebody else coming up the stairs then I just --

  • (Beatboxing sound)

  • You know. (Laughter)

  • A person comes up and I'll just -- (Singing acting normal)

  • as they walk by, as if they didn't know that that was me.

  • (Laughter)

  • And it's so funny because -- you know --

  • the thing that's holding me back --

  • is the same thing that I have to let go of

  • to come up here and make weird noises in front of you.

  • And it's -- you know, it's entirely internal.

  • And it's the -- I get embarrased

  • by myself sometimes, with -- (Wheeze sounds)

  • I wanna let you in on the process

  • of learning a new noise.

  • I am working on the soft palate right now --

  • trying to make a tone. (Wheeze sounds)

  • It's not going so great. (Laughter)

  • But maybe it will eventually and learning how to train

  • different parts of myself to vibrate in different ways,

  • (Deep cracked voice) is what taught me how to be able to do that

  • that's actually someting above my vocal cords.

  • (Clear voice) while I sing a pitch --

  • (Vibrating pitch)

  • You can hear I was doing two things at the same time,

  • that's two pitches.

  • (Vibrating pitch)

  • So, letting you in on this little process is just, you know --

  • you can feel so amazed sometimes by something that's --

  • that you get thrown at you,

  • that's outside of your own expectation,

  • but rather than substitute information that matches

  • your current set of 'what's possible in the world.'

  • What I like to work on just letting go, and kind of let the experience come in

  • and not give myself to the negative self talk,

  • and the kind of -- I wanna hide -- (Singing acting normal)

  • My goal is to do a lot more than --

  • (Beatboxing)

  • ♫ I wanna know what moves you. ♫

  • ♫ I wanna know what moves you. ♫

  • ♫ I wanna know what moves you. ♫

  • And what you have to let go off to keep moving.

  • Thanks.

  • (Applause)

(Deep broken voice) Thank You.

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A2 初級

TEDx】ヒューマン・ビートボックス。TEDxCambridge 2011でのネイト・ボール (【TEDx】The Human Beatbox: Nate Ball at TEDxCambridge 2011)

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    阿多賓 に公開 2021 年 01 月 14 日
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