Name: リチャード・リンクレイターが彼のキャリアを破壊する、フラフラして混乱したから少年時代へ｜Vanity Fair（ヴァニティ・フェア (Richard Linklater Breaks Down His Career, from Dazed and Confused to Boyhood | Vanity Fair)
Uploaded: 2021-01-14T09:45:21.000Z
Duration: 15 min 18 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

to 不定詞

I describe Austin is the kind of place if you grow up in a small town in Texas or in the South, and you're different, that place to escape to.

動名詞

I remember moving there and just think this is all I really want.

I just wanna be here, watch movies, make movies.

A lot of people thought, you know, you'd have to go to New York or L A to do what I do, but I was like, No, I'm just gonna make it work here.

Hi, I'm Richard Linklater, and this is the timeline of my career.

Would shock is amongst many short films I made when I was really teaching myself how to make films.

I've been working and Super eight up to them, and that was the fun excursion, my future of 16 millimeter stepping up in the world.

It's a short in and around it blissed out, drug fueled music festival in Austin in the summer of 85.

No one involved remembered probably being filmed.

Ecstasy was actually legal then, interestingly enough, they were making it illegal in the fall, you know I didn't have a lot of experience with film growing up other than going to him.

I remember in junior high I started playing with him a little bit.

I had a tripod and my cousin and I shot some films that summer and got a little creative with it.

I would do it, but I was playing sports and I was distracted, but it was always in the back of my mind film.

But I was into photography and any number of other things.

But when I returned to it in my early twenties, I returned in a big way.

I mean work the hell with the kind of work you have to do to earn a living.

All it does is fill the bellies of pigs to exploit.

I may live badly, but at least I don't have work to do it.

I was driving late at night on a long trip alone and the idea that film the narrative structure of the film kind of hit me in one shot like, Why couldn't you tell a story that moves from one character's the next?

I was 23 just in love with cinema and its possibilities.

So that idea oven experimental narrative kind of hit me and then stayed with me.

And then six years later I was actually making that film.

So much of the content and slacker is kind of found object art, something I heard it was in a conversation years earlier in Missoula, Montana, for instance, on the Madonna Pap smear, very intelligent, quirky friend of mine named Matt was theorizing on the pornography.

The future is that might be Madonna Pap smears.

And so I just remember that is that it's just a thought not original to me, but out there in the world via a conversation I was in.

And then it finds its way into this movie as a actual commodity, you know, There it is a Madonna Pap smear for sale.

And I've run into him a couple times over the years.

I haven't seen it just lately, But last time I did, I thought, Oh, what a weird mindset I must have been in.

While making slacker, I determined that Oh, my next moment.

Want to make this teenage movie I want to make It's just kids riding around looking for something to do.

That was my central metaphor for that movie.

You know, the music alone would be expensive, the recreation of the period.

You know, I got to make a very personal film about what I remember high school feeling like all kind of synthesized through one night.

You know, the last night of school in 1976 1 of the great things about getting to do this is there is a cathartic aspect.

You do get to recycled things from your own experience, or that's where I really do work from a pretty specific autobiographical place, at least as a jumping off point at the time we did, Daisy confused.

There weren't a lot of teen movies there that the teen movie kind of ebbs and flows is being very popular in cinema, kind of going away.

It had kind of gone away, so there weren't a lot of big teen stars.

There's so many great actors in the world.

I was most excited about trying to find them.

When I look back at that experience, like for the most satisfying was just getting to know all of them.

Work with them, if you were to visit, are set on a given night.

You know, there's been a flecked and Matthew McConaughey.

And there's Renee Zellweger, who, although technically an extra, was immediately treated like a because he was so cool.

Every liked her so much he would sit at the table and have lunch with everybody you know she was.

He wasn't an actor, really at that point, but he'd come in on addition and I just thought he was pretty perfect for this one part.

He looked me in the eye and said, Hey, I'm not this guy, but I know this guy.

Six weeks later, you're sitting there at lunch.

You know, other people like, Hey, I'm gonna finish college and go to law school.

You know, you can't project or ever know what's inside the performer.

You know, some people just have to do it.

Sure, if it's what they want to do, you know?

You know, I believe if this any kind of God, it wouldn't be in any of us, not you or me, but just this little space in between.

If there's any kind of magic in this world, it must be in the attempt of understanding someone sharing something After doing two sprawling ensembles of slacker and dazed and confused.

I remember having this urge inside me toe take those methods of how I kind of shape, material and work with cast.

Remember thinking it's time to do that intimate story.

And I had been thinking about this since, remember, it was the fall of 89.

I went through Philly and I was visiting my sister for one night.

I was leaving the next day and I just met this young woman at a toy store.

My sister and I, we wandered into a toy store and she was working there.

She was kind of flirting with me, and we had this kind of connection and I did something I would never do.

It turns that hey, I'm in town for you know what Do you wanna go get a drink?

リチャード・リンクレイターが彼のキャリアを破壊する、フラフラして混乱したから少年時代へ｜Vanity Fair（ヴァニティ・フェア (Richard Linklater Breaks Down His Career, from Dazed and Confused to Boyhood | Vanity Fair)

字幕リスト動画再生

リチャード・リンクレイターが彼のキャリアを破壊する、フラフラして混乱したから少年時代へ｜Vanity Fair（ヴァニティ・フェア (Richard Linklater Breaks Down His Career, from Dazed and Confused to Boyhood | Vanity Fair)

content

intimate

realize

experience