You have Mona and you have dark mojo and you have all these things that are really exciting in terms of performance, of insulation up.

I wanted to kind of be around that.

And then the university seemed to have a really interesting fine arts course.

Dark mofo is such a unique opportunity to show your work to a lot of people, and I don't know why you wouldn't do it.

You've got this amazing audience walking past which you just can't get anywhere else.

You've got to come up with something which is gonna work in front of 40,000 people.

So it's just a fantastic opportunity.

My everything about this entire experience is the way that we get to present the work.

You're so unbelievably close.

They always seems to be this distance in traditional feel, so being able to do it so intimately is just magical.

You get all these people coming in from drama or from the conservatory, Um, that you just never say so.

This kind of overlap is really interesting.

There's more ideas coming up as opposed to kind of working in your own little echo chamber.

I'm really enjoying that.

A lot of the practices that we've seen learning in terms of focus and discipline and understanding how did like interact with an audience and how to get them to think have been really helpful.

It's just been amazing learning experience and also kind of be around so many other artists a really cool opportunity and is really rare to be given that opportunity and have it count towards your degree.

It's excellent to come and actually also to be a part of it, to have that little extra bit on original.

It's just this amazing opportunity to really do what we all love to do.

That's part of the reason I moved to Tasmania just that that freedom and I have been two fistfuls everywhere and I've never seen such a community spirit.

Everybody's involved.

It definitely inspires creativity.