Name: カイア・ガーバー＆シンディ・クロフォード、キャリア、ソーシャルメディア、モデル業界について語る｜Vogue (Kaia Gerber & Cindy Crawford on Their Careers, Social Media and the Modeling Industry | Vogue)
Uploaded: 2021-01-14T09:39:33.000Z
Duration: 13 min 50 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

to 不定詞

a favorite person on a newly favorite person like to give you a little gift.

現在進行形

Your name is on the cover, and I'm going to show the audience the pictures.

The thing that I loved about those avenue uncovers is they were just all about the face.

It's very different when you're using a fast camera when you're using a slow cameras kind of like you have toe, you know, find that moment.

And I remember one of the things he taught me, which I have shared with Kaya, is like, have a thought.

Every time you look at that camera lens, make sure you have a thought, he goes, I don't need to know what what it ISS but don't have, like a blank expression.

So if we just start out about the kind of the very basic dynamic of where you both approached the industry, you know, we were talking about this the other day that you know, I'm from the Midwest.

I started modeling and you know, Chicago doing catalog belt modeling once where my face wasn't even in the picture.

And, um, you know, when I finally got to New York, I didn't know anything about anything.

I wondered why some cab stopped and some didn't.

And then I was like, Oh, the light has to be on.

But no one told me that my mother didn't wear any makeup.

I just didn't know anything about in a point of reference.

Yeah, but talk about a point of reference.

I mean, if anyone had a point of reference, I think I definitely did.

So for me, it wasn't a foreign world to go into.

I definitely think there are some things that no matter how much somebody can tell you about, you know, the industry, there were a lot of things you do have to learn firsthand.

So for me, it was it was definitely less scary to go into, Um I have so much appreciation for women like my mom and the other girls who come, you know, they don't know anything.

A lot of the times they're not even English isn't even their first language.

So for me, I definitely had a unique experience going into the industry.

And I think one of the things that that I did and Kaya certainly has done it has more excess is like when you goto work with a photographer.

A designer is like, do your homework and under, so that because I want to have a language like I know this photographer shoots this way when I get to set, I kind of already know what language we might be speaking that day, as opposed to just walking in and not knowing anything about the editor or the designer or the photographer.

By the time Kaya started in the fashion industry, she was pretty well versed.

She I mean, she teaches me stuff all the time designers and young photographers and just, you know, being prepared, which is good advice for any job, by the way.

But it also applies that brings us up to it.

Very curious thing that really is a dynamic that is happening now, which is social media.

And that is really a definitive change for you, don't you say?

And that was something that my mom couldn't really teach me.

You know, we were learning it together, especially starting in an industry that was so heavily influenced by social media when you know that don't exist when she was doing it.

And I think you know, it's benefited models and the industry as it has a hole in a lot of ways, I feel like we've become a lot more accessible.

Um, you know, But when I see images of my mom from when she was modeling, it was very selective.

You know, you're seeing her on the cover of Vogue, and that's it.

And so I think it allowed for people toe have this kind of fantasy or fascination with models at the time because you weren't seeing them every single day you were seeing them shot by these incredible photographers of the whole team of people.

And, you know, now, as models, you see us from the second we wake up until we go to sleep and you're not just seeing us all done up which I think is really nice to realize.

You know, you're not always looking like you look on the cover of Vogue, but it also takes away a bit of that kind of magic and almost suspense for what's gonna come out next.

I don't think my generation grew up wanting to be models like you didn't even really think that it was a real job.

And then it was like the supermodel moment.

And then I really think like when I look back on, it was like America's next top model, like Tyra Banks made everyone believe, like all of a sudden, you too, can be a model.

And then and then social media happened right after that, and it was like everyone not only could be a model, they were a model in their everyday life.

I mean, there isn't a 12 year old that doesn't know how to take a great selfie and how to retouch it perfectly.

And so when people would say like, Well, how could you let Kaya start modeling?

So every every young person is modeling in their own life.

What I miss about like the old days, like without sounding like my mother Good old days.

Is that when when you're shooting with film and there was no monitor, all the attention was on the set on the model.

So there was an aspect that you were performing in front of the hair, the makeup, the stylist, like everyone's eyes were on you.

And when you're receiving that, you put it on you, you perform.

And then all of a sudden, and I think really the first person that I that I knew that was really using digital in A with Michael Thompson.

And all of a sudden everyone was hovered around the monitor and no, like I'd be standing on set like guy.

It's rare that you shoot on film, you know, now there you already see the cover laid out on set in front and retouched.

There's and retouch they'll be retouching in front of you and I think okay, but I think you know, it's it's cool to have that immediate like you can see it and you're doing it and, um, you can build off of that.

You think that film there was, like, a more personal connection?

And it is a performance that you're putting on to some aspect so well, and what I've noticed is sometimes, like when they're like, Okay, we got it because they see it big.

And sometimes that next thing that was gonna happen was like the unplanned thing, you know, Or for instance, sometimes you're modeling and you'll do something that looks bad.

But the next thing was gonna look good, but they'll stop you at the bed and don't remember.

We used to be like, Okay, now we've got it.

Let's just do two rolls from the heck of it and throw it away.

I think that when you know Vogue has adopted the 18 year old policy, which is very, very important.

You started when you were young, but I had a very, very protective mother who was really looking after me and was making it.

And also did your models have to pursue it?

It's a way I think, to start a conversation with the fashion industry when these rules came into play, you know, I between my first and second season doing shows was when the rules fully came into effect.

I remember the first time I really noticed someone asked me on set.

I never thought about that, but suddenly, when they asked me, I was like, You know what?

Like it is appropriate to ask, Can I tuck your shirt in?

And that definitely kind of something clicked in my head where I realized that now everyone was really making an effort to make sure everyone felt comfortable.

We definitely felt more encouraged to speak up.

It just felt more like a collaborative process.

Um, but again, I think bottom line is these aren't issues that just we as models were facing and, um, and it's also whether you're 17 or 25 or 40.

Nobody should have to feel uncomfortable in their workplace, regardless.

Like, for instance, I've done a ton of news throughout my career, you know, with her Brits and helmet.

Maybe, but I never, ever felt bad about except for one time.

And it was because it wasn't supposed to be a nude, and I kind of felt like a little pressured into it.

This guy kind of, I don't know, He just kind of it felt not right.

And I think that's the thing is like that.