Name: 人形使いがデモンズに命を吹き込んだ方法｜His Dark Materials｜BBC予告編 (How puppeteers brought the Dæmons to life | His Dark Materials | BBC Trailers)
Uploaded: 2021-01-14T09:31:24.000Z
Duration: 3 min 37 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

頻度を表す副詞

They're almost like various versions of your psyche.

And when you're a child it changes, 'cause you still change.

Lord Asriel's daemon decides to settle as a snow leopard.

They're vital to the piece, and without that it wouldn't be the show it is.

They have to be CGI. I mean that was really clear.

Those daemon animals have to give a performance.

They are representing something of what the character is thinking or feeling.

No Lyra, don't! The retiring room is expressly forbidden.

To put that on screen is quite difficult, and costs a lot of money.

And in the end they decided that on the day we would have a series of puppets that would

help us, but also the camera team and also the CGI guys on the other side to work out

Making photo-real, nuanced visual effects creations as creatures

or characters is kind of our bread and butter, it's what we do.

A show like this, it has what is undeniably an incredibly high level of visual effects

Having a reference for a performance or timing or rhythm in a scene

is really, really helpful. It's always really good to have the initial on set instinct of a puppeteer.

So, they were pivotal for us being able to get through the show.

So we had to build representations of those things,

that would give the actors an understanding of the space that they filled and the weight

that they might be and the interaction that had with them,

in where it is at the right time and get the beats that are part of the story.

They really do help 'cause if not you're like 'Where's Pan?'

But then you do the pass and you're like 'Oh, this clears everything.'

And it's so fun working with them, 'cause the people who do it are really nice also.

Especially with children around, it's really important those puppets were there I think.

It doesn't take long for a child to attach something to a puppet, you know?

We actually work together, and I love Stelmaria.

And I love the fact that we can work symbiotically as a duo.

To even just walking into a room, we're like who walks in first? Me or Stel?

I think it's a dangerous situation. I think Stel might go first, 'cause her senses are more a-tuned than mine.

Just decisions like that are really interesting to make.

Oh, I love my puppet! I love Brian, I love my puppet.

We worked together for about a week before, just working out.

We worked out a very important psychological relationship between the two.

It informs everything. It's sort of the missing actors in the scene at any given time.

It's really wonderful and the puppeteers here are so incredible

that as soon as Hester's in their hands, she comes to life.

Yes, we are in a world of make believe and magic,

but it helps to have a little magical assistance shall we say?