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  • Roxy.

  • Morning tea.

  • Have you been this week?

  • My lovely lemon of a lady?

  • Oh, I've just been wonderful.

  • I actually have a very before we introduce our guest.

  • Very funny story.

  • Home.

  • Your story.

  • Does it include our guests?

  • It does.

  • Right?

  • So picture it back in the day.

  • We're talking.

  • Early nineties Texas angsty Roxy in her bedroom door, slamming the bedroom door.

  • See it right now he picks, right, Because nothing has changed.

  • He had some things change.

  • It's all the same.

  • Fighting solace in my oversized turbo jeans Like love It left Depeche Mode.

  • He's sexy.

  • And, of course, the pages of bop team be tiger beats all the classic teenybopper magazines.

  • Um, and my only escape, you know, thinking My God, Hollywood sense like, so amazing.

  • So glamorous.

  • Like, how do I leave Texas and get there, right?

  • How do you?

  • Well, sure, you'll tell us.

  • Well, can I just tell you ahead?

  • It'll planned out.

  • I was gonna marry the quarries.

  • Elissa Milano was going to be my best girlfriends for use, right?

  • We were going to spend our days cruising the beaches of Malibu and going out to the Hollywood hot spots like the Roxbury bar One which I did do side note, different time.

  • We'll talk about that, but it didn't exactly turn out that way.

  • But the 15 year old in me is kind of freaking out today because you manifest it.

  • Manifested whore.

  • Hey, ladies, ladies.

  • I've never heard anything like that.

  • It was phantasm mazing, uh, your face on someone's, like body before.

  • Yes, Well, I haven't had many my body.

  • Yes, yes, yes, Many.

  • Right.

  • Well, I've had my face on a few people.

  • Yeah, your wife's ears.

  • We have to be.

  • Oh, you know what?

  • No, my wife is not that way.

  • She is very open minded individual, and she doesn't get jealous ever.

  • Especially stories of the past.

  • That's just ridiculousness.

  • You know, I can't believe when people do that where they're like, Oh, my God.

  • You did this before you met.

  • May.

  • I'm never gonna look at you the same.

  • And you're like what?

  • Well, like, um, I responsible for things that I did before I knew that you were No, uh, like, uh, chipotle a store.

  • He's like to remember this beautiful Asian girl used today way was into you.

  • Should I cook for you and I don't get it right.

  • Well, there's a difference between telling a story and rubbing it in 50,000 times.

  • So let's take it back to the beginning because I love your shoes bad as because it says Be on each side with big gold bees, which means, like, badass be bad as B And you.

  • She's a cool I you dress dress is very nice.

  • Exactly.

  • Well, I like the fact that we match.

  • I mean, it's kind of cool.

  • Look at that.

  • It's blue and white balloon way.

  • Little checkered thing coordination.

  • You guys were, like, psychically connected kind of little right here.

  • This is like we actually coordinated.

  • It was all meant to be.

  • It was all meant today.

  • So taking it back a little ways back before the nineties, you started acting at three years old, right?

  • That's way back, back, right?

  • Is that right?

  • Well, it was dark.

  • I couldn't see anything.

  • I was trying to find my way around.

  • So is this, like, always something you wanted to do?

  • It was a more like of your hair.

  • And sometimes I want to do do a documentary about terrible things.

  • No, no, no.

  • that was no what I always wanted to do.

  • Uh, no.

  • You mean be here and I mean, no, I mean starting acting.

  • Was it more like your parents agenda or wasn't yours?

  • You definitely my parents agenda.

  • Okay, but that's it.

  • I mean, obviously I was a, you know, boisterous little, you know, character driven dude ran around throwing on costumes everywhere and playing in his imaginary world s So I'm sure that they went Hey, meal ticket.

  • But, you know, my sister's started.

  • Actually, my sister was famous before I was she was on the new Mickey Mouse Club, which is no longer knew.

  • It's quite quite old, but it was new at the time.

  • And that was before Britney Spears and Justin Timberlake and Christina Aguilera hit the Disney scene.

  • So she was one of the yogis.

  • No, it's it's all about, you know, training the child to be in that box.

  • And I mean, you know, you're an actress, so you know how it is that they don't want to work with anybody.

  • That's not gonna take orders, right?

  • Like you have to be disciplined.

  • You have to follow everything to a tee.

  • And most directors don't even want you thinking for yourself.

  • I mean, that's the truth of it.

  • They're gonna give you line readings.

  • They're gonna tell you exactly what face to make and how to express yourself and how to move.

  • And what body language they want everything right.

  • And then there's directors that actually let you open up and play and be you or bring yourself to the character or whatever, But there are those that won't, and especially when you're a child.

  • So I think a lot of it is just the psychological kind of beat down of leg.

  • You need to be, you know, disciplined and docile and do what we tell you.

  • But there's also the factor of this is our meal ticket.

  • I mean, literally, That was that was it.

  • So they wanted, just like the Jackson's parents.

  • You know, it was like we were We were beaten to train, like, literally, like, we're gonna put you in a room, we're gonna give you a script, and you're not coming out of this room until you know that script backwards and forwards.

  • And when I say backwards and forwards, I literally mean backwards and forwards like I had to be able to read it backwards.

  • Meeting like, Okay, we're gonna go backwards through the script.

  • What's your line?

  • You know, and then we're not gonna tell you the lead line into it, like you've got already.

  • Know what the line before That's supposed to be.

  • He loved.

  • You know, I feel like they love the money.

  • Do you still feel that way?

  • Yes, Very much so.

  • I have no no relationship, no communication with my parents whatsoever.

  • Just break that as mother Rocks have Children that breaks my heart.

  • Yeah, I have Children to have a child, but yeah, yeah, I know.

  • I can't imagine.

  • I can't imagine somebody thinking their child that way.

  • It's It's just nauseating, really.

  • Do you forgive them?

  • I forgive them in the sense that they they're not well, people, you know, my mother is mentally unstable, and that's something that I came to terms with many, many years ago.

  • The kinds of things that she did to me, which were violent and tumultuous and torturers that she would enjoy I mean, should actually enjoy it.

  • She would smile and laugh while she was doing these evil, cruel things to me.

  • So you have to go.

  • No sane person would do that to their child and enjoy it.

  • So you know.

  • And now she has no memory of it.

  • And that's the thing.

  • That's the one of the reasons why I can't communicate with her is because I'm like, What is the point of trying to rationalize with somebody who cannot even accept the fact that they took part in something?

  • Because that's really where it's at?

  • Like she doesn't even acknowledge it?

  • Like I'll be like, Okay, so this happened in this really hurt me.

  • An interview like that didn't happen.

  • Really?

  • What do you mean, it didn't happen?

  • Obviously have carried it for all these years?

  • No.

  • Didn't happen.

  • Okay, Do you see things at some point, like being able to sort of come back together in some way?

  • You know, the last straw was when I wrote my book choreography in 2013.

  • I haven't spoken to her since.

  • And the reason why is because at that point, I had been like, Okay, I really want to try and find the healing and I want to forgive and I want to move on.

  • So I really tried to like bring things full circle.

  • And by doing that I took her out to lunch several times and I said, Here's the deal.

  • I've got this book coming out.

  • It's very cathartic.

  • It's very important.

  • It's something that I have to do for my soul to free myself.

  • So if you know you understand that, then hopefully you're gonna be supportive of this.

  • So I'm gonna give you the manuscript six months out six months before it comes out, So you have time to read it.

  • So if you have any major issues with it, if there's anything you want to discuss with something you don't agree with, I'm willing to take a look at it.

  • And we could maybe work on, you know, lessening it or shortening it or whatever.

  • Maybe take it out altogether.

  • And so I gave her the book.

  • I give it to her on a tablet.

  • She'd never had a tablet before, so I transferred it onto a tablet.

  • I gave her the whole tablet.

  • I said gears to keep Just do what you gotta do and she took the tablet, never read book, never read it, and I said, Look, and I met with her again, Like a month before it came out.

  • I said, I've given you five months.

  • What do you think of the book?

  • She says I have nothing.

  • I said, What do you mean?

  • Because I didn't read it.

  • I don't like to be serious and because you and I go All right, look, here's the deal.

  • When this book comes out, the press is gonna come to you for answers.

  • They're gonna want to know.

  • So there's three ways that you can approach This number one is your supportive and you say, You know what?

  • I may not agree with some of the things in the book.

  • There may be things that I don't remember.

  • I don't agree with whatever and hold, but I'm proud of my son.

  • And I'm you know, glad that he's doing this for him.

  • And he's you know, I stand with him and I'm gonna support him no matter what.

  • Because he's my son and I love him.

  • That's number one.

  • Number two is you keep your mouth shut and you just don't say anything at all.

  • If you really don't agree with what I'm doing, you just leave it alone and you just say No, thank you.

  • No comment.

  • Whatever I said, then there's the third thing you could do, which is exactly what we don't want.

  • Which is for you to go out there and debate it and say, Oh, well, I don't believe this or I don't believe that or this isn't sure that's not true.

  • I said, if you do that, you're gonna make yourself look really bad because everybody knows that I'm a truthful guy and they're going to know that these stories air honest because you can hear the honesty in them.

  • So, you know, if you come out there and you fight it, you come out swatting, it's gonna make you look bad, and nobody will have empathy for that.

  • Nobody has empathy for a mother that abuses Children.

  • And so she says, Okay, I understand.

  • And then the day the book comes out, she goes and takes interviews with, like all the sleazy press and says that, you know, I'm out of my mind, and it must be the drugs that I did in the past and all of this kind of stuff, the ruin, my brain and my memory, and I'm just going like wow and then, father.

  • Same thing.

  • Just opportunist.

  • So not to say that it's right.

  • What?

  • They did it all.

  • Do you think it was their defense mechanism for not protecting you that made them sort of go this route?

  • Yeah.

  • Do they hate themselves for I You know, I wish I could say I thought so, but I don't think so.

  • I I unfortunately think that they my father, I mean, I lived with him for, you know, several years after I left my mother and he was all opportunistic.

  • I mean, literally like it was.

  • It's hard to explain, but like, if I was doing a big event a big concert, a big you know, new TV series, new movie, whatever.

  • And this is yours.

  • After he was like, you know, the parental father, like, literally.

  • Like I was doing my show dweebs in the nineties.

  • And I'm, you know, in my twenties at that time, early twenties, and he shows up in the set, and I'm like, I haven't seen you in five years.

  • What are you doing here?

  • You know?

  • Oh, well, you know, my son's on a lot, and I think I'm gonna stop by because it was just opportunistic.

  • Yeah.

  • How do you deal with the PTSD of everything that you've gone through?

  • Like, how do you function on a normal daily basis?

  • I mean, I've been through nothing compared to anything you have, and I still struggle.

  • So I I don't know how you're such a light in the darkness and have now made it something that's so important to you to help other people.

  • Sometimes when you don't know what to do for yourself, it's good Better to do for others.

  • How do you get up every day?

  • That's it.

  • And spite on you just hit it on the head.

  • I mean, for me, the true joy comes with enlightenment.

  • Ah, I have a very deep spiritual basis.

  • I pray every day on my hands and knees, just like you know I did when I was a kid.

  • I have no humility about that.

  • Um and I feel blessed.

  • I have a beautiful life.

  • I mean, I have I'm no complaint.

  • Yes, there are the things that I have to fight through.

  • There are the missions that I'm trying to accomplish Is faras education awareness raising awareness, making change, trying to root out these awful people who are still thriving in the industry and showing people that Look, this is not okay.

  • We cannot accept this.

  • We cannot allow these people to win.

  • So there is that.

  • But the other side of it is that, like I have a beautiful wife, I have a lovely son who I, you know, love dearly.

  • And, um, you know, for the most part, I'm pretty proud of him.

  • And and I think it's been a normal life as faras, you know, everything that's happened in the last 10 years, everything prior to that was kind of crazy.

  • But I think that things have really kind of found their place.

  • And I feel like, you know, I've had many different cathartic release.

  • Is that help?

  • Kind of get it out like, first of all, I went to a lot of therapy, obviously, you know?

  • Yeah, you got to do therapy, right?

  • Marriage.

  • So So I did there be for jeez, I don't know, 10 years on my own before I ever even started trying to have real relationships.

  • And then I had a bunch of relationships that were really bad, where I was cheated on and I lost faith in women.

  • I lost trust in women.

  • It was really bad.

  • 18 in a row?

  • Yeah.

  • Trust back in.

  • But I really had a great grandma.

  • So that's what saved me.

  • If I didn't have a great grandma, I would have probably never been able to have a real relationship.

  • But because I had a great grandma, I knew that there was great women out there and I knew that it was just a matter of finding the one that was sane enough to deal with me.

  • Um, so and it took a while.

  • I mean, look, I went through three.

  • Well, three engagements in two ex wives till I found the woman that I'm with today.

  • So it was It was, and I wasn't looking, you know, by the time her and I met each other, it was like I was done.

  • I was gave up on the idea when you find, exactly I was like, I'm doing Corey's Angels.

  • Now.

  • I'm just gonna, like, have a bevy of women around and no commitments, and I'll just be like the Playboy guy, like, lots of fun.

  • But you know what I'm saying?

  • I mean, but then you know things change and we all grow up in a certain point.

  • You go.

  • I want a family.

  • You know, I've always wanted a family.

  • It's all I ever wanted.

  • I was never the guy that wanted to be the playboy.

  • That wasn't my dream.

  • My dream was to have a child and to have White House with the white picket fence sells that stuff, right?

  • American dream.

  • Um and that was since I was a baby.

  • I mean, that's all I ever wanted.

  • So I got married the first time when I was 17 because I'd been emancipated at 15 because all I wanted was love.

  • Oh, we need is love, Mona, you know?

  • Yeah, and that's it.

  • That's all I wanted.

  • So I got very lucky that it finally happened.

  • And I'm grateful.

  • You know, I'm grateful that I didn't end up like my best friend who didn't ever have that chance, who didn't get the love that he wanted, who didn't get to live out his life and have a child.

  • Oh, my God.

  • He would have been so happy to have a child.

  • And and that's a step that destroys me, you know?

  • So So my vigilante mission, if you will.

  • With my truth, Doc, um is about that.

  • It's about standing up for what he lost for what he didn't get because his innocence was stolen.

  • And that's so unfair.

  • It's so unfair that he's gone.

  • And the person that raped him is living his happy little life.

  • It makes me sick, makes my blood boil.

  • And this is a very public person, obviously that the very public person.

  • So what do you hope with the documentary When you because you will be naming this person in the documentary correct?

  • What do you hope to gain by that?

  • What would you like to see happen?

  • Like to see other victims come forward with what we saw yesterday.

  • His life changing life, changing the Weinstein case.

  • This thought of like that PTSD for you, it was a celebration, a celebration Because first of all, I'm friends with a lot of those women.

  • I mean, you know Roseanna Arquette?

  • Yeah, you know, I mean, just just and and and even the ones that didn't actually get the victory yesterday because it wasn't their particular case, that was the one that was being fodder.

  • That was the one that was being charged.

  • It doesn't matter.

  • Because if you were a victim of this monster, you feel that relief.

  • You know, this man is going to jail and he can't do anything.

  • His power is gone.

  • He's not going to hurt you anymore.

  • And that is beautiful.

  • So that is what this is about.

  • Because I believe that the guy that we're bringing out who is, by the way, Justus.

  • Well known, if not more well known than Harvey Weinstein.

  • Okay, hold on.

  • So, what does it come out?

  • Two weeks?

  • Two weeks?

  • Exactly.

  • Tell us now, March 9th, March.

  • Right now.

  • Now, now, live it in.

  • But the point is, is that this person, I'm sure, has a lot of other victims out there.

  • I know this person has a lot of other victims out there.

  • Now, I know you know, different aspects of his crimes and some of the victims that he has which Aaron way different fields because it kind of runs the board.

  • But all I can tell you is that I hope and pray that those victims who have been living in fear all of these years are going to see this as a turning point, and they're going to rush forward with their claims and that they're going to bring their claims to the police and report this man on that.

  • It will be like, you know, a tidal wave of people coming forward and saying, Me too, Me, too, Me, too.

  • And if that happens, then there will be investigations opened.

  • There will be indictments, and the man will be in jail and will have to, you know, defend himself like R.

  • Kelly and like Epstein and like Weinstein.

  • So that's that's the goal.

  • And then all.

  • Obviously, it's not just that man, but there's six men that we name in this movie, and I want to see all of them go down, all of them.

  • One of them, you know, that one of them's dead.

  • But besides that, the rest need to go to jail.

  • Why do you think, Um, Hollywood is such a fertile environment for sexual abuse because it's rife throughout this entertainment.

  • Howard baby, how and money, Well, money and power and in hand think they can control everybody with it, you know, And the thing is, these these people, they get so full of themselves and so ego driven, and they just think like, Oh my God, my poop doesn't stink, You know what I mean?

  • Because I've got all the money.

  • And if if I do something wrong, we'll just pay to cover it up.

  • It's funny, because I do think it happens in other, um, isn't industries.

  • But for some reason, because we want our careers as actors so much it's almost like will do anything to perform because we love.

  • We love to perform.

  • We love to be on site gives us like that dopamine rush, right?

  • So it's almost like an addiction to getting the next job, the next job.

  • And so when there's like a when there's someone standing in front of you and saying No, you can't come in this gate you're like, but what do I have to do to please you so that I can get my dopamine rush in Aiken, my dreams can come true.

  • It's all like based on like this, with the narrative of dreams is right, because it becomes a very self serving, selfish acquisition, and that's where they play on your, um, on your greed right?

  • We'll have it.

  • We all have it, and that's a thing.

  • It's an ego driven thing and they're playing on our egos.

  • And therefore if we can accept the fact we accept our part of the responsibility and saying, You know what, Hey, guess And this isn't for kids, by the way, because kids don't fall under that category.

  • This is for the adults who get messed with.

  • But, you know, for the Dole to get messed with, it's up to us to put that gate down and say, You know what?

  • I'm not willing to go this far.

  • I'm not willing to stay quiet about this.

  • I'm not willing to play along.

  • I am going to call you out.

  • That is our responsibilities.

  • Adults for the kids, different story because they don't get to make that decision right.

  • They need to be protected.

  • That's right, and that's why we aren't they being protected.

  • And that goes back to one of the major things, which is that I am now on the SAG board.

  • I'm actually on several committees at SAG, working with a lot of different people regarding Children's rights, and one of the things that I started a few years back is a movement called kids to which, if you would I would love it if all your listeners and all of your viewers start using the hashtag kids, too.

  • And if you were a victim of childhood sexual assault, please use the hashtag kids do, which is a capital K little ideas in the number two.

  • And the thing is, is that it's the Children's rights movement, and it's time for the Children's rights movement because there's never been one in this country.

  • There's been the civil rights movement.

  • There's been all sorts of different movements for injustices, you know, tthe e equal rights movement.

  • But there's never been a Children's rights.

  • And why is that right?

  • See, Children are always put last.

  • That's why it's kids to it.

  • Should have been kids.

  • One.

  • It should have been kids first, but it's not.

  • They always come last.

  • They're secondhand citizens.

  • People don't think of them as a priority, and that's crazy to me and you're angry.

  • I'm varying.

  • Of course, these kids are getting raped.

  • These kids are getting molested because they show up to work for the day.

  • I mean, it's like and where are the parents?

  • That's what you have to ask yourself.

  • So a lot of times people say, Well, you know, people just, you know, got to take responsibility.

  • And it should be the parents watching Wolf course it should be the parents watching him.

  • But let me ask you, how many times have you been on a set where you've seen a kid get picked up by, you know, the assistant or by this person or that person, and then every day, right?

  • Because the parents can't be bothered or they're not.

  • They're they're creating money so that their Children can I don't know.

  • I find it like I have a small child and just the thought of putting her.

  • She's six years old and I have a one year old the thought of putting her in the entertainment business.

  • I started at 14 and that was young enough for me.

  • And I still have Yeah, and I still have issues from starting so young, not from my parents, just but because I didn't really have a proper upbringing, not with my again with my family, but just I didn't have the normal social skills.

  • Yeah, and so I expect the world to give me so much because it did it when I was so young.

  • So my brain fires in different ways.

  • Doesn't really connect like normal people.

  • But I look at my child who's so young and to put her in front of cameras almost like a an animal, and tell them to perform on a certain Q.

  • And if you don't, then they're in trouble when that's not maybe what?

  • They even wanted you in the first place in the new thing.

  • You bribe them with, like, sweets.

  • And I've done that before.

  • Little things always like What am I doing, child?

  • Who's so impressionable?

  • Whose mind is still much at that age?

  • What am I?

  • What am I trying to put my own agenda onto them?

  • So what is the best way, Cory, just because you've been a victim of this and had to deal with it?

  • What is the best way that we can protect our kids from pedophilia in predators?

  • Not, maybe not even in general.

  • General.

  • Listen, because it's everywhere, right?

  • I mean, I don't know guys notice, but I helped change the law this year in California, where we are that the child statute of limitations is now pushed back until 45 years old, which is great, right?

  • And then there's also a three year window, which means that any buddy who is victimized prior to the year 2017 that maybe never dealt with it never got justice.

  • Never sought justice can now bring their cases forward.

  • The problem is, the district attorney's actually following up and making those cases criminal cases and bringing these people to reel justice.

  • So that's the problem.

  • But what we're doing and part of what we're doing it sag hopefully with the subcommittee that I'm trying to create on kids to is basically to redefine the laws to make sure that the kids are protected against these terrible parents who don't care.

  • So the way to do that is number one.

  • You make it mandatory that a parent or legal guardian is with the child at all times when in a work environment, and that doesn't just mean on the set, that means to castings.

  • That means to the publicity events that means to the meetings and the writers meetings and the director's house and all the little things, because we trust the people that are in power, too, control our Children, thinking that like, hey there in the movie industry.

  • So they're not going to take advantage of my child.

  • That's completely I, Evan.

  • And you're just gullible, if you Because at the end of the day, why, when I was a kid, did my publicist come and pick me up and he'd have three other kids in the car, maybe like a We're gonna have a little sleepover at my house tonight.

  • That happened all the time I saw.

  • And then I'd see this manager who's friends with this publicist in this manager happens to be a pedophile who gets arrested, and he's got kids in his house all the time.

  • And then, like you were like, Wait, where's where's, you know, this great guy bombed the Lord?

  • Where's yet?

  • Oh, well, he's out there.

  • Ah, you know, he's in jail right now.

  • He's not gonna make it today remains in jail.

  • What's he in jail for?

  • Oh, a little incident that happened with kids.

  • What do you mean, What is it in?

  • Oh, well, I guess he was taking some pictures of, you know, kids in his bathroom or something.

  • I mean, there's a real story that I'm telling you could look, I believe in you can look it up.

  • I believe so, you know, And that's not even in my movie.

  • We don't even talk about that guy in my movie because he didn't do anything to me directly, something I know about.

  • So there's the ones that I name in the movie where two people that are, you know, directly did something to me or the people that we talk about in the movie.

  • But if you're not named in the movie because, you know, if you weren't a direct person in my life or you didn't directly abuse me or, you know my close friend, then I don't have the right to tell that story that somebody else's story to tell.

  • But you can look up the public record of how many pedophiles have gone to jail in this industry, you know, and they're gonna be the small guys.

  • They're not gonna be the guys that you know their names, and I'll know that you know they are.

  • Why?

  • Because all the little guys take the fall, and then the big guys are always protected, and that's how it works.

  • It's a train, a tree, chain of command and so again that these were the things that we draw out in this film.

  • This is why this film is so important.

  • And by the way, for all of you listening, please go buy tickets now because tickets right, sail.

  • Right now.

  • My truth, doc dot com is the website and it's only 20 bucks and it's 20 bucks for a whole household.

  • But this this movie literally cost me everything.

  • I mean, I had to take out an insurance policy for a $1,000,000 just to get this movie made.

  • And it was all my own money.

  • No investors.

  • Everybody was too afraid.

  • Nobody wanted to back it.

  • So am I scared?

  • I'm terrified.

  • I'm terrified.

  • This is my future is my livelihood.

  • This is my family.

  • And if this movie does not succeed and I'm, you know, penniless at the end of it all, how am I gonna protect myself because you know they're coming after me.

  • You know, there's gonna be lawsuits, you know, there's going to be attempts.

  • There's already been attempts on my life.

  • I mean, these people don't play.

  • It's almost like you have to do this because it's your calling because it's the way you can release and let go and forgive and accept and move on.

  • And it's not only that, but it's that my best friend made me promise him before he died that I would get his story up because he wasn't strong enough to do it himself.

  • He lived in this fear his whole life, you know?

  • Imagine if it was your best friend and it was 14.

  • It was that age.

  • Exactly.

  • So imagine a 14 when you started in this industry.

  • If you met your B f f on the first set you into and they confided something in you so terrible and you had to live with that for 30 years and then all of a sudden one day you go.

  • You know what?

  • I can't live with it anymore.

  • Because he told me before he died that like, Hey, this is what's killing me.

  • And you is my best friend.

  • Need to be the anchor.

  • You need to be the one to get justice for what happened to me.

  • You did it.

  • I'm doing it.

  • I'm hoping to do it.

  • I'm praying that this works prayers every day, right?

  • You're honoring him.

  • You're honoring his memory.

  • My wife is crying over there.

  • You'll notice so because everyone's crying.

  • Let's talk about some happy way.

  • Don't all leave running down.

  • Actually, your career Were there any really great memories like people you worked with and the stories that you have a river Phoenix?

  • What was he like when you were still making great memories?

  • You know, I mean, every movie I do, I make new friends, you know?

  • So I love I love what I do for a living.

  • It's a great thing, you know?

  • I mean, we have We have a great time.

  • One says we live, you know, becoming another character, becoming another person and meeting all these fabulous, wonderful people because, you know, people always go.

  • Ah, those sleazy Hollywood people.

  • They're all terrible.

  • They're not all terrible.

  • There's a lot of great, beautiful, wonderful people here, you know?

  • So let's not tainted because there's a few bad apples.

  • There are always gonna be a few bad apples in every industry, you know.

  • But yes.

  • River Phoenix was amazing.

  • He was amazing.

  • He was like we were great friends growing up, so people don't know this, but him and I used to run into each other all the time on auditions and I would run into were keen.

  • And you know who is Leaf at the time?

  • People don't know that, but his name was actually Leaf, um, and his sister, which was rainbow.

  • Yes.

  • I mean, they were very hippy doubt, you know?

  • So it was a hippie family.

  • Um, and we would see them.

  • They would pull up in their van or their bus or whatever.

  • It was this kind of old junkie, you know, Muppet movie kind of bus that they would roll up in.

  • And, um, you know, it was it was an interesting time.

  • I mean, we were all just friends.

  • There was no competition as faras We saw it.

  • And that was the world we grew up.

  • And where you just see all your other for, you'd be excited.

  • I mean, when you were a kid actor, you probably remember this tip when you're a good actor.

  • Was like you were so bored of working with adults all the time that if there was somebody your age on this set, you were like, yeah, devious, um, a little bit, but numbering watch pranks.

  • Yes.

  • Yes, I always like that, You see?

  • Oh, I kid, I don't know all sorts of things.

  • Oh, my God.

  • I guess it was one time where we were, uh, dream.

  • A little dream.

  • I know we did a lot of me and Mark Rocco used to do pranks all the time, but it's hard to remember all of them.

  • I'll tell you, one of the 11 of the great ones was actually not my prank, but it was Steven Spielberg's prank on Richard Donner.

  • And it was at the end of Goonies, and it was like right before the movie was wrapping daughter for the last few weeks, you know, it was like a six month shoot.

  • It went on for ever and two years.

  • Oh, yeah?

  • And then you had, like, six months of 80 are after that literally was here.

  • I was never over.

  • You're totally different from the way in those days.

  • We weren't quite that is.

  • But anyway, so it was a few weeks before it ended and Donner would, you know, start going.

  • I can't wait to get away from these damn kids.

  • Get me to Hawaii.

  • I just want to get to Maui through these kids.

  • So, um, what happened, though, was Spielberg thought it would be hysterically funny, too.

  • Have all of us waiting at his vacation home in Maui literally went out and bought all of the kids and one guardian each plane tickets and hotel arrangements and everything.

  • It was like kind of a big gift to everybody at the end.

  • And of course, we didn't really stay at his house.

  • But we did show up at his house like the day after he got there.

  • She's like a resting in peace.

  • Everything's great.

  • Well, okay, so here's the Jet.

  • You want to hear the sad part of the story, Sad part of the story.

  • See, It's so, so eventful, so colorful.

  • But the sad part of the story with my deranged as mom was that she showed up, all drugged out and messed up the day that I was supposed to go to the airport and I was like sitting there with my suitcase, like, all excited and happy to be with my friends, and I'm waiting outside my grandma's house because I was staying in my grandma's and my mom comes speeding up the street in her BMW and slams in front of the house, and she's got makeup dripping down her face and she's saying, You could tell that you just knew she'd pulled an all nighter.

  • I didn't even know what that meant yet, but I knew she pulled an all nighter.

  • So anyway, she could barely talk.

  • She could barely drive.

  • She definitely She was in no condition to be driving.

  • And she's like, get in a car and like we go to the airport and we get there like literally.

  • And this is so sad.

  • But, like, we're like, I get to the airport and I hear my name being called throughout the airport.

  • There, Like Dr Element, meet your party at Gate 42 please.

  • Gate 40 to your party is looking for you.

  • So I'm like, Oh, my God.

  • Some, like I've never been to an airport.

  • And I'm like running around looking at the screens, going 42.

  • What to get for great.

  • And I'm just looking.

  • The screen started match things up.

  • Looking at the tickets, Trent.

  • Understand it?

  • Yeah.

  • And so I finally get to the gate, I go running to the gate.

  • Running, running, running, running now.

  • I don't even, like, wait for my mom.

  • I just go running, running, running, running and I get to the window and I see the plane backing away from the from the little thing there.

  • And I'm like, uh it was totally like a movie.

  • And it was so sad and my little heart was broken.

  • And then I called Steven Spielberg's office.

  • Is it Stephen there?

  • Yeah, I missed my plane, you know?

  • And he's like, What?

  • What?

  • What?

  • What happened?

  • What's wrong with you guys?

  • It was about me, my mom, you know?

  • So there is a right little just fix it for you.

  • So they got me on the next available flight on.

  • They did get us there.

  • Thank God for Stephen being a hero, God is there.

  • And you know what?

  • Um, I made it, but I did miss the big surprise.

  • I didn't miss the big surprise, and that was very depressing.

  • But that said I did make it to his house while they were all still there.

  • I just missed the first hour two of the event, but we had a lovely barbecue on the beach.

  • Alice Cooper came over, and that was the first day that Donner played us the Cyndi Lauper song.

  • So he, like, put a little cassette in his little boom box and was like, What you guys think of this?

  • We're like, Oh, is great.

  • But it was It was fun.

  • Well, speaking of Goonies, you're about to reprise the role of mouth again.

  • Apparently your IMDb says so it does.

  • I have no idea what's happening again.

  • You're gonna be thes rumors.

  • Rumors not happening.

  • I don't believe it.

  • I did hear that there is interest in me coming back for the Lost Boys.

  • That would be now.

  • I don't know if that's true, either That that one is more of a certified rumor, because I heard it through my panic judgment.

  • It's a possibility there, but well, speaking of the Lost boys, lost boys and stand by me were two of my favorite favorites.

  • Did you see the Sequels?

  • I You know what?

  • I stuck with the originals.

  • Oh, geez.

  • Well, no better.

  • You can do better.

  • I think the 3rd 1 was actually really solid.

  • It's called the Thirst Tribe, which was the 2nd 1 was more on the B movie conocido a lots of tea and a that didn't need to be there in that.

  • But the thirst we shot it in South Africa.

  • It's really well shot.

  • And the thing I really like about it is it's the return of the Frog Brothers.

  • So Jamison New Landers in it.

  • Now you know, there'll be the argument that Corey Haim was actually in part two, which was cool, but he does a cameo, and honestly, it wasn't his best moment.

  • It was when he was in a very bad place in his mind, and I was very distraught over the fact that he came to, you know, it's all actually, historically put down on celluloid forever because we did the two Coreys and that was actually during that moment in time.

  • So you actually got to see this kind of classic meltdown happened live in front of everybody, and it was pretty epic and pretty awful.

  • So that was a very painful time.

  • Um, but and it was actually a very painful time doing the next sequel because I had just gone through a divorce and I had just lost eight people in my life starting with my grandfather and going to Michael Jackson like everybody that I was friends with and ah, lot of personal people in my life literally just disappeared one by one by one by one.

  • And then right after I got home from shooting the third laws, boys, Cory died.

  • So it was a very tumultuous time in my life.

  • So you talk about Michael Jackson, and I know you've had a really good relationship with him, and you always have.

  • So now that he's obviously passed away and so much has come up after he has passed away, has that changed your opinion at all?

  • And And where do you sit with everything?

  • Knowing what you've been through?

  • Um, it doesn't change my opinion because it doesn't change the facts of what our relationship was.

  • Our relationship was a good one, you know?

  • I mean, for the most part, we did have a falling out before the end so things didn't end on a positive note with us.

  • Um, but it wasn't because of anything.

  • What happened?

  • Well, it's in my book choreography.

  • I give the story, But basically in short, um, he was going through a lot of, you know, paranoia.

  • And that was because of Well, you can't blame him with all the stuff that was going on.

  • And he was convinced that I He heard that my book was in the processor was in the works, and I think that he became obsessed with somebody had told him a lie.

  • Somebody told them that the book was about him and that I was doing, like, a whole negative thing on him.

  • And he came to me with it.

  • And, you know, this was that his 30th anniversary thing in Madison Square Garden.

  • He came to me and he said, What?

  • What is this?

  • You know where you are.

  • You write.

  • My mom told me that you're writing a book about me, and I said no.

  • Why would I do that?

  • I would never do that.

  • Like I'm writing only positive things.

  • I have nothing negative to say.

  • He's like, Please, Corey, please don't do that.

  • Please.

  • It would kill me.

  • Please don't do that.

  • I love you.

  • I was like I wouldn't do that to you.

  • Why would you think I would do that?

  • I'm not one of those guys.

  • I'm not coming after you.

  • And, um And then it got heated, you know?

  • And he actually made some threats to me, that was That was pretty harsh.

  • And I was heartbroken.

  • I was very heartbroken and I walked away.

  • Um, you know, I still had tickets to see the show, and I just kind of threw them on the ground and walked out of the theater and was like, screw this.

  • And then he did make attempts to try and repair the friendship.

  • Ah, but I wasn't ready.

  • I just I wasn't having and it was the way he did it because it was not on the level.

  • If he would have reached out to me personally and said, Cory, we need to talk I would have definitely taken the call.

  • But it was more like, Hey, she, you know, through 1/3 party, Michael's inviting you to this event or Michael is inviting you to that event.

  • And it was kind of like, Okay, so after you kind of, you know, you lost trust in me and you doubted me, and now you want me to come and kind of kiss up to you to make up for it.

  • So that was it.

  • I mean, it wasn't it had nothing to do with any of these claims or anything like that.

  • It was strictly like two friends having a disagreement because there's, you know, different perspectives.

  • And he was convinced by these people that there was something going on that wasn't going on.

  • So that's all it really was.

  • But it was enough to make me feel threatened because I felt like he didn't really know me, because if you really knew me, he would know that I would never do that.

  • You know?

  • I mean, I've never told a bad story about anybody except for right now.

  • Okay, well, which is what I mean, I have to, but I'm doing it for my brother, you know?

  • But I'm doing it for justice.

  • I'm doing it for Children so that this can stop so that so that love can take over so that people can have a better understanding of what we're supposed to be At our best is humans.

  • And would you like because obviously you need court him very, very well.

  • What would you want people to know about him?

  • Think something that people, maybe not, you know, would not know about him?

  • Um, something he was the funniest man I've ever met.

  • Um I mean, nobody could make me laugh the way Cory could.

  • Michael was very funny, too, by the way.

  • Yeah, he had a great sense of humor, But quarry, I mean, Michael loved practical jokes.

  • Oh, my God.

  • Will you please tell me I need to know Here.

  • I only have you for, like, 20 minutes.

  • All the stories.

  • Michael Jackson was one of my favorite.

  • Like he's when he died.

  • I remember I don't know about your world Stopped the world stopped literally, remember, exactly as in Santa Monica.

  • And I dropped to my knees, and I was hysterical.

  • He meant so much to me.

  • So it's hard when you have to look at your idols and they fall from grace or potentially full for, and you're devastated of what that means, you know?

  • So please give me Well, I'll tell you one fund.

  • The story is that we were in, um, Palm Springs.

  • This is much later.

  • This is, you know, probably the last few years of our friendship, because it was when he was late nineties.

  • He was working on in the closet.

  • Um, the video that he did with Herb Ritts on Dhe Naomi Campbell s o.

  • We were out there in Palm Springs and we went to his condo that he was staying in.

  • Afterwards, he was singing, like, this little vacation village type thing.

  • And we had bicycles.

  • He had bicycles.

  • And he's like, Let's go take a ride around on the bicycles.

  • That was great.

  • So we jumped on some bicycles.

  • I mean, just try and imagine this.

  • This is like me

Roxy.

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コーリー・フェルドマンが語る、性的虐待、ホアキン・フェニックス、そしてマイケル・ジャクソンのこれまでにない物語 (Corey Feldman talks sexual abuse, Joaquin Phoenix, and the never before story of Michael Jackson)

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    林宜悉 に公開 2021 年 01 月 14 日
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