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  • are you, uh, willing to do more?

  • Uh, more horror.

  • Rose if if they're good much if that goes with it.

  • But I I, uh Maybe I should emphasized that I was brought up within the Swedish.

  • It a system which in those days and still is, is a repertory system or less.

  • So I was brought up in municipal theaters in Sweden with small companies, young companies where you were allowed to do anything, have everything.

  • Small parts, big process, leaving parts That's funny parts, singing parts, dramatic parts, classics, mother plays, whatever, anything.

  • And that has given me the taste not to be typecast in just one thing.

  • So I always look for something different from what I'm not before.

  • No, I I will never, ever say that.

  • From now on, I'm going to go to do horror part.

  • So I'm only going to do villains.

  • So I'm only going to do grandfathers or I'm only going only going to do priests or whatever I want variety all right.

  • Different, definitely handed over the years to I have had it, yes, but it's been at times difficult, tough to achieve because people have a tendency to type cost you if you have been successful doing one thing, they want to appropriate that success.

are you, uh, willing to do more?

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マックス・フォン・シドー『エクソシスト』、タイプキャスティングについて (Max von Sydow, "The Exorcist", on typecasting)

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    林宜悉 に公開 2021 年 01 月 14 日
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