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  • all right, We're alive, eh?

  • Link does have sound thing open.

  • Last time we did it show together, I wait for you to keep me.

  • And I don't want to start talking about you guys.

  • Ah, yes, just I was where people were gonna thought.

  • You're just mining there at the start without sound as.

  • And I could be my daughter.

  • Why?

  • Don't ask me to go a little.

  • They're gonna You covered.

  • It's probably she's at school watching life on her phone.

  • Right, Right, right, right.

  • Ah, you done this morning and thank you for having me back.

  • I'm doing really well.

  • This'd such a cool birth memory and nostalgia experience, huh?

  • You birth.

  • So coming back on the show, this is This is a real big highlight for mates.

  • I'm super Well, thank you.

  • Uh, yeah.

  • Before, before this, I meant to go back and re watch the whole video just to kind of remember what we talked about.

  • What would that mean?

  • That too.

  • I like watching myself on video.

  • You know, Drew, it would have been hurt.

  • I was making much up was that I was working on new stuff, so Ah, nothing.

  • The thing about it.

  • That was just that.

  • I I do remember.

  • I think I said it live.

  • I do remember.

  • That's ah, at the end of the video.

  • Remember saying like, we could have talked a bunch more because there we've got to, like, a small handful of things that I wanted to talk to you about and like, you had a whole bunch of interesting stories and stuff that you're sharing.

  • So I took lots a CZ, You know, they're sorry.

  • I'll try to stay on topic and keep it concise.

  • I've had a couple of years experience now, sir.

  • I'll do my best.

  • Well, I don't know.

  • It all works as long as interesting then and you had it like that.

  • You have been sharing a bunch of really cool and interesting stories about stuff from Japan.

  • But what I want to do in this video, because last time we talked the whole bunch about mostly because you're new to you too by the time we talked a lot about just like your time in Japan.

  • But I guess you know, I want to talk about basically your time since our last interview.

  • So basically like, sure, there's a single It's big.

  • It's being It's really been like a roller custom.

  • Uh, but, you know, mostly going up, But yes, three years.

  • I just went past my of my three anniversary, I think in the previous a couple of days ago, right?

  • Yeah.

  • Or my very first art books.

  • You know, opening video on YouTube.

  • It was really that Yes.

  • So much has happened.

  • It's being really, really good.

  • Mmm.

  • Mmm.

  • Mmm.

  • Yeah.

  • I said, yeah.

  • You just posted that the other day for the the video of the three year video.

  • So I thought, Yeah, it's a really good time to have our interview after just three years and talk a little bit about that.

  • You're pretty well experienced now, e.

  • I know it wasn't supposed to laugh right then, But create Is that what we've seen, right?

  • Oh, I experience now.

  • Yeah, but it's been good.

  • It's been really different going from the studio assigned to the to the creative side.

  • But, you know, worth it to really had a good And now, on the way back to the studio, you wanna talk about your plan?

  • It's how I've been on YouTube long enough to graduate from YouTube Uh, okay, I'm not.

  • And that was a judge.

  • Uh, just how did my structure this?

  • This is what I really struggle with.

  • I mean, don't worry.

  • What's gonna be the changes to your physical space?

  • Okay.

  • So exact knows a bit of the background to this previous three years have been worked really well.

  • It's been super successful, and I really think that YouTube platform for for being one of the key keep planes in helping me get my work seen on developing support eccentricity.

  • YouTube's been fantastic in that because the community thank you very much, guys, you guys have been absolutely phenomenal.

  • And that was the big change.

  • I had to go on being a studio owned modeler.

  • We call that all I've learned since then.

  • I can't call it professional modeling because that encompasses folks who to commission works exception, which is which is fine.

  • I have to say we're in the Japanese sentiment and they have just just to two terms.

  • There's okay, Jackson and Gil Sha and Jackson customers.

  • He's probably right near their customer.

  • And Gil Sha is when you cross that line going over to the industry side from vote in the industry.

  • Um, that was probably a good, uh, good way to explain it.

  • Better than saying professional model.

  • It's quite broad off in that I've been able to reestablish myself with my Japanese, my old, Uh, what?

  • What we call them.

  • They weren't partners.

  • They were overlords have been able to reestablish myself with them.

  • They've been quite surprised about it all that, you know, They expected me to fade off into into obscurity once around Australia.

  • But when I popped back up there with the whole Biekert team, right?

  • You know, they were really surprised that I like him.

  • You know that the word of mouth got around back to me.

  • They said, way had you're you're here, and you're some kind of big shot now.

  • Ah, What?

  • I just hope to God I ask that I dress well instead of so is dressed better on helping them tea things up.

  • Yet the right on YouTube has helped me to, you know, re establish connections, but from a different point of view, certain I'm working with the same Japanese companies now and helping them get the message out in English.

  • Now I see a big value in that too Who's that?

  • So that that's really cool off the YouTube has brought me back to be.

  • No, I said that.

  • I mean, uh, you know, excited and babbling again.

  • Sorry.

  • It's very exact.

  • The YouTube has helped me to get back to publishing.

  • Yeah, it wasn't the goal.

  • Um, beginning.

  • I thought, Wow, you're making making videos.

  • This sounds like a really good idea.

  • Oh, I really enjoy it.

  • I think it's It's a very powerful way to share content, um, certain types of content.

  • But as I got better at it, I could start to feel that there was some gaps in what I could share.

  • Mmm.

  • Actually, put time.

  • No, some of the model finishes that make a quite complex.

  • And I'm not very hard to fit into a 10 15 minute video.

  • S O.

  • Okay, maybe I need to start taking some more photos about photos by steps, which, of course, means, you know, publication.

  • And then when I started talking with the people that worked with in the past, um, I was pitching my idea of a book to them and accounted with a better offer.

  • They said, actually, we have this property, one of them has a has a flagship series of books.

  • We SciFi version yet our staff telling us you're the monkey to make this happen, huh?

  • And, uh, so So it's much bigger project in it.

  • And I was pitching them.

  • And of course, as you know, that'll be That'll be great.

  • So that's the the version.

  • Too long, Zach.

  • But that's where it's going.

  • It's going from learning videos, doing that and then coming back to team or industry side work again.

  • Oh, that will be starting to pump out with vision to from next year.

  • Mmm.

  • Is gonna like you?

  • Well, Very much.

  • Explain it.

  • Is this kind of like you?

  • You are, like, already a professional.

  • And then you went back to college to learn the basics and apply at work.

  • That kind of really, that's actually a really good one to explain it.

  • Thank you.

  • It's kind of cheese.

  • Like the master's degree.

  • Ah.

  • Of industries like modeling, isn't it because you learn a lot doing YouTube video?

  • I am I right?

  • I mean, you're the master at that ending.

  • Our congratulations on 100 came in in the play button.

  • Thank you.

  • Thank you.

  • I've got it.

  • Uh, in the box that I haven't found a good place to hang.

  • Well, I'm the good place.

  • I'm waiting on some stuff to gonna rearrange the space here, and then we'll find a good place for it.

  • But, uh, yeah, I was gonna say it was just that, I think.

  • Yet I've also wondered about myself about using the term professional because it's like there's different kinds of thing professionals.

  • But I think it's in your hand.

  • I would say it's totally fair to still use the term professional, but it's different than the type of professional that you were before you before you're a professional model.

  • Or now you're a professional content creator or just creative thinking that that's a really good way to think about it.

  • Thank you.

  • Ah, good.

  • To be honest, I prefer this version now.

  • I didn't think I would, but ah, having a little bit more self ownership being able to choose things.

  • It's more stressful, of course, because we we need to be right Bye.

  • Been having that?

  • Ah, a little bit more freedom of choice of AA rated content, for this is very cool.

  • Yeah, definitely.

  • It's definitely a double edged sword Oh, yeah.

  • Oh, yeah.

  • Oh, yeah.

  • Wake up every morning.

  • Oh, it's just gonna be good or not.

  • Yeah, that's like all my all of my co workers in my school because, you know, I just recently quit being a teacher to do this full time.

  • Now that again, congratulations broke with the timing is actually very good for both of us, isn't it?

  • Works paying off congratulations and going through.

  • Oh, thank you.

  • Yeah, my all my coworkers.

  • And like, um, my wife's family and stuff like, Oh, we're so are so jealous of you.

  • You just have You could just enjoy your free time.

  • Now it's like, I'm not free now, like I'm working.

  • I'm working more now than I was, like, as a teacher.

  • And it's a lot or like, planning involved of like, now that I'm free, I can do anything that I won't have to choose.

  • Okay.

  • What am I gonna do specifically to maximize the time, so Oh, yeah.

  • Oh, yeah.

  • It's a very, very different, uh, kind of feed the beast.

  • You can mention.

  • I hear it a lot.

  • Um, and then their fruit.

  • Different friends who mean Well, uh, do you most common one is up.

  • I wish I could get paid to paint models all day.

  • Yeah, course.

  • I'd like to say back to that.

  • So do I.

  • So would I.

  • I I would love that because it's a lot more, isn't it?

  • Yeah, of course.

  • In fact, the actual painting of the models is a small percentage of what I'm going to do, because it's the content production that I work, but that also, I think, to learn Yeah, and then trying to make a living and look at Burke doing it.

  • That's exciting.

  • Yeah.

  • Ah, well, it sze the struggle, but like, uh, like the person or people you're talking about, say, it's nice to be able to still just get paid to do your hobby, even if it involves a lot more than painting.

  • Writer worked with Anna if I can.

  • I was complete sense because I don't know how to explain it to myself yet, but I'm finally getting these that the fields back for what I do.

  • I don't want him because because I was so nervous in the 1st 3 years, I really felt the crushing pressure performing on, you know?

  • I know I'm not telling you anything.

  • You?

  • Yeah, but I think a letter.

  • It's video x video.

  • So I had that feeling.

  • So it was more focused on that production on getting what was just ready in time.

  • So it was more of a production process.

  • That's this full kit protected.

  • I'm working on now.

  • Well, I've had a little bit more time in treating to work on it.

  • I'm really feeling it.

  • It's like it's a feeling I've actually not had since.

  • About I'd say my best models.

  • I was making it about 2012.

  • Got ahead of area when Wendell Time that you spent this long on a model.

  • Yeah, that'd be about 2012.

  • And when I was making those models that made it into the greatest hits version off the Weathering magazine, Which one of them became iconic type of model.

  • So just okay, you know, she's taking some shots of it.

  • That's what my little set up.

  • Therefore, um, you know, I'm getting this.

  • Feels back that I'm making good work like it's I'm liking it, too.

  • So that's that's probably the biggest thing.

  • I mean, the new studio and know the upgrade to Sydney and things like that are pretty cool, but a little boy version on the inside, making plastic models Mmm.

  • Feels back.

  • They're really big where you're making like, you're you know, it's you can tell that you're making You're really, like top class, like professional masterworks compared to like other videos before.

  • Like you're because with, like, uh, the barber toasts and the other past couple Matt K kids that you've done were those videos like those projects, of course, very informative for people and good for people to see.

  • And you're sharing a useful information all of that.

  • But But yeah, if it's something that you're just working on just for a short time that you like, you just want to show maybe some of specific steps in those videos.

  • It's not something that you're working on is like a full on thing, like really brushing your stuff to the best.

  • My video gir for skills Not high enough.

  • I filled captured everything that I needed to say about certain model.

  • Sir, I would be over building for a problem.

  • No, but this one, because I get to put it into a book.

  • I think I can I can go like, you know, What's the right word, like flat out?

  • Is that the right way to say it?

  • I can get it for you.

  • I guess that's how it feels if you now run full speed again.

  • Uh, boy.

  • And it feels really good.

  • So extra.

  • I've got a bunch of big projects, including a bunch of ones that I can run full speed at and really hit them hard.

  • And it is really cutting.

  • It was worth the hard work.

  • Definitely So just a quick Anyone who, for anyone who is not a part of the robots or maybe who's not as familiar with your work and your plans, things like that.

  • What's the What's the expected data publication of the book?

  • And what's the plan for that Christmas 2020 end of next year?

  • You could make that, uh, I haven't actually talked about it much.

  • People have been pretty.

  • People just know that it's a book coming.

  • Yeah, I looked it.

  • Uh, this is no India or anything.

  • The which is a really cool with it.

  • I'm not sure how much of that I should talk about it.

  • I don't write.

  • I don't want to make the poll guys sound unprofessional.

  • They were just so happy Thio to partner with me.

  • Yeah, um, you know, I'm very grateful to them and they're like, No, no, no, thank you.

  • Like and I'm like you.

  • No one else says that.

  • Think it, But, uh, it's some.

  • So it's it's going to be a relatively big one.

  • I might need some loss and collaborations in there as well.

  • In case I miss some things with the content, I won't show a handful of finishes including, you know, fuller brush steps for a model for rush steps for a model, how to use a hybrid approaching and mix them.

  • And it's meant to be like a to visit a dizzy, um, sort of how to full scifi challenging the I'm not sure if this is a topic, but for example, the same publisher has that kind of title.

  • Full air.

  • Think models, Uh, you're painting Die Rama's.

  • Each of those is a more, you know, standalone topic.

  • Trouble is with SciFi.

  • We have so much great with one.

  • It's a little bit too vague of Ah, yeah, yeah, yeah.

  • I mean, how many people have to actually conduce really high level uh, uh, Machine Krieger and Grampa.

  • And like Star Wars, it's actually quite hard to have a school to a couple of them.

  • Most people just tend Thio want to.

  • Quite well, even my buddies were really I, uh you're the most famous comply model.

  • Was the machine in cricket stuff doesn't quite look right.

  • It looks, uh, looks like gumbo.

  • Yeah, but you know what I mean.

  • It's gonna answer.

  • This is so that's a big challenge.

  • But I'm sorry that long, but that's what it is.

  • It's more of a review book.

  • I don't think I'm gonna be successful in covering everything for sci fi.

  • Yeah, well, so what?

  • We're going for it.

  • You can finish your thought.

  • I ask you.

  • What I see happening is when I say I want to be successful.

  • I still think the book is gonna be really good.

  • Is the actual Clinton will be fantastic.

  • It's complicated.

  • Good things with the good Japanese.

  • Take on it as well.

  • That's not a question.

  • English.

  • Before, that part was pure gold.

  • But, um, covering the breadth of sci fi will be nigh impossible.

  • Said my heart With the negative feedback, it will inspire the publisher to understand that we actually need to do a follow up publications.

  • Well, what I was gonna ask was just ah, aside from the fact that you're working on now, what other kids are going to be including the book?

  • Do you know anybody over ofjust properties in general Show?

  • Sure.

  • Uh, Kampe, er star was and ah, a little bit of war Hammer of the properties I want to do.

  • These may change, but the kids I'm excited about Ali, especially for a complete what ends Because I've been holding back on gum plot.

  • I knew you were coming.

  • I want a really cool beat up and authentically with it.

  • Um, Robert us the new mg kid.

  • Ah, the new mg.

  • Okay, because it's the first mg first idea.

  • Um, I am a Baba toes fan.

  • I know it's different for different people.

  • I quite like how Look, because it's so aesthetically different from look, for example.

  • Yeah, well, having an opportunity dip t to do a, uh, you know, beat up pushing, and Barbara does gets pretty beat up in sure.

  • Uh, yeah, for sure.

  • And that's that can actually be quite useful, cause you've got reference material from the you know, Screenshots from the show you can use for kind of the general look of the Exactly Exactly.

  • I'll try to pick up place apart in the timeline days.

  • It would would work for it.

  • So that's what I'm excited about.

  • Not sure if I'll have time to finish it, but the young I haven't heard it said out loud and I'm old ever sub sank.

  • Think drunk.

  • But the new version que for round.

  • If fans, do we say fans, Yeah, Fazio, we do safe at school.

  • Yeah, because there's a difference between the full armor double Zeta and the fastest section didn't really like the look of that one.

  • It's just next pleasing looking Mecca to Mick, and it's especially It's Mecca taken just a little too far.

  • Yeah, it's It's so okay chunky.

  • So, uh, that looked to me is kind of full on dhe sticking with the clean Perseid.

  • That one.

  • I thought that be a good example for that.

  • You know what I'm considering?

  • Just because it's different, but I'm not sure.

  • Better hates ticket.

  • Is, um, you know, the new industrial version.

  • Um uh, I think you get on the video?

  • No, no, not yet.

  • It's just It was the Bando video was watching.

  • Um uh, you too.

  • I like the idea behind it.

  • Ah, but But then I look at the kid as well.

  • I'm like, Well, looks a bit different from Grandpa.

  • Yeah, it's not very aesthetically sweeping the ideas behind it.

  • A cool surveyor from a design perspective, I get it.

  • But that that the possibility.

  • But you know, they're going to bring us an MG version of that, right?

  • Well, I don't know, but it's just for photography for I know, you know, uh, for for for our friends watching the 11 44 scale kits are fantastic for YouTube because that's about what we could see on the screen.

  • Writers were painting there, but for four, Still photography, especially if you put it on paper.

  • And I think on one of hundreds at a zoo minimum size look a little bit better.

  • Don't get that photograph better.

  • Uh, yeah, but I consider me and just like the size, especially the framing of them for gonna be difficult.

  • That's why nobody's that, Um uh j Joe.

  • Firstly, all of their many work, you know, that they do say for a publication.

  • Always 1/3 scale.

  • He's photographed better light.

  • Kind of sits up a little bit better.

  • Yeah, just them being just a little bit larger.

  • They could get a little bit more on them.

  • Yeah, uh, I went there once.

  • I'm thinking up so far.

  • Okay.

  • I would just say that, Thad, that you're not including anything from Kabocha.

  • Okay.

  • All right.

  • I have a tip.

  • I have a project on the go with them.

  • I got it.

  • Freeman's girl.

  • It's full too full.

  • We'd Life is not complete.

  • Yes.

  • So it's one of the reasons you haven't seen called a bookie content in my content.

  • Okay, I've got some deals happening with them.

  • Uh, one of my old buddies is the bus guys who I was.

  • Absolutely.

  • Do you remember guys?

  • Everybody watching?

  • Do you remember that video Zach and I did on the streets of Shizuoka?

  • You remember the condition?

  • We're it.

  • Imagine that.

  • But I'm in a party from on its machine and Krieger after party thing and I didn't know it was one of the court.

  • A bigger bus, glass, water, few drinks.

  • We became the best mates I had no idea who he wants.

  • Turns out is that what doctor?

  • You think like that sort of take on it?

  • Uh, there.

  • I just don't know howto anywhere that census separate topping like, aesthetically.

  • I like some of that.

  • That stuff, You know what I mean?

  • The, uh remembers girl, the girl with Nick.

  • It's, uh, writer.

  • I drive, right.

  • Trey, Mom's Megumi device.

  • Umm, I'd like to Look, I know I'm gonna get absolutely, you know, now I'm going to have probably not be kind with my full to weave them.

  • Yeah, yeah, yeah.

  • Money, Right?

  • Yeah, I know what you mean.

  • Because I get that Usually every time I do a review of one of those kids, there's always someone in the comments, like, was his grown men playing with the girl doll or something like that?

  • But as opposed to the grub box?

  • Yeah.

  • Yeah, The funny thing is, too.

  • Even when you're talking with the code book, your executives, they get excited about it because the businesses that one's great for them, right?

  • Ah, but every couple of minutes, one of them will need to say it feels the need to say, Oh, I'm personally not into this really didn't talk about it in such an excited way about on and everything said the totally into it.

  • Yeah, yeah.

  • Ah, that Well, I'm excited to hear what the news is that you were working on about that with them and just really quick.

  • I want to just address the people who are watching the chat because someone asked a question.

  • I just want you guys know those you guys that are watching live now that after we've talked for about an hour.

  • So after another 30 minutes or so, maybe then we'll we'll answer some questions from you guys.

  • So just if you have questions in this, uh, hang out with those front of the 30 minutes or so and then we'll answer some questions.

  • But just answer Kenneth's question real quick link.

  • Will the book be published in multiple languages?

  • Quick, shock out, please.

  • Yes, because this was so awesome because one of the pop robots, Mike Mike's Place, they like I.

  • Otherwise I don't get a chance to voice with the poor guy, right?

  • He went all the way to Canada to the um the driver just realized that was digging a hole as soon as I was into that.

  • The recent great simply recent competition that shall not be named my Is it cool if I said real quick, but you're the new tracking it, but like what?

  • It apparently I was saying congratulations because the build was amazing.

  • So machine, uh, when it and not one of my buddies, sir.

  • Just because he's watching.

  • And he made the Korean super excited to mg Barbato stuff leaks in saying, I just wanted to say your congratulations.

  • My I only just recently found out that you're actually won, Ma, which is amazing.

  • No proper about.

  • Represent.

  • You're an ex CIA.

  • Sorry.

  • Perfectly fine.

  • Ah, but the book language.

  • So just gonna be in English?

  • Yes, English.

  • And what this is?

  • Is this a spoiler and Spanish?

  • Mmm.

  • Probably have that narrows down the field, doesn't it?

  • Yeah, if I We've signed for English, Spanish.

  • But this publisher also has a deal with model art in.

  • Remember, we visited them when we're together, it's Shizuoka model out with the guys right up the other end in front of Kenya.

  • Yeah, yeah.

  • Where they're gonna demo they It's them.

  • So it probably will be in Japanese as well.

  • Really interesting for me to go back that way from England.

  • Types in China.

  • To what languages of people looking for.

  • Ah, those guys in the chat.

  • If you have any other languages, shut him up.

  • Assure English, Spanish, Japanese hardly covers it.

  • I don't really know.

  • That's the majority of my audience.

  • Yeah, yeah, but I mean England.

  • And it's one of the reasons they happy to work with me because this will be their their first book that's written in almost native English.

  • Ozzy, some English is a bit off.

  • Yeah.

  • Yeah, I'll do know, Miss, I'll get real English speakers to help me and Canadian English.

  • Mike said, Yeah, you.

  • Ah, So as for your studio space, did you wantto No, wait, we kind of talked about is you're moving.

  • Kind of.

  • How your butt you want to talk about just like you?

  • What?

  • You've got planned for your space there that you're gonna be working in.

  • Okay, so the first, the first plan and this is very important to kids key and subtle is to actually have a dedicated workspace.

  • I, uh a silly as that sounds.

  • I mean, when we first came back here.

  • I knew the basic plan of what I was doing, but I didn't know that.

  • I knew I had a bit of Ah, you know, I had an unusual value proposition to offer the world, You know, if it's gonna work, dear.

  • Mmm.

  • Yeah.

  • You know, you make it and test it, so I definitely I'd like to have a separate room.

  • I, um I need, ah, separate video shoot space as well.

  • It's a photograph shoot space because quite different requirements.

  • I'm also super jealous.

  • I'm going to marry Zach.

  • What The kids did gotta have the older kids, right?

  • And depending on its congratulations, and depending on the project, I'm working on a rearrange.

  • Its only the machine and Krieger wants visible.

  • Then when I'm working gunplay, huh?

  • That's awful.

  • But come, uh, I don't need space for I don't know if it is this off topic it Am I getting into to read a little detail?

  • No, it's fine.

  • People are always asking me for to make you my workspace.

  • I think people are interested in that.

  • Lighting is particular for both to sew for the foot of photographic shots, delighting largely fixed.

  • Mmm.

  • And it just needs the nice white background and everything set up on one side.

  • But here, Zach knows video requires more dynamic and moveable lighting.

  • Because it's it's such a rolling, shifting target, isn't it?

  • Ah, uh, depending on what we're showing, you need to move the lights in Falcon, especially lighting my old face to get rid of the wrinkles.

  • I might need some more, like, you know, specialist happening there, sir.

  • Looking at those things, I was actually considering maybe sharing some.

  • I don't know what style of video would work to this.

  • I was actually gonna hurt my sec.

  • You know, I was gonna show my version one sit up as I'm leaving it.

  • Mmm.

  • And then excuse me.

  • And then take folks through my decision making process for adding things to my studio.

  • They're building it up from scratch while using the previous using the three years of YouTube experience, plus the previous Japanese studio experience and kind of trying to put it together.

  • What?

  • Something means somewhat interesting, you say?

  • Yeah, that's something that, as we were just mentioned before we came on live lighting has always been an issue for me.

  • Yeah, and I was actually quite sad again.

  • Kind of a double edged sword of working full time is that I was able to record stuff here during the day.

  • I don't have to stay up late at night to request a figure in the room, but I had to I had a thing.

  • A current to cover my window because inconsistent lighting during the day.

  • So yeah, unfortunately, if you're gonna be, like working in the studio, you have new Ken's have t windows.

  • Really?

  • Uh, unless But if I think you're use your faces lit, which is with the window right now, right you're not using about Yeah, I don't have powerful enough like And my studio lights this way, which we don't need to be sure.

  • One studio, like set up for the fall.

  • I was just there right now.

  • That name should Here, let's write my vision So I don't have proper video lighting.

  • So when I shoot my insurance for the video this morning light Yeah, See that?

  • And for like, four shooting your face?

  • Yeah.

  • Just the natural light works so much better this if you've got a window.

  • I couldn't look better in postproduction.

  • Uh, and using the, um you do know what are they called again?

  • The color.

  • You know, the color bill for me.

  • A good direction.

  • Color correction.

  • Thank you very much.

  • National.

  • I've gotten a lot better color correction because yeah, you think?

  • And you know, some days, some days you're bright yellow.

  • You're bright pink.

  • You're you're good.

  • It'll be better at working, working with those things.

  • Uh, actually having a cheap car crappy set up has really helped in learning the tools.

  • If I had everything perfect from the beginning, you wouldn't look, I'm gonna use the software.

  • So a grip.

  • A doublet?

  • Sure.

  • Double edged sword?

  • No, they're the same thing.

  • I mean, applies to everything, right?

  • And especially in modeling, Having not the right tools at first helps you thio have the innovate trying new things, not having direct.

  • I've gotta mix.

  • What?

  • For me these anymore.

  • It's like, ah, not mixing.

  • It makes me feel kind of bad.

  • Like if I use the pain just straight out of the bottom like, ah, you really want to use this, But the color is right side of the bottle.

  • So I guess, though, does he That's right on the bottle.

  • I have to mix everything.

  • Uh, they never mix exactly how we want to do that.

  • And those paint companies, I mean it cost.

  • Like, what?

  • A couple of dollars.

  • They make some beautiful colors, don't they?

  • That's one thing I can probably mention is this Is it wrong to mention that with that same publisher, I have made a line of ransacked my paints for them?

  • Yeah, exactly what you're talking about, Making a mess.

  • Oh, I don't know if this is a self blood, because I don't know if I'm really making anybody out of this, but I was They need a scifi paint range.

  • I've known you, you know, SciFi brother, the SciFi brother.

  • I can't stand pitching tank and airplane colors for for scifi.

  • Yeah, I'd much rather not do that.

  • Yeah, historically, we've done it because, you know, like machine and Craig is old.

  • So you know that that's all they had was the miracle, you know, old school prints.

  • But nowadays, that's one thing.

  • When I was working with the m o guys before I didn't like it that they wouldn't give scifi names to depends.

  • Why not?

  • Right?

  • It could be this color But if we repurpose it with a cooler name, it adds a little bit more to the other feeling, Uh, using Russian green number 23 months, 49 months.

  • Why can't we make you know, Mom, get out of there.

  • Get back in the robot.

  • Changing purple.

  • Something like that way.

  • Uh, I remember we talked about this a little bit at Mr Hobby Booth and she's woke up.

  • We were talking about there because they had They were rolling out a new line of pains that we're like, exactly like model number of pains.

  • Personally World War Two.

  • Siri's stuff.

  • You're you're talking about that now.

  • Why, You know, 17 years old, we've got so many vehicle properties coming out kami Can we give them new names?

  • Mean?

  • They could be the colors in a way, but there are.

  • There are some big differences, though, that the color vibrancy we need for a sign like, different as we know for for Gump Le comply, we prefer a different color spectrum t most What the Western manufacturers of putting out right now so far more saturated paints and with more glossy finish is someone now are a little bit to flack the flat's fine to button up just as a personal preference.

  • I much prefer working with a glass Shane from the beginning.

  • Yeah, I was penalized everything and then, uh, starting to reduce the sheen effects as the model progresses.

  • And it's much easier than trying to build them up.

  • Definitely like of you give a abs sprayed like Tell me a flat colors on gambler kind of still look good, but it except edge off that the Japanese guys don't have, you know, then class beauty that Pakistan does.

  • Mmm.

  • Oh, I love that look.

  • Yeah, that's it's kind of satin kind of looked is exactly, and it's it's easier to come from glass and bring it back down.

  • Been going from that going back up.

  • Ah, and clean with China ends up taking more layers.

  • Seems like in your pain and group just getting thicker in the ground.

  • Because of that, it's our thicker due to the flattening agent required to make the paint's flat in Trezza place.

  • Sir, I'm actually saving the money.

  • They just don't need to add as much of that stuff to paint they thanking him or clean.

  • That's not natural.

  • What's the right word, but it's more when they make the paint's They're not flat.

  • Yeah, naturally.

  • Lucky.

  • So they have to add something thio e some really hard being that there'll be more readily available than some of the brands or use some of this show is not always available all around the world.

  • Yes, that's ah.

  • Ah.

  • Good point that I wanted to ask you about to this the tools and the pains I know you're gonna be using.

  • Probably as much as you can.

  • A lot of the paint Siri's that you're working on.

  • But just the tools and everything else you're gonna be using in the book are gonna be trying to use stuff that's pretty widely readily available.

  • Like what?

  • I've been so cool about this.

  • There was no asking, um, pimp or she'll fist up.

  • They need to want from our ranges.

  • Just Oscar.

  • Some like old man.

  • And you can use anything you want.

  • Just make it yours.

  • Uh, which was Which was fantastic.

  • They were.

  • I did speak with a couple of companies early on, and the other companies were like, No, you must just use out products.

  • Yeah, one of them only makes.

  • This is a nice hit.

  • One of them only makes water based stuff.

  • Okay.

  • And then with the most adamant about it, you know, you can only use the stuff I'm like, Dude, that wouldn't make a lot of sense.

  • People who I mean, like, is Why would I dropped that?

  • It would just sit, right?

  • Yeah.

  • I can use whatever I want, Which was fantastic.

  • Really good of them.

  • They just do whatever you want.

  • Um, and most of it.

  • I'm trying to make it a cz, uh, easy to get really available stuff, but also to each project.

  • I'm planning it in such a way that, uh, the kind of hoping it'll work, like pieces that you could You could rearrange them.

  • Mmm.

  • I'm not sure if I can pull that off.

  • It's a little bit more complicated.

  • Most of the books I've seen like this, they tend to run through one or two processes.

  • That's it.

  • And they just built it out for 30 models if you've seen books like that, but yeah, it looks like that, But, uh, other books, I think maybe more along the lines of of what you want to do with it.

  • I think I think my chronology book is really quite good for taking more mo the that kind stuff.

  • Yeah, I've just been speaking with, like, the past couple of days.

  • He's such a good guys.

  • Any, um, s busy as he is, he's actually been like a mental image.

  • I'm He never said yes and agreed to that.

  • I've seen some of the old models come up.

  • I mean, I started using old paints because of, like, maybe like, 2007 or so on, and he was sharing some of those works.

  • That's what I was reaching out saying, Hey, uh, yeah, more like that.

  • I, um they've been pretty free, and I've been with it.

  • So it's It's the closest I could get to self publishing getting someone else to do all the hard work.

  • Mm.

  • Yeah, really.

  • It's better because they're professional at the book, land on one work.

  • Anyway, at the layout, I could make things.

  • That photo's duel of that layout thing.

  • This is quite a quite a lot to do, right?

  • Yeah, Yeah, I solve it.

  • Shipping it around.

  • I mean, I can maybe learn how to do it, but in that time.

  • You know, I could probably use my skills to something a little bit better.

  • Yeah.

  • Yeah, exactly.

  • Yeah, a lot of time away from creating the stuff that you're really good at exactly.

  • And my wife's quite strict about that.

  • Uh, aunt, but any time I get a little bit distracted, she said, Stop it.

  • You have a gift.

  • Don't be a match.

  • It don't leave it, Do that.

  • Make cool stuff, You know, I know I e chose.

  • Well, she's not for points.

  • Yeah, she shot.

  • She's quite shop about that.

  • She says, no, You gotta stay on.

  • Stay on target kind of thing.

  • Institute question.

  • Yeah, very much.

  • So I'll try to keep this stuff, uh, yet, but I'm going to use a lot of Japanese stuff, too, just because I know how it works.

  • But as I can get more Western stuff into my work clothes, I'll use them more, more, more.

  • But you know, I'm such a Japan, if all right, well, I mean, the company is probably the most widely available stuff because, ah, a lot of the Western brands, like you'll have, like American brands that are really easily available in America, But in other countries.

  • Maybe not so much.

  • And then European stuff is really accessible in Europe.

  • But in North America, maybe not as much.

  • So I wanted to say Japan a file is a gag like my little girls and step because for those of you don't know, I lived there for 25 years.

  • And then I've been jacking with my wife that it feels like 28 years now because we're in Australia.

  • But my life is still Japan.

  • I'm inside.

  • A happy home is Tokyo.

  • That's right.

  • It would be hard.

  • I mean, you can't, like, just go back and then you're just immediately you know, what is that Immediately back to your life before that.

  • But you probably just don't even remember or like, You're not even used to what your life was like before that.

  • So just know I can't.

  • Yeah, it's tough.

  • It feel just feels like he has loved countries now.

  • Yeah, Yeah, it's gonna be interesting moving back to the U S.

  • For us later on.

  • But I think I can suggest one thing is what What's working for me is to go somewhere where you don't have memories, reality what you're seeing what you remember.

  • Can't add up.

  • Yeah.

  • Yes.

  • I've tried to go to my hometown.

  • I just can't get it.

  • It's better for me to see that place again.

  • That's why now when we go in our visits to Sydney so far, we love it.

  • It's new, and we can't afford it.

  • Mmm.

  • Kind of thing.

  • I'm not sure if that makes sense yet.

  • That one's doing pretty good trust.

  • Mmm.

  • Yeah, I had a lot of Japanese stuff, so Yeah, good for the family.

  • Yeah.

  • Ah, so ah, what's just Let's just talk about just your your daily schedule this year.

  • We'll make contact and stuff I wanted to ask you.

  • What?

  • You're a normal day schedule.

  • Normally go like Can you guys believe it?

  • I'm gonna I'm gonna go grab this just for a laugh, because I guarantee people think it can.

  • You guys enter in the chat?

  • Who thinks I'm just seeing the old I just making stuff up and just just cruising the lock, because that's not how it happens.

  • Dull Jer.

  • Sometimes he just goes.

  • I would love if that was true, because, uh, you know, I would probably have imagined that a while.

  • ago, too.

  • But I, um I don't know if your camera will pick this out, but actually plan out.

  • Most dang wei go liking on some days are busier than others.

  • But I've planned out every single day.

  • And, uh, we're, uh, the maybe from waking until you know, the work time with the different tasks that need to do and then our key tasks at the bottom.

  • Ah, normal day.

  • So 0 500 I wake up and depending on how bad things are far fuel behind, um, I'll try to get a session.

  • And I called them deep work sessions.

  • Look on.

  • Your face is priceless.

  • Back five AM How to do that?

  • Uh, I got troubles.

  • Was sharing.

  • This is I'm killing some kids.

  • Dream on.

  • I love being bathed in sunshine all day.

  • You know, the thing is about being a successful crater is you need to work 34 times harder than everyone else.

  • I think it's funny, isn't it?

  • Like a colter was expression, isn't it to be able to work and do something like its means?

  • You have to work three times out of it.

  • Everybody else, it's just the nature of the beast.

  • Bye bye Scheduled deep work sessions if you're interested.

  • It's a very good book by Cal Newport called Deep Work.

  • In fact, all of his books Very good.

  • He's done like four.

  • I think that he is in the U.

  • S.

  • He's a university professor in computer science, and she just investigates different things.

  • One of the things he was really interested in was how long can people focus on tasks per day?

  • Man turns out through a lot of research, not his arm.

  • Just just research that's available, that people in the people in the focus industry, violin players, duras kinds of artists programs have about four and 1/2 good hours in the pro day before they wiped up.

  • Um, So scheduling that across your day with breaks in between leads you to probably get out the best productivity that you can do.

  • So I know you weren't expecting that sort of answer with Zach.

  • So what I do is I say to all of the stuff of good to do, sir, I try to get some fitness in in the morning Jean run bike ride.

  • What happened?

  • Breakfast school, run for the kid, Then I hit the first session.

  • Take a little bit of a break.

  • I try to get true of those sessions in before lunch and then another one in the afternoon.

  • And then I put the softer targets towards the end.

  • So my propping up, working about five o'clock every day, So I'm gonna come back at five.

  • Um, it's just I can't do anymore.

  • I'm pretty wiped.

  • And that's why social media entering things, replying to emails, paying bills, you know, the minutia of real life.

  • I put them towards the last couple of sessions and I tried to hit two sessions in the morning with trash, and I do that.

  • There was a time when I was doing the 67 days a week.

  • That's when I tried to do weekly need to guitar a little weekly.

  • YouTube work was just killing me.

  • Ah, I I I couldn't keep it up.

  • That's why I prepare for the move.

  • You guys, I'm

all right, We're alive, eh?

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ビルダーインタビュー。リンカーン・ライト【別名:リンカーン・ライトのペイント・オン・プラスチック (Builder Interview: Lincoln Wright [aka Paint on Plastic by Lincoln Wright])

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    林宜悉 に公開 2021 年 01 月 14 日
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