I wanttotalkabouttheperformancebuyingthatandhowyougetto a pointwhereyoucandosomuchwithjustthatLook, it's funnycausethatwasn't inthescriptanditwasn't planned.
ItwasjustsomethingonthedaythatourDPyouknow, we'redoing a shotofherbeforegoingout.
AndthenourDPjustcanshejustdo 12 camerahasOkay, which I domakeuporwhatever.
And I wastryingtodoliketheclownface, youknow, thelike, justtryingtoputthemosqueon.
Itjustkeptcrackingandtryingtoputiton.
Itjustkeptcracking.
Anditjustliketherewas a lot, youknow, we'd befilmingfor a while.
Bythatpoint, I allthoseemotionswerekindofbubblingunderthesurface, and I finallyhad a releaseforit.
I didn't expecttoreleaseitinthatsayinginthatway, butitjustoneofthosethingsthatkindofhappensinthemomentandendsupmakingitinthefilmsortof a lightninginthebottle.
Yeah, yeah, thatwasn't scripted.
That's really, reallyinteresting.
Thatjustcameoutlikemagic, I suppose.
Yeah, I lefttofindthecharacteryourself, andsheissuchaninterestingcharacterandyou'replayingsomeonereal.
Sothat's obviously a different.
There's a differentapproachgoingintothatkindofperformance, I wouldimagineyesandno.
I mean, there's obviouslyveryconsciousofthefactthatit's a reallifepersonwho's stillalive.
Andwho's goingtoseethefilm, alsoofreallifepersonthateveryonealreadyknoweveryoneButmostpeoplealreadyknowin a verypassjudgmentonSotherewasanextralevelofintimidation, theirresponsibilityandobligation.
Butreally, I justtriedtoputthatoutofmyheadandapproachedthecharacterlike I wouldpurgeanyfictionalcharacter.
And I triedtokeepreallifeTanyainthecharacterTanyaveryseparateinmymindsothat I couldletthecharacterexistinitsworldandnotholdbacknottrying.
I thinkthatoneofthemainthingswefocusonishowpeopletryandcontroltheirIt's a veryhumanthingtotryandcontrolyournarrative.
Soformycharactertonotbecontrollingthenarrativethatwerecommentingon, I neededtobe, I neededtoseparateitandletthecharactershowtheuglysidesandthetragicsides, aswellasthefunnyandamazingandemotionalsidedialoguethesandtrack.
There's somuchaboutitthat's like, Youknow, you'relaughingoutloudandit's a riotandit's fastpaced.
And I'veworkedwithquite a fewdirectorsmaledirectorswhotoldfemalestorieswonderfullybecausetheydon't seeitas a malefemalestory.
Theyseethemaspeople.
Butno, itwasdefinitelythedrivingforcebehindourcompanytopromotewomeninfilmandtoalso a chancetomeet a kindofcontrolmyfate a littlemoreandtakemattersintoyourownhandsfolded.
I mean, I feellikeit's not a scoopanymore, because I'veseenstuffaboutthisnow.
But I couldberight.
Beendeveloping a Harleyspinoffofsortswiththe, youknow, quite a fewfemalecharactersinvolvedbecausemypointwasinreallife, I amconstantlywithothersfemalesmyageandonscreen.