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  • In the US, summer is for sand, sun, and blockbuster movies. And this summer, we're going to use

  • those movies to learn English and study how to sound American.

  • Every video this summer is going to be a study English with movies video.

  • We'll pull scenes from the summer's hottest movies, as well as favorite movies from years past.

  • It's amazing what we can discover by studying even a small bit of English dialogue.

  • We'll study how to understand movies,

  • what makes Americans sound American, and of course, any interesting vocabulary phrasal

  • verbs or idioms that come up in the scenes we study.

  • I call this kind of exercise a Ben Franklin Exercise.

  • First, we'll watch the scene. Then we'll do an in-depth analysis

  • of what we hear together. This is going to be so much fun! Be sure to tell your friends

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  • Let's get started. First, the scene.

  • You want to get personal.

  • Where were you born?

  • Huntsville, Alabama. But technically, I don't remember that part.

  • >> First job? >> Soldier. Straight out of high school.

  • >> Left the ranks a full bird colonel. >> Then?

  • >> Spy. >> Where?

  • >> It was the Cold War, we were everywhere. >> Now?

  • Been riding a desk for the past six years, trying to figure out where future enemies

  • are coming from. Never occurred to me they would be coming from above.

  • Now the analysis.

  • You want to get personal.

  • I love this sentence because there's such

  • contrast between the stressed and unstressed syllables and words. He really stresses the

  • word 'you' at the beginning.

  • You want to get personal.

  • You want to get personal.

  • You want to get personal.

  • You want to get personal. And in the stressed syllable of 'per', the first syllable is also

  • stressed, but the three words 'want to get' are all much lower in pitch, much less clear,

  • flatter than the 'you', up-down shape, higher pitch of the stressed word 'you'.

  • You want to get personal.

  • You want to get personal.

  • You want to get personal.

  • Listen to just 'want to get'.

  • Want to get--

  • Want to get-- want to get-- want to get-- Much less clear than 'you'. Now listen to

  • the word 'you' with 'want to get' together, stressed and then unstressed.

  • You want to get--

  • A big difference there in the quality of those stressed versus unstressed syllables. We have

  • a reduction. 'want to' becomes 'wanna'.

  • Want to get-- want to get-- want to get--

  • And the word 'get' has a Stop T because the next word begins with a consonant.

  • Get, get, get, get, want to get, want to get.

  • Want to get-- want to get-- want to get personal.

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  • Okay, let's get back to the analysis.

  • You want to get personal.

  • Then the unstressed syllables, son--, al--, both said really quickly, those both have

  • the schwa, and in both of these cases, they're followed by a syllabic consonant, that means

  • the consonant takes over the schwa. We don't make a separate vowel sound. So we go right

  • from S into N. Sn, sn, sn-- person, person. And then right from N into L, without making

  • any kind of vowel sound. Nal, nal, nal, nal.

  • Now, this is a Dark L, which does have a vowel-like quality.

  • You want to get personal.

  • You want to get personal.

  • You want to get personal.

  • You want to get personal.

  • Whoa! Different day, different outfit, important announcement. Did you know that with this

  • video, I made a free audio lesson that you can download? In fact, I'm doing this for

  • each one of the youtube videos I'm making this summer, all 11 of the learn English with

  • movies videos. So follow this link, or find the link in the video description to get your

  • free downloadable audio lesson. It's where you're going to train all of the things that

  • you've learned about pronunciation in this video. Back to the lesson.

  • Now, here is how Americans make the L in this case. It's a Dark L, it's at the end of a

  • thought group, it doesn't link into anything. We make that without lifting the tongue tip.

  • Can you do that too? We make the Dark L with the back part of the tongue. Uhl, uhl. Back

  • part of the tongue presses down a little bit, uhl, uhl, while the tongue tip stays forward.

  • I find that most of my students are so heavily trained in lifting their tongue tip, that it's

  • a very difficult habit to break. I want to challenge you to do this. Per-so-nal--

  • uhl-- your tongue is lifted for the N, bring it back down, nal-- uhl-- and use the back

  • of the tongue to make the dark sound for the Dark L.

  • Personal.

  • Where were you born?

  • She's speaking quickly here without much emotion, very straight faced. Where were you born?

  • Where and born, both are stressed words there.

  • Where were you born?

  • Where were you born?

  • Where were you born?

  • Where were you born? They both have that up-down shape, were you--

  • on the other hand, are much flatter, much faster. Were you, were you, were you.

  • The word 'born' this would be written with the AW as in law vowel, followed by R. When these

  • two sounds come together in the same syllable, like here, the AW as in law vowel is not pure.

  • It's not AW but it's owh. My lips round more, the tongue pulls back a little bit, born,

  • born. Where were you born?

  • Where were you born?

  • Where were you born?

  • Where were you born?

  • Huntsville, Alabama but technically, I don't remember that part.

  • So this is a longer thought group. He says: Huntsville, Alabama but technically, I don't

  • remember that part. No brakes. If it's no brakes, then that means it's one thought group.

  • So I've written in here with Huntsville Alabama, on this slide, and on the next slide, is the

  • second half of the thought group, but he didn't actually put a break there.

  • Huntsville, Alabama but technically, I don't remember that part.

  • Huntsville, Alabama but technically, I don't remember that part.

  • Huntsville, Alabama but technically, I don't remember that part.

  • The stress of these multi-syllable words, we have huntsville, first syllable stress,

  • Alabama, so the most stressed syllable is bam--, and the first level has a little secondary

  • stress, so I would put the primary stress marker there, secondary stress marker there.

  • The other two A's are schwas. Actually, just a few weeks ago on the channel, I made a video

  • of how to go over the pronunciation of the 50 states and their capitals, we talked about

  • the four A's in this word. Click here or in the video description to check out that video

  • that goes over the pronunciation of the 50 states.

  • Huntsville, Alabama

  • Huntsville, Alabama

  • Huntsville, Alabama but technically, I don't remember that part.

  • But technically, I don't remember that part. Our stressed syllables, very clear, but tech--

  • but technically, I don't remember that part. Those have higher pitch, they have the up-down

  • shape, that curve. The rest is a little bit flatter. It's either leading up to a peak,

  • or falling away from a peak.

  • But tech-- but, but--

  • But technically, I don't remember that part.

  • But technically, I don't remember that part.

  • But technically, I don't remember that part.

  • Now we have an ending T, and a beginning T. Those will combine into a single sound, one

  • true T, but technically, but technically.

  • But technically, but technically, but technically.

  • He's pronouncing this word as three syllables, first syllable stress, tech-- and the ch here

  • makes a hard K sound. Tech-nic-- the C here makes a hard K sound. Tech-nic-lly-- and then

  • he's not pronouncing this at all, just an LY ending then. Tech-nic-lly-- technically.

  • Technically.

  • Technically, I don't remember that part.

  • And all of these words linked together really smoothly. Technically, I don't re--

  • Okay what's happening with the N apostrophe T contraction? We have lots of different ways

  • we pronounce that. And in this particular case, I think I'm actually hearing the whole

  • thing dropped. Doh remember-- doh, doh. So we have the D consonant, oh diphthong, and

  • then I hear that linking right on to the next sound, which is the R.

  • I don't remember that part.

  • I don't remember that part.

  • I don't remember that part.

  • Now, it doesn't sound like 'do' because 'do' has different sounds. It has the D consonant,

  • and the oo vowel. So the fact that we have this oh diphthong, that's how we know it's

  • the negative. Doh-- don't remember. Don't remember. But I actually, I definitely don't

  • hear the T. For a second, I listened to it on a loop, I was asking myself: do I hear

  • a light quick N? I don't think I really do. I think it's just dropped. Don't remember.

  • Don't remember. Don't remember. Don't remember. Doh, oh, oh, oh, oh. Just the OH diphthong

  • right into the R. Isn't it crazy? We can pronounce this contraction without the N apostrophe

  • T at all, without the part that makes it a negative. But I still hear it as that word

  • because of the OH diphthong.

  • I don't remember that part.

  • I don't remember that part.

  • I don't remember that part.

  • Are you pronouncing this word? Remember? Try to pronounce it with the schwa. Remember, re-re-re,

  • remember

  • remember,

  • I want you to listen to just the last three words. Remember that part.

  • Remember that part.

  • Kind of mumbly, it's at the end of the thought group, it's losing the vocal energy, and when

  • I'm listening to the word 'that', which would have a Stop T in most cases because it's followed

  • by the P here, I actually think I am also not hearing that. That part, that part, that

  • part, that part, that part. I think he drops it. TH, quick AA vowel, and then right into

  • the P. That part, that part, that part, that part.

  • The ending T, he's also not really pronouncing that too clearly. I would still write that

  • as a Stop T, I don't think it's dropped, that would sound like par-- and I don't hear that.

  • I hear: part, part, and that more abrupt end is the Stop T. But let's listen to these last

  • three words on a loop again and think about how you have to simplify everything in your

  • mouth to be able to say this this quickly and this unclearly. It's a little bit mumbled.

  • This is pretty common for how words come out at the end of a thought group.

  • They're definitely less clear.

  • Remember that part.

  • First job?

  • First job? First job? Two stressed words. They're both a little bit longer. First job?

  • And pitch goes up at the end because she's asking the question. She wants to know what

  • was his first job. Notice how we're pronouncing the T here. This T is dropped because it comes

  • between two consonants. That's really common to do that when we have an ending cluster

  • like the ST cluster in 'first' or 'just' or 'must'. When it's followed by a word that

  • begins with a consonant, you'll hear that T dropped. That helps to link the two words

  • together more smoothly. So right from the S into the J sound. First job. Also note we

  • have the letter O here. I know my students see that and they want to do some lip rounding.

  • No lip rounding in this sound. It's the AH as in father vowel. It is not job, actually,

  • this reminds me of Tom who's a Rachel's English teacher. His name is the same, single syllable

  • has the letter O. It makes the AH as in father vowel. And even so, almost all of his students

  • say something like: Tom, Tom, instead of Tom, ah-ah, with no lip rounding, even though he

  • reminds them it's not an OH sound, it's the AH vowel.

  • We see the letter O, we have such a strong association. But in English, one of the challenges

  • is to break your association between what you see on the page, and the actual natural

  • American pronunciation. Because as you can see, we change things quite a bit.

  • We drop sounds, vowels are not what we think they are, so the vowel in 'job' and in the word

  • 'Tom' is the AH as in father vowel. Oh--

  • First job?

  • First job?

  • >> First job? >> Soldier.

  • Soldier. Soldier. Two-syllable word, first syllable stress, soldier.

  • DI here is pronounced as a J sound, which we would write in IPA: dj-- soldier, soldier.

  • Soldier. Soldier. Soldier.

  • And the L here, this is the break of the syllable. Soldier. So the L comes after the vowel. That

  • makes it a Dark L. He made it without lifting his tongue tip. I make it without lifting

  • my tongue tip. Soldier. Soldier. I'm not lifting my tongue tip at all there, I'm using the

  • back of my tongue for a more dark sound, for the Dark L. I challenge you to do the same

  • thing. Do not lift your tongue tip. An L is a Dark L when it comes after the vowel or

  • diphthong in a syllable. Soldier.

  • Soldier. Soldier. Soldier.

  • Straight out of high school.

  • Five-word thought group, the word 'straight' and 'high', most stressed. School also has

  • some length, but it's at the end of the thought group, the pitch isn't as high. Straight out

  • of high school. Straight out of high school.

  • Straight out of high school.

  • Straight out of high school.

  • Straight out of high school.

  • We have an STR beginning cluster, strai-- strai-- the T can come out as a CH there.

  • Stch-- strai-- strai-- straight out of-- straight out of--

  • Just make sure you make it light. Don't put too much ch-- air in it. Strai-- strai--

  • then these four letters, a-I-g-h, all make the AY diphthong.

  • Straight out of high school.

  • All of the words in this thought group are really smoothly connected. We have a couple

  • Flap T's linking words together, like connecting 'straight out'. Straight out, straight out,

  • dadadada.

  • Straight out ah-- straight out ah-- Another Flap T connecting here.Straight outta--

  • The word 'of' reduced, it's just the schwa. Straight outta-- straight outta-- straight

  • outta-- straight outta-- dadadadada-- two flaps linking those words.

  • Straight out of high school.

  • Straight out of high school.

  • Straight out of high school.

  • High school. High school. High school.

  • And again, we have a Dark L. I guarantee you he is not lifting his tongue tip. Don't lift

  • your tongue tip as you practice this.

  • High school.

  • Left the ranks a full bird colonel.

  • So, the word 'left' stressed, 'ranks' also sort of stressed, but also not totally clear.

  • We'll talk about that in a second. Then the last three words, even more clear, even longer.

  • Full bird colonel.

  • Left the ranks a full bird colonel.

  • Left the ranks a full bird colonel.

  • Left the ranks a full bird colonel.

  • So the rhythm pattern of these first four words, I would say, is still: da-da-da-da.

  • Stressed, unstressed, stressed, unstressed. Even though 'left' and 'ranks' are said more

  • quickly, it really slows down then on 'full bird colonel'. He's really stressing all three

  • of those words.

  • Left the ranks a full bird colonel.

  • Left the ranks a full bird colonel.

  • Left the ranks a full bird colonel.

  • Left the ranks, left the ranks. T is dropped, it comes between two other consonants.

  • Left the, left the. So a quick F goes right into the voiced TH, which doesn't come through

  • the teeth here, because it's beginning an unstressed word. Left the, the, the, the--

  • I make that sound by just pressing my tongue on the backs of the teeth. It's not at the

  • roof of the mouth, that would make it sound like a d, but the tongue tip doesn't come

  • through the teeth either. Left the, left the, left the ranks. Left the ranks a--

  • Left the ranks--

  • The N here is the NG sound because it's followed by the letter k. Ranks, ranks, ranks. And

  • I really feel like it's very subtle here. He says this word quickly, a little unclearly.

  • It almost sounds like 'rakes' without the ng to me.

  • Left the ranks-- left the ranks-- left the ranks a full bird colonel.

  • Full-- we have a Dark L. Don't lift your tongue tip. Try it: full, full, full bird. 'bird'

  • has the UR vowel, and that's overtaken by the R so you don't actually need to try to

  • make a vowel at all. Make the B sound, the R sound, the D sound. Bird, bird.

  • Now the word 'colonel'. Okay, that's obviously...

  • This is one of the weirdest words in American English as far as letters and sounds.

  • Full bird colonel. Full bird colonel. Full bird colonel.

  • We have the K sound, which we get from the letter C, then we have the same sound combination

  • as in 'bird', the ur vowel and the R consonant. Where's the R, exactly? So where's the O?

  • Don't know. Where's this O? Don't know. It's just very strange. I don't know how this word

  • evolved, it'd be interesting to look into that. Colonel. Two-syllable word, first syllable

  • stress, K sound, R sound: ker-- ker--, and then a very quick: nl, nl, nl. And Dark L

  • sound at the end. Colonel.

  • Colonel.

  • Then?

  • Then?

  • Voice goes up in pitch, she's asking a question,

  • it's not a statement. She's saying what's next? Then?

  • Then?

  • Spy.

  • Spy. So his voice has a little bit of popcorn quality. There's not a full engagement of

  • the air. Quick up-down shape of a stressed syllable. That is a statement. It comes down.

  • Spy.

  • Spy.

  • Where?

  • Where?

  • Now this one also comes down and she also

  • has a popcorn quality of her voice. Uhhhh-- where? Where? Instead of: where? Where?

  • Which has more volume, more air.

  • Where?

  • Now, why does this one go down in pitch, where the other question statement went up in pitch?

  • That's a great question. The general rule is for the most part, if it's a yes/no question,

  • it goes up in pitch, if not, it goes down in pitch. But there are always exceptions

  • when she said 'then?' going up here, that was not a yes/no question, but going up made

  • us know it was a question. Here, the pitch of 'where' it goes down. We still know it's

  • a question.

  • Where?

  • The word 'where' as a statement wouldn't exist, wouldn't really make sense. And I'm trying

  • to think: would I ever make the intonation of 'where' go up? And I would. I would if

  • someone had told me where something was, and I didn't hear them, and I needed them to say

  • it again, then I would say: where? But this is her first time asking the question: where?

  • She's making it a statement.

  • Where?

  • It was the cold war, we were everywhere.

  • Okay, this is interesting. We have: it was the cold war. It was the cold war. Stress

  • on 'cold'. It was the-- those three words, hmm, how are they pronounced?

  • It was the cold war--

  • I'm hearing a Z sound, I'm hearing a schwa. It was the cold war-- it was the cold war--

  • Now, I know that the phrase grammatically would be 'it was the cold war.' but he says

  • those three words really quickly, just combines them into two sounds. It was the cold war--

  • it was the cold war--

  • It was the cold war--

  • We were everywhere.

  • Then the words: we were everywhere. We were-- pitch goes up, energy goes up. We were eh--

  • we have the peak on the EH vowel, everywhere. And then the pitch comes down. We were everywhere.

  • We were everywhere. All connected, smoothly together.

  • We were everywhere.

  • We were everywhere.

  • >> We were everywhere. >> Now?

  • Now? Now? Again, her pitch goes up, showing it's a question. Now, this is a word that

  • we could make as a statement. Now? Like if someone said: hey rachel! When are you leaving?

  • Now. So by making the intonation go up, now? It's inviting that question by a conversation.

  • Now?

  • Now? Now? Now?

  • Been riding a desk for the past six years,

  • trying to figure out where future enemies are coming from.

  • Then he has a really long thought group. Actually, let's add the end of this thought group here

  • to this slide. So we have lots of words that are a little bit longer, a little bit clearer.

  • Been riding a desk for the past six years--

  • Been riding a desk for the past six years--

  • Been riding a desk for the past six years--

  • Been riding a desk for the past six years,

  • trying to figure out where our future enemies are coming from.

  • Trying to figure out where our future enemies are coming from.

  • Future. A little bit of length on 'enemies co--', but we have some reductions,

  • what are you noticing? First let's look at the first word.

  • Been riding,

  • EE is pronounced as the letter IH, that's actually not a reduction, but it's just the

  • pronunciation, but it's said very quickly.

  • Been, been, been, been. Been riding, been riding--

  • Been riding, been riding, been riding a desk--

  • Riding a desk-- riding a-- riding a--

  • NG sound is changed to just an N sound.

  • Ridin a--

  • And that links right into the schwa. Ridin a-- ridin a--

  • Been riding a,

  • Now, we have 'desk for the'.

  • I want you to listen to those three words, and listen especially for the K.

  • Been riding a desk for the--

  • Desk for the-- desk for the-- desk for the-- K is dropped.

  • Comes between two consonant sounds,

  • we sometimes do that when we're linking things together. Desk for the--

  • Been riding a desk for the--

  • Desk for the-- desk for the--

  • 'for the', both said really quickly, we have a for reduction, the word 'the',

  • tongue tip does not need to come through the teeth for that TH, you can just touch it at the back

  • of the teeth, the back of the front teeth. For the, for the, for the, for the.

  • How fast can you say that? For the, for the, for the. Desk for the, desk for the.

  • Desk for the-- desk for the-- desk for the past six years.

  • Now look, let's look ahead.

  • We have STS, a cluster, the T comes between two other constant sounds.

  • Do you think it's dropped? I think it is. Let's hear.

  • The past six years. The past six years. The past six years.

  • Past six years. Past six years. Past six years.

  • Okay, yup. It is dropped. Past six.

  • Those two words connected with the single S and actually, I'm gonna write a little bit of

  • length on that word too. Past six years, past six years.

  • I think they all have a little bit of length to them.

  • The past six years. The past six years. The past six years, trying to figure out where

  • future enemies are coming from.

  • Trying to figure out-- okay, that has... That's not how it's pronounced.

  • The TR, I am hearing a CHR, trying, trying, that's really common.

  • Now the ING, again, he's dropping the G sound.

  • He's making that an N sound. Tryin, tryin, tryin. The word 'to' this word is reduced

  • to just the schwa. We don't usually drop the beginning sound, we do make that a Flap T

  • sometimes. But I have noticed we do sometimes drop that altogether when the sound before

  • is an N, and that's what's happening here. Tryna-- tryna-- tryna--

  • Trying to figure out,

  • Trying to figure out, trying to figure out, trying to figure out. Figure out. Figure out.

  • Figure out. Figure out.

  • Also said pretty quickly, out, we have a Stop T here, figure out, figure out, figure out.

  • Because the next word begins with a consonant, the W sound.

  • Trying to figure out,

  • where our future enemies--

  • WH word but he makes just a clean W sound. There's no wh, wh, wh, where in front, it's

  • just: where, where. The word 'our' pretty unclear. I would probably write that schwa R,

  • it's reduced. Where our, where our, where our, where our.

  • Where our future enemies-- where our future enemies-- where our future enemies--

  • You know, I would normally write this schwa R, but I actually almost think I'm just hearing

  • it like a schwa. Where our-- where our future-- where our future enemies are--

  • That's not too common, but I do think that's what he's doing here. Where our future-- where

  • our future enemies are--

  • He's just speaking so quickly. This particular word is said so quickly. Now, when it's all

  • linked together, I totally get it. It would sound weird to pronounce 'our' that way if

  • it wasn't linked in as part of the sentence.

  • Where our future enemies--

  • This word 'our' and this word 'are', both often reduced to something that sounds pretty

  • much the same, schwa R. Of course, over here, I said the R was dropped but here, I do hear it.

  • Enemies are-- enemies are-- enemies are-- ending Z sound linking right into the next sound.

  • Zar, zar-- enemies are--

  • Enemies are--

  • coming from--

  • Are coming from-- are coming from-- are coming from-- so he has three ING verbs here, and

  • for each one of them, he's changed the NG sound into an end N sound.

  • I do tell my students not to do this all the time.

  • It just doesn't sound quite right, mixed in with other things

  • that students tend to do. There will be some native speakers that do it all the time, that

  • will definitely sound like an accent, a regional accent in the us, and that's fine. Especially,

  • you know, if you live there, you might want to pick that up. Although people in the US

  • move around so much, I can't say that, you know, everyone in a particular region speaks

  • that way. A lot of people would speak with a more standard accent. And that's what I teach.

  • So I just want to talk about that here, he's done it three times, a student watching this

  • might think: oh, it's... We should be doing this all the time. I wouldn't say that.

  • The last word 'from', not reduced. Sometimes, we reduce this word to: from, from, but the

  • vowel is not reduced. It is the UH as in butter vowel. We generally don't reduce the last

  • word in a sentence, or a thought group.

  • Coming from,

  • Never occurred to me they would be coming from above.

  • So let's talk about stress. Never occurred to me they would be coming from above.

  • And the most stress on that last word because this is what is unusual.

  • The enemies are coming from above.

  • Never occurred to me they would be coming from above.

  • Never occurred to me they would be coming from above.

  • Never occurred to me they would be coming from above.

  • Also, grammatically, we would have the word 'it' here. The word 'it' is implied. It never

  • occurred to me. But he doesn't say that, he just says: never occurred to me--

  • Never occurred to me--

  • Never occurred to me--

  • Never occurred to me--

  • Never occurred to me--

  • So in the stressed syllable of occur, we have that R vowel again.

  • Occur-- ur-- occured--

  • So you don't need to try to make a vowel there.

  • It's really the R sound. Occurred. Occurred.

  • Occurred.

  • A little bit of stress on the first syllable of ne-- never uh-- then the R links into the

  • schwa. Never uh, never uh, never occurred--

  • Never occurred--

  • to me--

  • Never occurred to me-- occurred to me-- so the ED ending here is a little light D sound,

  • not released. Then he makes the word 'to' with a true T, and the vowel is reduced to

  • the schwa. Occurred to-- occurred to-- do you hear that D sound in my vocal cords before

  • I make the T? Occurred to-- occurred to me-- occurred to me--

  • Occurred to me-- occurred to me-- occurred to me

  • they would be coming from above.

  • So we have the stressed syllable: occurred-- then we have 'to me they would be', all of

  • these words before the next stressed word.

  • To me they would be coming--

  • To me they would be coming--

  • To me they would be coming--

  • To me they would be, to me they would be,

  • to me they would be, to me they would be.

  • A little bit flatter in pitch but you don't have much of that up-down shape.

  • To me they would be, to me they would be, to me they would be. Now, I hope you're noticing the

  • L in 'would' is always silent. To me they would be, to me they would be.

  • A very light D sound in the vocal cords here, again, not released. That would be: they would be.

  • They would be. They would be.

  • We don't hear that. They would be, they would be, they would be. That's what we hear.

  • They would be. Little D sound, the vocal cords are vibrating, that's a voiced sound, but

  • it's not released, I go right into the B sound.

  • To me they would be--

  • coming from above.

  • Coming from above. We have interesting stress here. He's playing

  • with it a little bit because of the surprise of the enemies coming from above, from outer space.

  • Coming from above. Da-da-da-da-da. Really stressing that last syllable.

  • Now, here we have an ING word, he does pronounce that as an ING word. He makes the NG sound

  • instead of an N sound. Coming, coming, coming, coming, coming from, coming from.

  • Now, here I probably would write this as the from reduction with a schwa instead of the

  • UH as in butter vowel. Coming from, coming from above. Coming from above.

  • Coming from above.

  • The last thing I want to talk about is he does do a little lift here: from above.

  • When I was practicing it one time, I did it with the link: from a, from a, from a, from above,

  • from above. But no, it's not how he does it. He says: from above, from above, from-- little

  • break, above. Putting that little break there makes that word even more stressed. If we

  • linked it into the word before, it would sound a little bit more conversational. But by putting

  • a little lift there, a little break in the sound, it brings more stress to that word.

  • Wow. The enemies are coming from above.

  • Coming from above.

  • Let's listen to this whole conversation one more time

  • You want to get personal.

  • Where were you born?

  • Huntsville, Alabama. But technically, I don't remember that part.

  • >> First job? >> Soldier. Straight out of high school.

  • >> Left the ranks a full bird colonel. >> Then?

  • >> Spy. >> Where?

  • >> It was the cold war, we were everywhere. >> Now?

  • Been riding a desk for the past six years, trying to figure out where future enemies

  • are coming from. Never occurred to me they would be coming from above.

  • We're going to be doing a lot more of this kind of analysis together. What movie scenes

  • would you like to see analyzed like this? Let me know in the comments! And if you want

  • to see all my Ben Franklin videos, click here!

  • You'll also find the link in the video description.

  • That's it and thanks so much for using Rachel's English.

In the US, summer is for sand, sun, and blockbuster movies. And this summer, we're going to use

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映画で英語を学ぶ - キャプテン・マーベル (Learn English with Movies – Captain Marvel)

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    林宜悉 に公開 2021 年 01 月 14 日
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