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  • Getting a show from script to screen is a fast and furious process. Some crews

  • make thirteen episodes of scripted TV in the same amount of time it takes to

  • make a single blockbuster movie.

  • So how do they do it?

  • This process applies to all types of scripted TV shows

  • both dramas and comedies

  • but we're gonna use an hourlong drama with a 13 episodes season as an example.

  • Let's say you're the showrunner. This is what the next year of your life is going to look like.

  • First thing's first: you and the writers break the story. Meaning you plot out the major

  • moments of the season. And then you assign writers to break the story for each

  • episode. After multiple drafts a script around 45 pages is created. That's

  • about six hundred pages of material for the whole season. At this point

  • episodes are assigned to directors and directors of photography who begin

  • planning on their own and then there's the art department. They're in charge of

  • the whole look of the show. Let's say the show takes place in New York City in

  • 1980. The art department researches the period so that everything as big as

  • buildings and cars and as small magazines and jewelry look realistic.

  • Now let's get shooting.

  • To shoot 45 pages of material in about 8 days you need a serious

  • schedule. A traditional script isn't all that helpful to a crew. So first

  • each scene is assigned a location, time of day, and actors. After all these factors

  • are prioritized the result is a document called a white schedule. Once shooting begins

  • every episode requires a table read. That's when the whole cast gets together

  • and reads the script from beginning to end.

  • At this point the director works with the director of photography to correctly

  • block all the actors and every scene is shot from multiple angles. A one-minute

  • scene in a show could easily take a few hours to shoot. Now you might not think

  • your typical drama would not have a lot of visual effects but something as little

  • as a TV playing in the background of a scene requires post-production work. Ever

  • heard the phrase "we'll fix it in post." Here we go.

  • A post production team is comprised of editors, sound designers, visual effects

  • artists, and all the assistants and coordinators that go along with them.

  • Editors make the first cut of the episode and give it to the director. Then

  • the director's cut goes to the showrunners. The showrunners give notes, create a

  • producer's cut, and that goes to the studio which then becomes the network

  • cut. During this entire process things like that TV with the green screen get

  • pushed through visual effects. Once all of the edits are final, a color corrector and

  • sound designer begin to work their magic. The dialogue needs to be cleaned up,

  • sound effects put in, and the entire edit needs to be mixed. OK, we're almost done.

  • It's now several months after writing began and the episode, fully mastered, gets

  • serviced to broadcasters around the country. But the rest of the show isn't

  • finished. Every episode is finalized

  • just a few weeks, and sometimes just a few hours, before it premieres.

Getting a show from script to screen is a fast and furious process. Some crews

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テレビ番組はどのようにして作られるのか (How a TV show gets made)

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    QWWW に公開 2021 年 01 月 14 日
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