Name: 最も心を揺さぶる絵画 (The Most Disturbing Painting)
Uploaded: 2021-01-14T07:34:01.000Z
Duration: 8 min 47 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

"The Judgement of Cambyses" by Gerard David

But there's only ever really been one painting that has seriously disturbed me,

Francisco Goyas' "Saturn Devouring His Son"

What you're seeing here, is the legendary Spanish painter's depiction of the Greek Titan Cronus:

who after usurping power from his father, was told a prophecy that one of his own sons would do the same and usurp him.

In order to prevent this every time his Queen Rhea bore a child, Cronus would eat it.

Unfortunately for him in the end Rhea conspired to hide away their youngest son, Zeus,

who eventually fulfilled the prophecy exiled his father and ended the reign of the Titans.

The story is a well known Greek myth, but look at how Goya handles it.

First, in the myth Cronus devours his children by swallowing them whole.

In fact, they remain alive in his stomach. Goya's painting is a much more gruesome affair.

He takes some inspiration here from Peter Paul Rubens', a Flemish baroque painter who depicted the same event as well.

In Rubens' "Saturn", the Titan seems to be sucking the life force from his child even for such a terrifying subject-matter,

Rubens' displays all the drama, richness, even beauty, that marks "The Baroque Style" he helped to make famous.

We're left with a frightened crazed monster

discovered in the dark as if by some explorer with a torch who wandered into the wrong cave.

Saturn, Cronus' Roman name, has already chewed off the head of his child.

His black mouth opens around the elbow of the left arm, ready to bite it off at the joint.

His angular body is crouching in an awkward position,

blood runs down his child's arm and neck and shoulder a startling primary color.

And if we take a closer look we noticed that this is not a child at all

There's something even more terrifying in knowing that the victim knew what was happening and tried to fight back.

But what's most disturbing of all I think is when and where this painting was found.

Late in his life, Francisco Goya purchased a house on the outskirts of Madrid called "La Quinta del Sordo"

or The Villa of The Deaf after its previous owner; an interesting coincidence since by that time in his life,

His physical and mental health declining, Goya painted 14 murals often referred to as

Directly onto the interior walls of his home.

The photographs you're seeing now were taken over 50 years after that time.

Goya never mentioned the paintings himself.

but to this day, people still puzzle over the meaning of "The Black Paintings".

Why was Goya creating these pessimistic and fantastical scenes in the solitude of his home?

To understand this it might help to go back through Goya's career.

He grew up in Zaragoza, Spain. The fourth of six children in a lower middle-class family.

By all accounts, he was a light-hearted and joyful kid as he studied painting in Zaragoza, Madrid and Rome.

His first serious job was at the royal tapestry factory where he created tapestry cartoons to adorn the palaces and stately homes of the city.

elegant, playful, light scenes of both nobility and peasantry enjoying the normal activities of their day.

Goya eventually became the court painter for King Charles IV, a disappointing monarch

unlike his father Charles The III, who was beloved by the people for enacting reforms that began to bring

Though he still took commissions from his royal clientele, this disease was a dark turning point in his life and art.

You can see it in Yard With Lunatics from 1794

The difference between this and the tapestry cartoons,

His hearing gone, Goya began to see the country around him with a grim clarity in a series of etchings called

Los Caprichos or The Caprices, he sends up a Spanish culture that is both tragic and comic.

A student of the Enlightenment himself, Goya sees the country

backsliding on the road to modernity. The King is withdrawn and the people are

superstitious and too stupid to know what they need.

You can see him fusing all the corners of his imagination the quest for anatomical truth,

the need for social critique and an obsession with beasts and creatures.

It's all summed up in this one aptly titled "The Sleep of Reason produces monsters".

In the following years, things got worse for Spain.

Napoleon invaded the country and brutally massacred those who resisted his campaign.

Goya was witness to the bloodshed and it affected him deeply.

His painting on the subject, the 3rd of May 1808, is a revelatory depiction of

Before this, war was a highly composed theatrical subject in painting.

Here, Goya gives nothing but brute force. It's emotion unmediated by artifice.

It would be five years until Spain regained its throne.

In the interim resistors developed The constitution of 1812,

which called for Liberal Reforms like National Sovereignty, Freedom of the Press and Free Enterprise.

But on gaining power, the new King Ferdinand VII, squashed the Constitution right away and arrested those who made it.

the country which in his youth had reached toward a new world, was now swallowed again by autocracy.

Scarred by war, scarred by illness, he began to paint nightmare scenes onto the walls of his home.

In one, a young man is being eaten by the father he was prophesied to usurp.

By now Goya knows progress isn't assured and when it's defeated, it's not painless

It's horrific and slow and the victim can feel it happening.

There are a lot of ways that you can read "Saturn devouring his son".

Maybe Goya was trying to exorcise the demons of his mind or the demons of his country.

Or maybe he was just trying to paint honestly about one terrifying facet of man's nature,

using the skills and techniques he learned and pioneered through a lifetime.

"The Black Paintings" changed the history of art, but what's maybe scariest of all

He doesn't care how we read this painting because he didn't paint it for us or for anyone.

"Saturn devouring his son" exists beyond interpretation.

It's brute force horror without mediation.

A monster looking out from a dark wall in a dark room,

字幕リスト動画再生

最も心を揺さぶる絵画 (The Most Disturbing Painting)

eventually

obsession

force

decline