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  • >>Because all humans want to aspire you know? When you inspire people to aspire. Its like

  • Elvin Jones inspired me and Coltrane to aspire. Well what does that mean? It means that when

  • I was a kid, everything that I said I was going to do and be, it came really fast after

  • I practiced. I said to my mum, I was living in Tijuana and I said to my mum, "Mum, I'm

  • going to get you a house some day, a dish washer and a refrigerator, and [she said]

  • "that's nice hijo", [I said] "Heyy! don't put a damper on my thing! I'm going to get

  • you those things". So when I got her those things I pretty much got my desires really

  • really quickly. But then something was missing. And to me, George Harrison and Ravi Shankar,

  • Coltrane, Mahalia Jackson, and Martin Luther King, of course Coltrane, they told me there's

  • another thing happening that is infinitely more fullfilling than how many houses or how

  • many cars... >>material things...

  • >>or how many platinum records, you know. And that is... In order to do that you have

  • to commit career suicide a couple of times. You have to do what people don't want you

  • to do. So there's not a single within a thousand miles of that record you know? And you go, "right!"

  • >>Yeah! Its what I want to do. I think you

  • know Carlos, people who have longevity in their career - all those things that you said

  • is great, because its just so true. So many people aspire to, especially in our culture

  • now, hip hop and they want the car and the jewellery and this and that and whatever,

  • that those things really they don't fullfil anything. And you aspire, if you're really a

  • musician, to make your art and your music. Often if you have a hit early on in your career

  • they want you to do that again. That's your thing, you're good at that, do that again.

  • They don't understand - and I agree with your career suicide thing - that... To me with

  • our group, we made 11 records or something like that, we've been together for 30 years

  • but we're not going to make the same record again. We did it, that one was great, and

  • we were talking about like, there's elements of that which are really cool and really good

  • that its still going to be part of what you do. But to me records are... we write them

  • all in a six month or nine month period and that's who we are at that point - our group.

  • And its a real, honest statement of what we do. Its a chapter in a book. Say there's a

  • book of the Red Hot Chili Peppers, well record one.... all the chapters, you can't read,

  • they're not supposed to be the same, its a story. And its a story of us and our career

  • and the music that we make and some people don't like this one - "why don't you do..."

  • and "why don't you play 'dadada', I like that one"... Well you can go listen to that, I

  • love that too. But that's not who I am anymore and I'm not 25 and whatever. I think its important

  • that, as an artist, that you need to change and grow of course, but to look at it like

  • chapters. You know? >>Yeah, yeah.

  • >>Some of the chapters are out and weird and others are more focused and whatever, its

  • just different. It needs to change and be different, as life does.

  • >>And it will be, the more you are honest. >>And be honest, you have to be honest.

  • >>Genuine, honest, sincere, true, for real and authentic. That to me is like the fuel.

  • >>That's it. That's it. >>And then everything else that you do is

  • going to be feel very natural and normal to you at that time. Its not really complicated.

  • People need to transcend that with the band thing. Women need to dance, if they don't they're

  • not nice people to live with ok? That's just it. So women need to dance and men need to

  • go inside and work it out. Women have physically what they need to do every month and all that

  • kind of stuff. Men have to psychologically, like a bear, go in and reinvent yourself like

  • Picasso and Miles. And its a natural growth for us musicians, because Miles said its either

  • a blessing or a curse that you have to change. You have to change. This record or that CD

  • or whatever it is nowadays. But all it means is like what Charlie Parker said and he said

  • it so clearly, "If you don't live it, its not going to come out". So put your drums

  • in the closet for a minute or the guitar and go out in the park, man. Take your shoes,

  • yourself and actually feel the grass, feel the life. And then you come back and when

  • you play about it, people say "even though you are playing drums, I heard your story".

  • And here comes the best part - because its my story as well. Your story is the same story.

  • I heard Wayne say something like its the same song. All of those that he wrote are the same

  • song. And I was like, what? But he said its the same song. All of them that we know. Well

  • in a way its true because they're all tied in together like beads on a string and he

  • is that string. I love life right now because I don't think I've ever been so clear and

  • so at ease. This last tour I learned how powerful it is to be at ease. So you can really create

  • stuff that even your brain goes "dang". Because the brain likes to measure...

  • >>You've got to get the brain out of the way. >>Yeah, exactly. And this tour I read a lot,

  • I played but I read a lot, and all the books I read pointed in the same direction. Affirm

  • grace. Because there's no luck, chance, fortune and there's no, you know, get behind the mechanics

  • and feel... Paul Simon had it right, its the rhythm of grace, man. The flow of grace. Where

  • real genius creativity abounds. That's the other thing. If you want abundance in your

  • life, appreciate what you have already. >>Yeah gratitude is very important.

  • >>Gratitude is really important. >>Really important. I think people get caught

  • up in their busy day-to-day lives stuff and aren't grateful for what... just... what you

  • have or what it is what you're being, what you're doing. You're breathing, you've got...

  • hopefully you're doing positive things and you're enjoying yourself...

  • >>I'm grateful and I'm thankful for your band, because when your band plays you captivate

  • people and you take people into a place where they're able to... I can close this thing

  • by saying I'd love to do a video of a dog with a lot of hair and with the sun behind

  • him, and he's shaking water in slow motion and you see this rainbow behind him and it

  • says: you too, like this dog, can shake off all your illusions, your so-called lack of

  • self-worth or xxxxxx, all that other bullshit, you can just shake it all off. And look at

  • his face, man. I don't know any animals that are more happy than dogs... when they see

  • you. >>Its funny that you said it because I just

  • came from Alaska and we went on a glacier and went on a dog sledging trip and these dogs. 40 dogs.

  • Its cold up there obviously, they're totally happy up there and I'm you know [cold] and as soon

  • as they were getting ready to get hooked up to pull us, I've never seen more happy - they

  • just couldn't wait to get hooked us and run. Its what they love to do and its so beautiful.

  • I'm thinking it must be really hard and its cold and that kind of stuff. They love it,

  • that's what they live for. They were so friendly and I was petting them. I saw some really

  • happy dogs, man. Its beautiful to see that. Very simple, in existence, very simple. And

  • as happy as can be. >>Yeah I think that's the message, without

  • telling people who to be, what to do or how to do it. There's an invitation in inspiration,

  • and then there's imposition or anything like that. But I've never seen your band not bring it, man. Every

  • time I've seen you band, in any configuration, I always see the audience bombarded with your

  • heart, everybody's heart in the band. Then I see their eyes and I go, well there it is.

  • They're not worshipping a plastic Jesus, this is the street man, this is for real.

  • >>They're connecting. >>They're connecting.

  • >>Thank you for saying that. That's very kind. We put out a lot of positive energy.

  • >>Yes you do. >>And sometimes if you're in a big place it

  • can be more difficult to get that... But sometimes its easier because you can get - I mean you've

  • played big places before where it can turn into a really big ball of energy. Clubs- people

  • are right there right in your face, they see you, there's that immediate reaction, that's

  • fantastic too, I love that. There's something special about both types of situations but...

  • I just love to play any time, whether there's 10 people or 10,000 it doesn't matter. Its

  • when they feel the joy of you loving what you're doing then you can get... everybody

  • else on stage is connecting, so I was talking about having that conversation- everyone is

  • connected, we make sure we're connected and we're not out on the ramps. We kinda play

  • like Neil Young where everyone is close and there's a lot of eye contact. I think they

  • pick up on that. I know they do. You can make people happy through music. Its a

  • gift. man. >>Yeah. I want to conclude this one and thank

  • you for inviting me to... >>No thank you.

  • >>to share light conversation and I mean light conversation. One of the last things-

  • the main things- that I learned this year was from this lady named Thelma in St Louis.

  • She said, for your band and my band its a blessing to be blessed.

  • >>Well put. That's it. Alright, thank you so much. >>My pleasure, thank you.

  • >>Alright. >>Carlos Santana ladies and gentleman!

>>Because all humans want to aspire you know? When you inspire people to aspire. Its like

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チャド・スミスとカルロス・サンタナとの会話 - パート2 (Chad Smith in conversation with Carlos Santana - part two)

  • 19 1
    Ioannes Aurus に公開 2021 年 01 月 14 日
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