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  • Hi, I'm Rick Steves. For many travelers, the quintessence of Spain is found here - Andalucía.

  • The sounds, sights, and experiences of southern Spain are shaped by waves of history.

  • In this hour-long special we'll enjoy the classic Andalusian experiences in the classic

  • Andalusian places - dazzling Moorish palaces, fiery Gypsy musicians, sunny laid-back beaches,

  • a never-to-forget paella feast, whitewashed hill towns, somber religious processions followed

  • by flamboyant flamenco revelry, a mighty rock drilled through with history and overrun with

  • mischievous monkeys, weeping virgins, and the ultimate spring fair, with pretty dancers

  • and graceful horsemen. Andalucía is a vibrant sangria of civilizations. It's a lifestyle,

  • it's proud...and for many it's the south coast of their travel dreams.

  • In southwest Europe is Spain. And in the far south of Spain is Andalucía. We start in

  • Jerez, zip over to Granada, enjoy Nerja on the Costa del Sol, explorerdoba, and check

  • out Ronda. Then, after side-tripping into Gibraltar, we finish in Sevilla.

  • Andalucía's heritage is alive in today's culture, and it expresses itself in iconic

  • themes. The town of Jerez is famous for three of them: dazzling horses, velvety sherry,

  • and a spring fair that brings out the entire community for a week-long party.

  • Originally a horse fair, when the sherry producers joined in, it got really big. Today, the Jerez

  • Fair is a vast collection of over 200 casetas (or tents) - each owned by a family or local

  • business who host parties until late into the night. For locals, the fair, which takes

  • please early each May, kicks off the summer season.

  • During the day, the fair grounds are jangling with fancy carriages. It's all about fine

  • Andalusian horses...and the proud traditions they represent. Women, dressed in their peacock

  • finery, seem ready to break into dance at the click of a castanet.

  • Just down the street, the Royal Andalusian School of Equestrian Art provides a foundation

  • for this culture of horses. Performances pack its arena several times a week.

  • This is exquisite horsemanship. The stern riders and their obedient steeds perform to

  • the delight of both tourists and horse aficionados.

  • The riders cue the horses with the slightest of commands, whether verbal or with body movements.

  • The horses are bred and trained to be balanced and focused - both physically and mentally.

  • The equestrian school functions like a university, open to students from around the world.

  • And all over Jerez, sherry bodegas welcome visitors. Just around the corner from the

  • horse school, the venerable Sandeman Winery has been producing sherry since 1790.

  • Tours explain how the stacked barrels are part of the production process. In a time-honored

  • tradition, new wine is blended with aged wine, which is then fortified with alcohol.

  • The vintner shares his product with a passion and finesse that mirrors the richness of the

  • sherry tradition. And the crowd-pleasing finale of every tour is a chance to enjoy the finished

  • sherry.

  • Throughout the countryside of Spain sherry is advertised with huge billboards...or bullboards

  • in this case. This big bull is the icon of another sherry producer. Next is a major stop

  • in any Andalusian visit, Granada.

  • Sprawling at the foot of the snow-capped Sierra Mountains, Granada is a thriving city of about

  • 300,000 people. Visitors focus on its old center, where life has a gentility that belies

  • its illustrious past.

  • Once the grandest city in Spain, its power ebbed and glory faded. It was appreciated

  • mostly by Romantic Age artists and poets. Today, it has a Deep South feel - a relaxed

  • vibe that seems typical of once-powerful places now past their prime. In the cool of the early

  • evening, the community comes out and celebrates life on stately yet inviting plazas.

  • The story of Granada is all about the Islamic Moors. In the year 711, these North African

  • Muslims crossed the Strait of Gibraltar and quickly conquered the Iberian Peninsula, eventually

  • converting most of its inhabitants. Throughout the Middle Ages - for over 700 years - Spain

  • was a predominantly Muslim society, living under Muslim rule.

  • And that age shapes today's sightseeing agenda. Granada's dominant sight is the Alhambra,

  • the last and greatest Moorish palace. Nowhere else does the splendor of that civilization,

  • Al-Andalus, shine so brightly.

  • For two centuries, until 1492, Granada reigned as the capital of a dwindling Moorish empire.

  • As Christian forces pushed the Moors further and further south, this palace was the last

  • hurrah of a sophisticated civilization.

  • While the rest of Europe slumbered through much of the Middle Ages, the Moorish civilization

  • was wide awake. The math necessary to construct this palace would have dazzled Europeans of

  • that age.

  • The Moors made great gains in engineering, medicine, and even classical Greek studies.

  • In fact, some of the great thinking of ancient Greece had been forgotten by Europe, but was

  • absorbed into Islam, and actually given back to Europe via scholars here in Spain.

  • The culture of the Moors was exquisite...artfully combining both design and aesthetics.

  • Facing a reflecting pond, the Hall of the Ambassadors was the throne room. It was here

  • that the sultan, seated Oz-like, received foreign emissaries. Its wooden ceiling illustrates

  • a command of geometry. With 8,000 pieces inlaid like a giant jigsaw puzzle, it symbolizes

  • the complexity of Allah's infinite universe.

  • Arabic calligraphy, mostly poems and verses of praise from the Quran, is everywhere. Muslims

  • avoid making images of living creatures - that's God's work. But decorating with religious

  • messages is fine. One phrase - "only God is victorious" - is repeated 9,000 times throughout

  • the Alhambra.

  • Like the sultan, we can escape from the palace into what was the most perfect Arabian garden

  • in Andalucía. This royal summer retreat, lush and bursting with water, was the closest

  • thing on earth to the Quran's description of heaven. In fact, its name - the Generalife

  • - meant essentially that: the Garden of Paradise.

  • Water - so rare and precious in most of the Islamic world - was the purest symbol of life.

  • Whether providing for its 2,000 thirsty residents, masking secret conversations, or just flowing

  • playfully, water was integral to the space the Alhambra created.

  • For centuries, Europe struggled to push the Moors back into Africa. This campaign was

  • called the Reconquista. Finally, in 1492, the Moors were defeated. The victorious Christian

  • forces established their rule with gusto here in this last Muslim stronghold.

  • This victory helped provide the foundation for Spain's Golden Age. Within a generation,

  • Spain's king, Charles V, was the most powerful man in the world.

  • After the re-conquest, Charles built this Renaissance palace incongruously right in

  • the middle of the Alhambra grounds. It's what conquering civilizations do: build their palace

  • atop their foe's palace. This circle-in-a-square structure was the finest Renaissance palace

  • in all of Spain.

  • And back downtown, Granada's cathedral facade - also built shortly after the re-conquest

  • - declares triumph as well. In fact, its design is based on a triumphal arch, and it was built

  • over a destroyed mosque.

  • The adjacent Royal Chapel is Granada's top Christian sight. This fine building provided

  • a fitting resting place for Queen Isabella of Castile and King Ferdinand of Aragon, who

  • ruled during the final Reconquista victory. Spaniards consider this couple the first great

  • Spanish royals.

  • When these two married, they combined their huge kingdoms. And by merging Aragon and Castile,

  • they founded what became modern Spain. With this powerful new realm, Spanish royalty were

  • able to finance many great explorers - including Columbus - and establish Spain's Golden Age.

  • The royal tombs are Renaissance in style. The portraits of Isabella and Ferdinand are

  • vital and realistic. They seem to celebrate the humanistic spirit of the Renaissance,

  • and with it, a promising future for Spain.

  • The gilded altar is all about that Christian triumph: Christ triumphs over sin...and Christendom

  • triumphs over Islam. In fact, reliefs show the eventual forced conversion of Granada's

  • Moors shortly after the Reconquista.

  • For a time near the end of its Moorish period, Granada was the grandest city in all of Spain.

  • But eventually, with the tumult that came with the change from Muslim to Christian rule,

  • the city lost its power and settled into a long slumber. Today's Granada is a delightful

  • mix of both its Moorish and its Christian past.

  • The silk market, or Alcaicería, was originally across the street from the main mosque, so

  • today it stands across from the main church. Filled with precious goods - salt, silver,

  • spices, and silk - it was protected within 10 fortified gates.

  • Today, while a tourist trap housed in a modern reconstruction, this colorful mesh of shopping

  • lanes and overpriced trinkets is fun to explore.

  • You'll invariably meet persistent Gypsy women pushing their fragrant sprigs and palm reading,

  • and then demanding payment. You can consider them aggressive and annoying...or you can

  • zip up your valuables and have a fun and spirited give-and-take.

  • A handy minibus service loops from downtown through Spain's best old Moorish quarter,

  • the Albayzín. Increasingly around Europe, minibuses wind locals through narrow lanes

  • of old quarters. Tourists can hop on for a cheap and scenic joyride.

  • The Albayzín, with flowery patios and shady lanes, is a delight. Exploring these labyrinthine

  • back lanes and inviting neighborhood squares, you feel the Arab heritage that permeates

  • so much of Andalucía. Enjoy a drink on a no-name square...savor the lazy tempo of Granada

  • life.

  • An alternative community of young people - nicknamed pie de negro, or black feet, for their basic

  • earthiness - hangs out in the Albayzín.

  • And Granada is home to tens of thousands of Gypsies, or Roma people. While their nomadic

  • culture makes traditional employment a challenge, one vocation in which they excel is music.

  • In the evening, in the hilly Sacromonte district, Gypsy families entertain tourists with colorful

  • folkloric shows. These intimate concerts are performed in the very caves that once housed

  • Granada's Gypsy community.

  • Along with Gypsies and hippies, tolerant Granada has a sizable Muslim population. A modern

  • mosque, built in 2003, fits in with the local architecture and comes with a live call to

  • prayer. The muezzin cries "God is great" from the minaret without amplification...as non-Muslim

  • neighbors insisted.

  • There are about 700,000 Muslims in Spain, and that includes nearly 10 percent of Granada's

  • residents.

  • To learn more, we're joined by Malik Basso, a member of Granada's Muslim community.

  • Rick: Would you say most of the Spanish Muslims are immigrant neighbors coming over from Africa

  • for better jobs? Malik: Yes - Moroccans, Algerians, Turks,

  • Pakistanis. But of course, there is the recent phenomenon of Spanish Muslims as well.

  • Rick: You're Spanish? Malik: Yes. I'm from Barcelona.

  • Rick: So tell me a little bit about this mosque. Malik: Well, it was the first mosque built

  • in Granada after the Reconquista. So, for 500 years, this was the first purpose-built

  • mosque in Granada. It was promoted by a lot of people who were native Spanish Muslims,

  • born and raised in Spain, although it caters for all the Muslims.

  • Rick: So, how has the process been with community relations?

  • Malik: Well, some people were fearful at first, you know...the effect of the media and such.

  • But 10 years later, here we are. And some of our most vocal opponents are now our best

  • friends, because they appreciate what we are doing and who we are.

  • The mosque stands next to one of Europe's most romantic viewpoints. From the St. Nicolás

  • Terrace, as the sun sets, locals and visitors alike enjoy both a historical backdrop and

  • a convivial moment.

  • To extend the magic, grab a prime table at one of the several historic Albayzín manor

  • houses - called carmens - for dinner. You'll pay a bit more, but I can't think of a better

  • way to cap your visit to Granada.

  • From Granada, it's a two-hour drive over the mountains and down into Europe's fun-in-the-sun

  • headquarters: the Costa del Sol.

  • I find this strip of Mediterranean coastline generally overbuilt and very commercialized.

  • laga, the major city of the coast, is a good place to pass through. And almost anything

  • even resembling a quaint fishing village is long gone - replaced by timeshare condos and

  • golf courses.

  • The big draw is the beaches. There are plenty of hotels, and sun worshippers enjoy themselves

  • in spite of the congestion and lack of charm or local culture.

  • Nearly every country from Europe's drizzly north tucks an expatriate community somewhere

  • along this coast. They don't want to leave their culture...just their weather.

  • My favorite Costa del Sol stop is the resort town of Nerja. While capitalizing on the holiday

  • culture, Nerja has retained some of its charm. The church fronts the square, which fronts

  • the beach...and everybody's out strolling, eventually winding up on the proud Balcony

  • of Europe terrace.

  • This bluff, jutting jauntily into the sea, overlooks miles of coastline. A castle occupied

  • this spot for centuries.

  • Nerja's castle was part of a 16th-century lookout system. After Reconquista forces drove

  • out the Muslim...oh, that's right. You don't come to the Costa del Sol for history; you

  • come for fun in the sun...and relaxation.

  • And relax is what countless expat residents do. Nerja's expats are mostly British. Like

  • many along this coast, they actually try not to integrate. They enjoy their English TV

  • and radio, and many barely learn a word of Spanish.

  • Nerja has several well-equipped beaches. The one just below town retains its fishing-village

  • charm. Fishermen do their thing, while the tourists do theirs. The humble cottage evokes

  • a bygone day. Spaniards love their little beach restaurants.

  • A short hike takes us to a broader beach that appeals to different tastes. While it's packed

  • through the summer, we're here in May, when the heat and crowds are just right.

  • Ayo's place is famous for its beachside all-you-can-eat paella feast. For 30 years, he's been cooking

  • up this classic Spanish specialty.

  • To create this culinary work of art, start with some junk pallets for fuel, and slip

  • on your handmade heat shields. Then, fry up as many pieces of chicken as can fit in the

  • pan. Add just a pinch of garlic and about a week's-pay worth of saffron. When the chicken

  • is golden-brown, add about a dozen skinned tomatoes and as many red and green peppers

  • as you can stand chopping. Stir everything with a clean shovel. Now add a laundry bin

  • of arborio rice, and just a dash of smoked, sweet pimentos. Stir briskly until the rice

  • has become coated with the oils and spices. Add a few gallons of stock, and bring to a

  • boil. Add another pallet if necessary. Mix in a boatload of fresh, whole shrimp.

  • When the rice is done, remove - remembering to lift with your knees - and let set for

  • 10 minutes. Now you could just stare at the pretty colors and textures, but I recommend

  • eating it for the full experience. Dish out servings daintily, and garnish with a wedge

  • of lemon. Feeds 48 hungry vacationers. Adjust recipe measurements accordingly.

  • A 100-mile drive back inland takes us to the city ofrdoba. While Granada was the last

  • Moorish capital, the capital through the glory days of Muslim rule wasrdoba.

  • Tucked into a bend of its river, Córdoba has a glorious past. While its old wall evokes

  • a tough history, its elegant cityscape and convivial squares show a modern pride. As

  • is typical of Andalucía, it's a people-friendly city, filled with energy and color.

  • rdoba's centerpiece is a massive former mosque - or, in Spanish, Mezquita. This huge

  • rectangle dominates the tangled medieval town that surrounds it.

  • Grand gates lead to the courtyard. It was here, when this was a mosque, that worshippers

  • would gather to wash before prayer, as directed by Muslim law.

  • Entering, you step into a forest of delicate columns and graceful arches dating from over

  • 1,000 years ago.

  • At its zenith, this mosque was the center of Western Islam and the heart of a cultural

  • capital that rivaled Baghdad and Constantinople. A wonder of the medieval world, it's remarkably

  • well-preserved, giving today's visitors a chance to appreciate Islamicrdoba in its

  • 10th-century prime.

  • The columns and arches seem to recede to infinity, as if reflecting the immensity and complexity

  • of God's creation.

  • The mihrab - the focal point of worship in a mosque - was built in the mid-10th century.

  • It's richly mosaicked with 3,000 pounds of tiny, multicolored glass-and-enamel cubes.

  • A painting in the adjacent treasury takes us back to 1236, when Christians conquered

  • the city and everything changed. Here we see the Spanish king accepting the keys tordoba's

  • fortified gate from the vanquished Muslims.

  • According to legend, one morning Muslims said their last prayers in the great mosque. That

  • afternoon, the Christians set up their portable road altar and celebrated the first Mass in

  • what would later become this glorious cathedral.

  • As if planting a cross into its religious heart, this grand cathedral was built in the

  • middle of the mosque. Taking two centuries to complete, the cathedral is a glorious mix

  • of Gothic, Renaissance, and Baroque styles.

  • A statue actually called "St. James the Moor-Slayer" stands next to the altar. Sword raised as

  • usual, James is busy conquering Muslims.

  • Other art is less provocative. The Baroque-era choir stalls are made of New World mahogany.

  • With exquisite carving, it's considered one of the masterpieces of 18th-century Andalusian

  • Baroque.

  • And, towering over the former mosque, a bell tower makes it clear: This huge edifice now

  • houses a place of Christian worship.

  • In the 10th century, when a minaret stood where the bell tower stands today, Córdoba

  • was arguably Europe's greatest city. It was the cultural capital, with over ten times

  • the population of Paris. Imagine the city, with paved streets, lit at night by oil lamps,

  • piped-in running water, hundreds of mosques, palaces, and public baths.

  • It was a city of poets and scholars. While things changed later, the Golden Age of Al-Andalus,

  • as this society was called, was marked by a remarkable spirit of tolerance and cooperation

  • among all religions.

  • To learn more, I'm joined by my friend and fellow tour guide, Isabel Martinez.

  • Rick: So Jews, Christians, and Muslims, all living together peacefully here?

  • Isabel: Yes, certainly. It worked out during certain times, especially during the 10th

  • century. Rick: Three different cultures, together.

  • Isabel: Well, that's what most of the people think. But I think it's more correct to say

  • it was one culture with three religions, because at the end, all the people here talked Arabian

  • language, cooked the same dishes, and wore the same clothes.

  • Rick: OK, one culture, three religions. Isabel: Exactly.

  • Rick: How Andalus. Isabel: It was magic time.

  • rdoba's narrow, flower-bedecked lanes invite exploration. With Isabel's help, a simple

  • stroll becomes meaningful.

  • Isabel: Notice how nice and fresh these little streets are, Rick?

  • Rick: Yes. Isabel: Its narrowness and whitewashed walls.

  • Natural air-conditioning. Rick: It feels cool.

  • Isabel: It's brilliant.

  • Isabel: So this beautiful shutter reminds us of the times when the women were hidden

  • from public. Muslimrdoba had hundreds of mosques, but most of them were destroyed.

  • But some minarets survived as church bell towers.

  • Rick: So this was a minaret first, and now it's a bell tower for that church.

  • Isabel: Yeah, exactly.

  • rdoba's characteristic patios have functioned like outdoor living rooms since ancient Roman

  • times. They're quiet, an oasis from the heat, and filled with flowers. Locals decorate them

  • with pride. In fact, each year, many compete and open their patios to the public.

  • And here, as throughout Andalucía, festivals fill the calendar. We're here for the Festival

  • of the Crosses, where each neighborhood parties around its own cross made of carnations. Church

  • bells ring not only a call to prayer, but a call to fiesta.

  • Neighbors pack the squares for a community party. This barrio entered for the first time

  • this year. They won...and they've been reveling ever since.

  • Major squares host bigger events. I find experiencing traditional flamenco culture celebrated by

  • and for the locals beats any tourist show.

  • Here in Andalucía, revelry and religiosity seem to go hand-in-hand, as the same passion

  • and energy is put into long, sober religious processions, which clog the city's narrow

  • streets. Trumpets blare a fanfare, children carry candles, and everyone runs to the streets

  • to be a part of the procession.

  • Many of these same locals will party on squares until late into the night. Others will sit

  • down to a classic Andalusian dinner.

  • Isabel has invited us to Bodegas Campos - a historic and venerable house of eating - for

  • our own festival of Andalusian specialties.

  • And here in Andalucía, no special meal starts without the porcine gold standard, jamón

  • ibérico.

  • Isabel: This is a special jamón. Rick: Jamón.

  • Isabel: Jamón ibérico. Rick: Why does it taste so good, the jamón

  • ibérico? Isabel: Because the pig lived outside.

  • Rick: Okay so he's running around... Isabel: It lives in the countryside. It's

  • free.

  • After the jamón ibérico, the plates just keep on coming. This place specializes in

  • traditional Andalusian fare - rustic food that originated with the peasantry. And a

  • few dishes that have a Moorish influence. But if there is one common denominator to

  • all the food, it's...

  • Isabel: Olive oil. Rick: Olive oil.

  • Isabel: Definitely!

  • The finale, definitely for carnivores only, is pork from the Iberian black pig, and - what

  • could be more Spanish? - bull's tail.

  • Rick: We've had nine different plates. Isabel: Yeah, we love eating - and we love

  • sitting around the table for hours. Rick: It's living well.

  • Isabel: Yes, that's Andalusian lifestyle.

  • A two-hour drive west takes us into Andalucía's mountainous interior, the Route of the Pueblos

  • Blancos laces together a characteristic string of whitewashed hill towns. Whether crouching

  • in a ravine or perched atop a hill, each town - painted white to stay cool in scorching

  • summers - has a personality and a story of its own.

  • Zahara, set under its imposing castle, was a Moorish stronghold in the 13th century.

  • Its breathtaking perch was typical of towns that had to play hard-to-get during that centuries-long

  • struggle by Christian forces to push the Moors south and reconquer this part of Europe. And

  • in the Reconquista, Zahara was a strategic prize.

  • Today Zahara is a delight to explore. The tour's quick - a church, a plaza, a few sleepy

  • restaurants, and a grand view.

  • The dramatic road linking the towns cuts through the Sierra de Grazalema Natural Park. This

  • park is famed throughout Spain for its lush and rugged mountain scenery.

  • The queen of the white towns is Arcos de la Frontera. Arcos smothers its hilltop, tumbling

  • down its back like the train of a wedding dress. The old center is a delight to explore.

  • Viewpoint-hop all the way through town. The people of Arcos boast that only they see the

  • backs of the birds as they fly. Feel the wind funnel through the narrow streets as cars

  • inch around tight corners.

  • Driving is tricky. It's a one-way system - if you miss your hotel, you'll circle all the

  • way around again. Under the castle and facing the church is the town's main square, which

  • once doubled as a bullring.

  • Towns like Arcos, with "de la Frontera" in their names, were established on the "frontier,"

  • that was on the front line during the centuries-long fight to take back Spain from the Muslims.

  • As the Moors were slowly pushed back into North Africa, the towns, while no longer of

  • any strategic importance, kept "on the frontier" in their names.

  • The main church is a reminder of that reconquest. After Christian forces retook Arcos it was

  • the same old story - the mosque was demolished, and a church was built on its ruins.

  • Another short drive takes us to the biggest whitewashed town on the route...Ronda, with

  • nearly 40,000 people. While crowded with day-tripping tourists from the nearby Costa del Sol, early

  • and late in the day locals retake their streets and squares.

  • Ronda is famous for its gorge-straddling setting. Its breathtaking perch, while visually dramatic

  • today, was practical and vital when it was built. For the Moors, it provided a tough

  • bastion, one of the last to be conquered by the Spaniards in 1485.

  • The ravine divides Ronda into its old Moorish town and the relatively modern new town, which

  • was built after the Christian reconquest. The two towns were connected by this bridge

  • in the late 1700s.

  • Part of the joy of Ronda lies in exploring the twisted lanes of its Moorish quarter.

  • As you wander among its beautiful balconies and exuberant flowerpots, each corner reveals

  • a yet another surprise.

  • This cliffside mansion comes with a belle époque garden. And from the garden an evocative

  • staircase leads to the floor of the gorge. It was dug seven centuries ago by the Moors

  • to access water. Imagine Christian slaves hauling water in leather bags up these stairs...all

  • day long. The landing where the staircase finally hits the river marks a legendary turning

  • point in Ronda's history.

  • In 1485 Reconquista forces took control of this - the city's water source - and within

  • 10 days, thirsty Ronda above surrendered.

  • At the base of town is the old bridge, some surviving bits of the old Moorish city walls,

  • and the remains of what was for centuries the main gate to the walled city.

  • Back when Ronda was a fortified town under Muslim rule, you entered from here. And according

  • to Moorish custom, before entering you'd wash and pray. That's why there was a public bath

  • and mosque just outside the gate.

  • I stay right in the old-town action. Hotel San Gabriel has great character: It's well

  • run, with inviting public rooms, and bedrooms that make you feel quite noble.

  • And, just over the bridge, the newer town, while more stately, has equally inviting streets

  • and plazas. Strolling the streets, you feel a strong sense of community, where everyone

  • seems to know everyone.

  • While I generally go for the rustic old bars, tonight a local friend's taking me to a modern

  • one. Traga Tapas puts a contemporary spin on traditional tapas. We're just eating our

  • way through the entire list of daily specials. Sure, you'll find your olives and ham but

  • you'll also enjoy asparagus snowed in with manchego cheese, delicate cod-cheek sandwiches,

  • and spicy pulled pork. One basic rule is the same everywhere: If you want a chance to mingle

  • with locals, grab a stool at the bar.

  • Ronda is near and dear to Spaniards as the birthplace of modern bullfighting. It has

  • the first great Spanish bullring - built in 1785. Visitors can imagine confronting the

  • bull as it thunders into the ring. The arena's columns corral the action, creating a kind

  • of Neoclassical theater.

  • Bullfighting originated as a kind of military training - refined knights fighting the noble

  • beast on horseback. It evolved to the spectacle that survives to this day. While controversial

  • to many for its brutality, aficionados insist bullfighting is not a sport...it's an art

  • form.

  • And the museum of bullfighting celebrates this tradition. Matadors, in their suits of

  • light, were heartthrobs. Etchings by the great Spanish painter Goya show that he was clearly

  • an enthusiast.

  • The museum feels like a shrine Pedro Romero. In the 18th century, Romero established the

  • rules of modern bullfighting.

  • After Ronda, we wind out of the Andalusian Mountains, and leave Spain for a visit to

  • England's famed Rock of Gibraltar.

  • Gibraltar stands like a fortress, the gateway to the Mediterranean. A stubborn little piece

  • of old England, it's one of the last bits of a British empire that at one time controlled

  • a quarter of the planet. The rock itself seems to represent stability and power.

  • And, as if to remind visitors that they left Spain and entered the United Kingdom, international

  • flights land on this airstrip, which runs along the border. Car traffic has to stop

  • for each plane. Still, entering Gibraltar is far easier today than back when Franco

  • blockaded this border. From the late 1960s until the '80s the only way in was by sea

  • or air. Now you just have to wait for the plane to taxi by and Bob's your uncle.

  • The sea once reached these ramparts. Modern development grows into the harbor and today

  • half the city is built upon reclaimed land. Gibraltar's old town is long and skinny, with

  • one main street. Gibraltarians are a proud bunch. Remaining steadfastly loyal to Britain,

  • its 30,000 residents vote overwhelmingly to continue as a self-governing British dependency.

  • Within a generation the economy has gone from one dominated by the military to one based

  • on tourism.

  • But it's much more than sunburnt Brits on holiday. Gibraltar is a crossroads community

  • - with a jumble of Muslims, Jews, Hindus, and Italians joining the English and all crowded

  • together at the base of this mighty rock.

  • With its strategic setting, Gibraltar has an illustrious military history and remnants

  • of its martial past are everywhere. The rock is honeycombed with tunnels. Many were blasted

  • out by the Brits in Napoleonic times. During World War II, Britain drilled 30 more miles

  • of tunnels.

  • The Hundred Ton Gun is one of many cannon that both protected Gibraltar and controlled

  • shipping in the strait.

  • A cable car whisks visitors from downtown to the rock's 1400-foot summit. From the "Top

  • of the Rock" Spain's Costa del Sol arcs eastward. And 15 miles across the hazy Strait of Gibraltar,

  • the shores of Morocco beckon.

  • These cliffs and those over in Africa created what ancient societies in the Mediterranean

  • world called the Pillars of Hercules. For centuries, they were the foreboding gateway

  • to the unknown.

  • Descending the Rock, whether you like or not, you'll meet the famous Apes of Gibraltar.

  • Two hundred of these mischief makers entertain tourists. And with all the visitors...they're

  • bold and they get their way.

  • Rick: Yeah you can have it, you can have it, you can...

  • Here on the Rock of Gibraltar the locals are very friendly, but give them your apples.

  • Legend has it that as long as these apes are here, the British will stay in Gibraltar.

  • Sweeping north from this southernmost tip of Europe, in a couple of hours we're in my

  • vote for the most exciting single city to experience in Andalucía. Seville, or Sevilla

  • as they say here, is the biggest city in Andalucía, and packed with sightseeing fun.

  • Walking its streets, you're immersed in a flamboyant city of larger-than-life lovers

  • like Carmen and Don Juan, where bullfighting is still politically correct, and where little

  • girls still dream of growing up to become flamenco dancers. Sevilla has soul and a contagious

  • love of life.

  • Sevilla was Europe's gateway to the New World in the 16th century. It flourished during

  • the Age of Discovery. The explorers Christopher Columbus, Ferdinand Magellan, and Amerigo

  • Vespucci all sailed from right here.

  • The Golden Tower was the starting and ending point for trade with the New World. For centuries

  • part of the city's fortifications, it came with a heavy chain draped across the river

  • to protect the harbor. In the 16th century, Sevilla's Golden Age was powered by New World

  • riches.

  • In the 17th century, all that money made the city an important center of arts and culture.

  • In the 18th century - as its harbor silted up and the Spanish empire crumbled - Sevilla's

  • power faded. And in the 19th century, the once-powerful-now-quaint Sevilla became an

  • important stop on the Romantic-era "Grand Tour of Europe."

  • In the 20th century, 1992 to be exact, Sevilla hosted a World's Fair that left the city with

  • today's striking 21st-century infrastructure: dramatic bridges, a sleek new train system,

  • and even a new airport. Today, with 700,000 people, it's Spain's fourth-largest city...an

  • exuberant Andalusian capital.

  • But the charm of Sevilla is best enjoyed in its traditions - like flamenco. Spaniards

  • consider Andalucía the home of flamenco. While impromptu flamenco still erupts spontaneously

  • in Old World bars, most tourists attend a show like this. The men do most of the machine-gun

  • footwork. The women concentrate on graceful turns and a smooth, dramatic step. Flamenco

  • guitarists, with their lightning-fast finger-roll strums, are among the best in the world. The

  • intricate rhythms are set by castanets and hand-clapping. In the raspy-voiced wails of

  • the singers you'll hear echoes of the Muslim call to prayer - an evocative reminder of

  • centuries of Moorish rule.

  • The town square is Plaza Nueva. It honors King Ferdinand III, fondly remembered for

  • freeing Sevilla from the Moors in the 13th century. From here, wander into Sevilla's

  • pedestrian-zone shopping center - which Spaniards prefer to the suburban mall. This is the place

  • for traditional Spanish fashions. But I wouldn't know my Manchego from my mantilla without

  • a little local help.

  • My friend and local tour guide, Concepción Delgado, has agreed to be my personal shopper.

  • Rick: So there are all these traditional things to buy...isn't it just for tourists that they

  • sell these? Concepción: No way. These are for locals.

  • We love our things. We have preserved our traditions for centuries.

  • Rick: So these traditions are healthy? Concepción: Completely. This one of my favorite

  • shops. Buenosas. Rick: Hola.

  • Concepción: Now let me show you the three most traditional accessories that women wear

  • in Spain. Shawls, mantillas, and fans. Starting with the shawls that you can see here. A big

  • display of beautiful colors and embroideries, which are very practical for us, too. We would

  • use them as accessories, but they also have a function, which is warming you when you're

  • cold.

  • This is what we wear on top of the beautiful, nice flamenco dresses to attend to the April

  • Feria. On top of the flamenco dress you cannot wear a simple coat, you have to wear something

  • more distinguished, which is a shawl. You can leave it like that...it's more sexy.

  • Here we've got the mantilla. The mantilla is another accessory, which can be in two

  • colors: white or black. It's always combined with this comb, which is incorporated in the

  • mantilla like this... and then we wear that on our heads. The white one is for only the

  • Feria, for the festival in April when women wear them to attend the bullfights.

  • Let's have a look at the fans now. As you can see, very different colors, different

  • materials, but they are mostly made in wood. Remember that Sevilla gets very hot during

  • the summer and women, old ladies, use them when they attend services. Very old churches

  • are not air-conditioned. They are cooling themselves like this. Sometimes you hardly

  • hear the priest. Just [thumping]. That's all around you.

  • In the old days, there was a language with fans which is disappearing, but in the love

  • game it was very useful too. For example, if you were looking at someone that you weren't

  • very interested in...you can go away because I don't like you much. But if you were really

  • interested, that movement would tell him something, don't you think? Anyway, the most common movement

  • for a fan is...

  • As we've seen elsewhere, the Moors left a distinct mark on Andalucían culture. Like

  • Granada has its Alhambra, andrdoba has its Mezquita, Sevilla has its Alcázar. Built

  • more than 600 years ago, this magnificent building still functions as a royal palace.

  • The Alcázar provides a thought-provoking glimpse of a graceful Moorish world that might

  • have survived its Christian conquerors - but didn't.

  • What you see today is a 14th-century rebuild - done in Mudéjar style. This was a Moorish

  • style done by Moorish craftsmen but for Christian rulers after the reconquest.

  • This became the king's palace. Its centerpiece was the elegantly proportioned Court of the

  • Maidens. It was decorated Mudéjar below, and Renaissance above. The king hired Muslim

  • workers to give Moorish elegance to what was a stark fortress. They built what's considered

  • the finest Mudéjar building in all of Spain.

  • The intimate Dolls' Court was the king's living quarters. Imagine the royal family lounging

  • around a reflecting pool in this courtyard.

  • Once again we see sacred verses in intricately carved Arabic script. But thecor here

  • is clearly Christian. You'll see animals, buildings, and kings that you wouldn't normally

  • find in religious Muslim art, which forbids images.

  • A century or so later - just after Columbus' New World discoveries - Queen Isabel built

  • a more European style wing to the palace. Anticipating a big business in plunder and

  • trade, she built this to administer Spain's New World ventures. The chapel is dedicated

  • to Santa Maria de los Buenos Aires. St. Mary of the Good Winds was the patron saint of

  • navigators and a favorite of Columbus.

  • This altar painting dates from shortly after Columbus died and features what's considered

  • the first and most accurate portrait of the great explorer, on the left. It's also thought

  • to be the first painting of Indians done in Europe. The Virgin's cape seems to protect

  • everyone under it - even the Indians.

  • Like the palace, the gardens reflect a mix of cultures. The intimate geometric Moorish

  • gardens lead to the later much more expansive back yard of Spanish kings. The gardens are

  • full of tropical flowers, cool fountains, and - in the summer - hot tourists. I'm thankful

  • we're here in late April...beating the brutal heat of the Andalusian summer.

  • The Moors were relatively tolerant of other religions. During their rule, Christians,

  • Jews, and Muslims shared the city peacefully. After the Christian reconquest, Sevilla's

  • thriving Jewish community was concentrated here...in the Barrio Santa Cruz. Today, only

  • a few peaceful squares surrounded by a tangled web of alleys survives from the days when

  • this was Sevilla's Jewish Quarter.

  • Explore, wander among lanes too narrow for cars, whitewashed houses corralling peaceful

  • squares, and wrought-iron latticework. Regardless of who lived here, the design of the neighborhood

  • seems to have one goal - stay cool. The narrow streets - some with buildings so close they're

  • called "kissing lanes" - were designed to maximize shade.

  • Homes faced an inner courtyard offering a welcome refuge from the bustle and summer

  • heat. The Moors gave Andalucía its characteristic glazed tiles...with only geometric patterns.

  • In later centuries, Christians decorated their tiles with livelier scenes. Either way, the

  • tiles kept buildings cooler. Residents here winter upstairs and move down to the cooler

  • courtyard level in the summer.

  • Concepción: These orange trees are great for shade. They never lose their leaves.

  • Rick: Refreshing too, on a hot day. Concepcion: Well, not to eat. These are sour

  • orange trees. We just use them for vitamins, perfume, or that kind of marmalade the British

  • like... Rick: Oh, that bitter English marmalade, yeah...

  • Concepción: ...it's made with our oranges.

  • The Santa Cruz neighborhood comes with a timeless beauty...savor the simple elegance of Sevilla.

  • The delicate charms of Santa Cruz are just a few steps from Sevilla's immense cathedral.

  • It's the third-largest church in Europe (after St. Peter's in the Vatican, and St. Paul's

  • in London) and the largest Gothic church anywhere.

  • When they ripped down the mosque that stood on this site in 1401, the Reconquista Christians

  • bragged, "We'll build a cathedral so huge that anyone who sees it will take us for madmen."

  • You could fit a soccer field in here. Everything is supersized. The towering main altarpiece

  • is covered in gold leaf. Constructed in the 1480s, it's composed of hundreds of figures.

  • It tells the story of the life of Jesus in 40 scenes from his birth to his resurrection.

  • The choir - an enclosure within the cathedral for more intimate services - surrounds a spinnable

  • music rack. It held giant hymnals - large enough for all to chant from in an age when

  • there weren't enough for everyone.

  • In the transept, four pallbearers carry the tomb of Christopher Columbus. They represent

  • the four medieval kingdoms that became Spain: Aragon, Navarre, Castile, and León - each

  • identified by their team shirts.

  • Columbus even traveled a lot after he died. He was buried first in Sevilla, then moved

  • to Santo Domingo, then to Cuba, and after Cuba earned its independence from Spain around

  • 1900, he sailed all the way back here to Sevilla. Is he really in there? Sevillanos like to

  • think so.

  • All that survives of Moorish Sevilla's main mosque is its courtyard of orange trees and

  • a towering minaret. The tower offers a brief recap of the city's history - sitting on a

  • Roman foundation, a long Moorish period capped by the Christian age.

  • The Moors built its spiraling ramp to accommodate a rider on horseback - somebody climbed this

  • tower five times a day to call Sevilla's Muslims to prayer.

  • Today, tourists gallop up for fine city views. And the former minaret functions as the cathedral's

  • bell tower. It's topped with a bronze weathervane - a statue that symbolizes the triumph of

  • faith.

  • Perhaps the most famous of religious icons in this very religious city - the Virgin of

  • the Macarena - can be found in the nearby Basílica de la Macarena. Grab a pew and study

  • the Weeping Virgin. She's a 17th-century doll - complete with articulated arms, and human

  • hair - she's even dressed with underclothes. With crystal teardrops her beautiful expression

  • - halfway between ecstasy and sorrow - touches pilgrims.

  • Sevilla's Semana Santa, or Holy Week celebrations, are the most magnificent in Spain. During

  • the week leading up to Easter, the city is packed with pilgrims witnessing grand processions

  • carrying elaborate floats through the streets.

  • The two most impressive floats of the festivities are parked behind the altar.

  • The biggest float, slathered in gold leaf, shows the sentencing of Christ. Pontius Pilate

  • is about to wash his hands. His wife cries as a man reads the death sentence.

  • While pious Sevillan women wail in the streets, relays of 48 men carry this three-ton float

  • on the backs of their necks - only their feet show from under these drapes - as they shuffle

  • through the streets from about midnight until 2:00 in the afternoon each Good Friday.

  • This float, with the Weeping Virgin from this church's altar placed regally in the center,

  • is the hit of the parade. It's festooned with wax flowers and candelabra. It seems fragile

  • - all silver and candles. Locals explain it's "strong enough to support the roof while delicate

  • enough to quiver in the soft night breeze."

  • Rick: Have you actually seen this one going through the streets?

  • Concepción: The Queen of the City you mean? Rick: Yes.

  • Concepción: Of course. She even wears her crown and that day she looks absolutely beautiful.

  • When she goes through the streets people get crazy. They can't explain all those emotions

  • and they clap or they cry or they throw petals from balconies.

  • Rick: What's so special about this particular Mary?

  • Concepción: She knows everything about us because we have been telling her our problems

  • for centuries. Her name is "hope," which is what we all need.

  • With all this religiosity, it's no surprise that Sevilla is also famous for letting loose

  • in vibrant festivals - and we're here for the biggest of all: the April Fair.

  • For seven days each April it seems much of Sevilla is packed into its vast fairgrounds.

  • The fair feels friendly, spontaneous...very real. The Andalusian passion for horses, flamenco...and

  • sherry is clear. Riders are ramrod straight, colorfully clad señoritas ride sidesaddle,

  • and everyone's drinking sherry spritzers. Women sport outlandish dresses that would

  • look clownish all alone but somehow brilliant here en masse.

  • As in spring fairs throughout Andalucía, countless casetas line the lanes. In these

  • private party tents Andalusians of all stripes let their hair down. To get in, you need to

  • know someone in the group - or make friends quickly.

  • Concepción's well connected...and as a friend of a friend, we're in.

  • Woman: My caseta. Rick: My caseta. This is your caseta?

  • Woman: Esta la caseta.

  • Because of the exclusivity, it has a real family-affair feeling. Everyone seems to know

  • everyone in what seems like a thousand wedding parties being celebrated all at the same time.

  • It's time to say "adiós" to Concepción, Sevilla, and to Andalucía, where the celebration

  • seems to go on and on.

  • From hill towns to horses, and from inviting beaches to memorable meals...from historic

  • mosques to glorious churches, and from religious passion to flamenco fiestas, you come away

  • inspired to embrace life with a little more vigor.

  • Andalucía is a particularly proud and passionate culture...in touch with its heritage and enthusiastic

  • about sharing it all. I'm Rick Steves. Until next time, keep on travelin'. Adiós.

  • Credits:

  • Fascinating sights, sounds and experiences of southern Spain ooh hoo [laugh].

  • Spain was the predominantly Muslim society living under Muslim rule.

  • Don't poke him with it; he'll kill you.

  • Hi I'm Rick Steves back with more of the best of Europe. This time...

Hi, I'm Rick Steves. For many travelers, the quintessence of Spain is found here - Andalucía.

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リック・スティーブスのアンダルシア南スペインのベスト・オブ・ザ・ベスト (Rick Steves' Andalucía: The Best of Southern Spain)

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    SylviaQQ に公開 2021 年 01 月 14 日
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