Thewholewayoneofthosetropesistheinclusionof a particularlynastydeathwiththevictiminthiscasebeingtheoverbearingandannoyingDavid, Howcanyouputyourfaithin a manyouspectacularlybinnedforbeingunreliable.
その中で、特に厄介な死が登場するのですが、この場合の被害者は、威圧的で迷惑なデイビッドです。
A manwhoseideaof a romanticnightspotunderanImpenetrablefortressarethesamething.
難攻不落の要塞の下にあるロマンチックなナイトスポットのアイデアが同じものである男。
Thisis a pub, wearein a pub.
ここはパブです、パブにいるんです。
Whatarewegoingtodoaroundpersonalityflawsaside, wedon't reallythinkfor a momentthatDaviddeservedthelevelofviolencepresentedhereashe's veryliterallytornapartby a zombiehorde.
Comeon, theyrideundeadhorsesforcryingoutloudseriouslythoughtheseblinddeadmonstersdogoforthejugular, suchaswhentheyappearin a flashbacktoofferup a ritualsacrifice, theytorture a screamingvictimbeforefeastinguponherblood.
Thefirstoccurringin a supermarket, featuresformerPriceisrightmodelAnitrafordwhilethesecond, whichtakesplacein a movietheaterisevenmoreharrowing, theoppressivevibeneverfailstochillourbloodasmoreandmoreghoulssurroundactorJoyBang.
DirectorGeorge a Romeroisrightfullysoconsideredbymanyasthekingofthezombiefilm.
ジョージ・A・ロメロ監督は、当然のことながら、ゾンビ映画の王者として多くの人に知られています。
As a result, hehelmedsomeofthegenre's mostmemorabledeathsequencesfromtheshockingoutdoorfeast, fromhisoriginalNightoftheLivingdeadtotheapartmentonslaughtin 1978 DawnoftheDead.
ItquitelikeGeorgeDayoftheDeadmightfeatureoneofRomero's mostnotablescenes, however, wherethevillainousCaptainRhodesfinallygetshiscomeuppanceattheclawinghandsof a zombiehorde, he's tornapartbuthasonefinalinsultforthezombiestryingtoconsumehisremains.
Maybeit's thecommercialcrossovermomentwherein a zombiefights a sharpormaybeit's theunbearablybrutaldeathsceneofPaulaFulciwentfullstopforthissequencewherepaulushomeisinvadedbyzombieswhosmashedthroughthedoorandgoforbroke.