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  • - I grew up in my neighborhood skateboarding.

  • I was the weird kid.

  • And then I wanted to sell drugs.

  • People would fight me

  • and they would joke with me because they were like,

  • "Why aren't you being yourself?"

  • More than anything?

  • It's like that Kendrick Lamar line.

  • It's like, "You ain't gotta lie to kick it, my nigga."

  • Like niggas will like you more if you are that corny dude

  • and you are solid and authentic and yourself

  • than if you're trying to be another nigga.

  • Period

  • I think it's hard for Black men especially

  • to talk about depression

  • because we have so many cool words available

  • to us to undermine how we really feel.

  • (audience laughs)

  • Like a couple of years ago I was having some

  • suicidal thoughts and depression.

  • So I checked myself into a psych unit.

  • And I know you guys are looking at me like Jordan,

  • but you're so handsome and well put together.

  • But you know what they say?

  • Black don't crack, only psychologically.

  • I got out of the psych unit

  • and a friend of mine was like, "Are you okay, man?

  • Is everything all right?"

  • But I had so many cool words available to me.

  • I was like, "Yeah, I was just tripping."

  • But I wasn't just tripping.

  • I had a severe mental breakdown.

  • If anything, I might've been bugging,

  • but I wasn't tripping.

  • Rich, Black, poor, whatever,

  • authenticity I think it was important to Black people

  • because self preservation and self care is very important

  • to our identity.

  • If we don't have that, we don't have anything.

  • - I think for so long when it comes

  • to authenticity in the Black community,

  • authenticity is coded language for,

  • "Have you suffered enough?"

  • - In this country, being Black,

  • we really care about our identity

  • because that's something that they've been trying

  • to strip away for so long.

  • - There's a huge social and cultural maze

  • that Black people have had to be in

  • that are unlike any other ethnic group in the country.

  • And we're still grappling with that too.

  • - A lot of our stuff comes from what we've been through,

  • what we think about what we've been through,

  • how we feel about what we are going through.

  • And then what are we gonna go through next

  • and how do we change it?

  • - As Black people,

  • I think we haven't had the luxury of being inauthentic.

  • We were naked when we were sold.

  • When I was a kid, I'd just sit in my room

  • and read encyclopedias,

  • which is not a kid you want to talk to, you know?

  • I read a lot of history books, you know,

  • just sitting in my room, read like, world history,

  • American history, Southern history.

  • 'Cause I grew up in Louisiana, I just wanted to know.

  • And one of the things I read

  • that's always tripped me out, right?

  • Is that like after the Civil War,

  • they let the slaves go,

  • but the slaves still lived in the South.

  • So you probably ran into your ex-slave like all the time.

  • (audience laughs) Which has gotta be

  • the most awkward ex run-in in history.

  • Just like, "Oh my God, there he is.

  • Don't look, don't look.

  • Don't look. Don't look.

  • Don't look. Don't look. Don't look.

  • Hey! (audience laughs)

  • How are you doing?

  • Are you mad?"

  • Like, what else?

  • In a weird way, you know, plantation owners were such pimps

  • that 300 years later,

  • we're all trying to decide if we're the real version

  • of the thing they invented.

  • - The people that have questioned

  • my Blackness the most have been Black people.

  • And I think we sort of internalize a lot

  • of the messages we get.

  • So I think it was the same thing

  • back then is where we internalized like,

  • this is what Black people do.

  • If you are Black, you do this.

  • And if you don't do this, then you're not Black

  • and why would we support you?

  • - This is the worst.

  • When they started targeting DARE commercials

  • specifically at Black people.

  • Perhaps this predominantly white audience

  • also remembers that. (audience laughs)

  • They do the same thing with all of our commercials.

  • Y'all know it. You know, they add hip hop.

  • That's always our commercial.

  • It's the same commercial y'all get,

  • but then there's a mother (beep) break dancing.

  • Like, "Crack? Hell nah, dog, not no more."

  • (audience laughs)

  • And it's so condescending and it's,

  • I hate it because here's why,

  • because it presumes that all Black people are the same,

  • that we're just this homogenous group

  • that's easily enticed by hip hop and we're not.

  • We're as diverse and complicated as any of you.

  • Look, one of my favorite things to do in the world,

  • absolute favorite things to do in the world,

  • I like to get myself a medium cup of frozen yogurt, right?

  • Medium. I'm not greedy.

  • A medium cup of frozen yogurt and I like to sit at home

  • and I watch YouTube videos of people getting engaged.

  • (audience cheers) Thank you.

  • That's my shit.

  • I do it for hours.

  • Hours of just eating yogurt

  • and having a nice cry and enjoying love happening.

  • And afterwards, I'll like look myself in the mirror

  • and I'd be like, "Yo son, you're a real ass nigga."

  • And that's,

  • that's not in those commercials.

  • Wipe your tears, dog. We good.

  • We got a big day ahead of us.

  • - What I find interesting is I see so many memes about

  • your Black is beautiful or everybody's Black is different

  • or, you know, embrace diversity

  • and all kinds of wonderful shit.

  • But then when it comes to it,

  • only certain type of Black is accepted.

  • - Some people may consider me not to be authentic.

  • My parents have been married for 40 years.

  • My grandparents were married for 65.

  • Me and my brother, same parents.

  • My brother goes to Yale. I went to NYU.

  • Like, I never got raped.

  • I never did drugs. Well, weed doesn't really count.

  • But you know, like, I've never really had like

  • super hard obstacles.

  • Of course I was teased. I was overweight as a kid.

  • I was bullied. I didn't have a lot of friends.

  • But does that really compare to someone else who's like

  • I don't know my parents and I grew up in a dumpster.

  • Like, are they more authentically Black than I am?

  • - To me that's what frustrates me at times

  • because I've been told

  • that I wasn't the right type of Black

  • or somebody tries to call me

  • African-American, I'll correct them.

  • I'll tell them I'm Trinidadian American.

  • I've had people ask me,

  • "Oh, so you have a problem being Black?"

  • No, it's just that my father is a 5'6 Indian man.

  • There's no problem.

  • It's just that I came from his nut sack.

  • That's what it is.

  • - The neighborhood I grew up in was like predominantly Black

  • but they hated Africans.

  • Like I wasn't a kid that just figured out how to be cool.

  • I just, I would like study my peers,

  • and I think that's why I became a comedian.

  • I'm Rwandan.

  • I moved here in the late eighties

  • with my family but my mom moved here

  • and she was like already in her late twenties,

  • early thirties, you know what I mean?

  • Like she's been through a lot.

  • Racism, xenophobia.

  • She was pregnant with my siblings when we came

  • but she's endured all of that with just so much

  • strength and grace.

  • But she raised me in the West

  • and weekly I'll call her and I'm like,

  • "Mom, I wake up sick and he's (indistinct)

  • and I can't do work, ah."

  • It's gross, you know? How dare I.

  • But she's so supportive.

  • You know, she's a great mom, a devoted Catholic.

  • She's always like, "Oh no, have you prayed?"

  • And I'm always like, "I'm agnostic, so, maybe."

  • (audience laughs)

  • So (beep) hates that joke.

  • But you know, who does love it?

  • God.

  • And I know that 'cause I'm not dead yet.

  • - I didn't feel with people, no matter the color,

  • how I felt when I was alone.

  • My family pulled together money to send me

  • to a Montessori school for elementary.

  • I went to a Catholic junior high

  • and high school and I went to a private college.

  • So I've been surrounded by white people my whole life

  • when I was educated

  • and surrounded by Black people when I went home

  • or in my neighborhood or wherever.

  • So I've bridged this gap before.

  • Ever since I was a kid and my voice changed

  • I've been told by people all over the country,

  • people of different ethnicities, backgrounds,

  • I've been told by people

  • that I have an incredibly white voice.

  • That's what they say.

  • And people try to act like they can't hear it.

  • But if I called and then showed up, you'd be surprised.

  • (audience laughs)

  • Even my laugh is like ha ha ha.

  • Like every time I laugh, someone somewhere gets audited.

  • - You know, there's this whole thing of,

  • "You don't sound Black. You sound white."

  • White sounding, whatever.

  • A lot of those comics get that whereas I don't,

  • 'cause I'm like, I'm from England,

  • this is how we (beep) talk.

  • Take it or leave it, you know?

  • 'Cause I'm like, we're all Black.

  • We're all from the same place.

  • We've all had similar experiences.

  • Some of us are gonna sound differently.

  • Some of us have gone to different schools.

  • Some of us have been brought up in different places.

  • I don't understand why there's this whole thing,

  • "You don't sound like us, so you ain't one of us."

  • - People might perceive

  • somebody's Blackness as not authentic versus someone else's.

  • But I think that's a mistake

  • and I think it's a reduction of what it means to be Black.

  • And also it insults the intelligence of Black audiences.

  • The idea that, you know,

  • Blackness is monolithic and looks a certain way.

  • That's not true.

  • But Blackness is Blackness and I love that

  • we're in a space where you have variances.

  • - My parents are not very into feminism.

  • They're very Christian, very conservative.

  • Yes. Black people can be ignorant too.

  • My dad, especially, he's like, "Ah,

  • you women with your yelling

  • and your reading and your voting," you know?

  • And it's like, I get it.

  • But you know, feminism, it's not an option.

  • It's vital if we want our society to improve in any regard,

  • not just for women, like regardless of gender at all.

  • Yeah. Like I, for real.

  • I shouldn't have to look in the mirror

  • and hate myself because of the patriarchy

  • and the male gaze you know?

  • I should be able to look in the mirror,

  • look at myself right in the eyes

  • and hate myself because I'm a piece of shit

  • and I deserve it, you know?

  • Just like one for me.

  • - What's it mean to be real?

  • There are people that say, "Oh, this person isn't real

  • because they ain't from the streets."

  • That's not what that means.

  • Am I not as real as some of my friends

  • that are in jail right now?

  • That makes no (beep) sense.

  • - When I was on the Chappelle show,

  • I was the one that created the sketch

  • called, "Keeping It Real Goes Wrong."

  • I was looking at my life and the people that I knew

  • and every time I heard someone say something about

  • keeping it real and selling out,

  • the definition of sell out.

  • "Yo, that dude sold out.

  • He got married, he got a wife, he got kids,

  • he got a white picket fence."

  • But all the keep it real shit was like,

  • "Yo remember Ray Ray? He kept it real.

  • He stabbed this mother (beep) he doing 20 years."

  • So if your definition of keeping it real

  • is doing something negative,

  • something that leads to violence,

  • something that leads to you being incarcerated, guess what?

  • I will not be the mother (beep) that keep it real.

  • I mean, it's hard to say like what's real

  • and what's not real.

  • I think it's what speaks to your truth.

  • - Great.

  • Unfortunately, the orchestra is already filled up,

  • but they do have seats

  • that are still left in the dress circle.

  • So if you want me to get them theater tickets right now,

  • I'ma do it right now. - What's up, dog?

  • I'm about five minutes away. - Yeah, okay, yeah, cool.

  • No, they all good singers.

  • They all good singers. - Yeah, son.

  • Nah, man, I'm about five,

  • I'm telling you man, I'm about to cross

  • the street, man. - Nah, they got that one dude

  • in it that you love, man.

  • He gonna be in it. Yeah.

  • - Come on, man. You know I'm almost there, all aight?

  • - Right, no, I'ma pick your ass up

  • at 6:30 then. - Cool.

  • - Cool, all right.

  • Yeah, yeah, yeah, yeah.

  • The parking is, the parking's free.

  • So already got that on lock. - Oh my God, Christian,

  • I almost totally just got mugged right now.

  • - I don't think Key and Peele are less authentic

  • than Chappelle, I think they just had his show.

  • They fit into a mold that, you know, whoever was looking

  • for at the time and they did it really well.

  • And so it created this rivalry that doesn't really exist.

  • I think Key and Peele are just as authentic

  • as Chappelle is.

  • - For Key and Peele,

  • when I first started watching them,

  • I wasn't a fan of what they were doing.

  • I was like, "Oh, I don't,

  • this doesn't, these aren't bars to me."

  • - I feel like a lot of Black people weren't checking

  • for them because they looked at their identity as like,

  • well first off they half Black.

  • Also, it feels like they're making fun of us.

  • - You might look at something that they're doing

  • and go, "Ah, man, why would you,

  • why would you do that sketch?"

  • And, you know, give this sort of Black thing

  • to an audience of white people who are gonna watch you.

  • And you know that we don't (beep) think like that.

  • And I think that's probably why they got judged.

  • - Well, I think if you go from the superficial

  • look on the outside, you have both those guys

  • that are both biracial and then they married white women.

  • So you lose your card right there, I think.

  • However, their work, is hilarious,

  • and they do a lot of really Black shit.

  • - Looking back at it,

  • I see that you have these two guys who are mixed

  • and they have a different upbringing.

  • So they're like,

  • I'm not just trying to make Black people laugh,

  • and I'm not just trying to make white people laugh

  • or Latino people laugh or Asian people laugh,

  • I'm trying to make everybody laugh.

  • And so I'm trying to do this through

  • whoever is the butt of the joke, they can still laugh too.

  • - They did a sketch on their show called "Racist Zombies."

  • (ominous music)

  • The zombies were like.

  • And when they came to the Black people,

  • they just walk around them.

  • - Oh, um, oh. - What is that?

  • - They seriously wouldn't let her eat us.

  • - That's- - Hey guys.

  • Isn't this great?

  • These racist zombies are leaving us alone.

  • Come on, we having a party.

  • The beer is here. (crowd cheers)

  • And look who I brought, come on!

  • (crowd cheers)

  • (ominous music)

  • - That was the funniest shit I ever seen.

  • - Don't be so caught up in how authentic it is,

  • is it a good product?

  • The same way Chappelle and Neal Brennan came up

  • with what they came up with.

  • Is Chappelle's shit any less authentic

  • because him and Neil Brennan both did it together?

  • No. It's brilliant.

  • Key and Peele, for what they did, it's brilliant.

  • They ain't stealing shit from nobody.

  • These are their ideas.

  • Give them boys the credit they deserve

  • because they came up with these ideas authentically.

  • - That's the beautiful thing about all the

  • new hats coming out.

  • There's different points of view

  • that a light wasn't shining on, you know, early in the game.

  • So yeah, comedy, Black comedy,

  • is in an exquisite spot right now.

  • - I was listening to an interview with Larry Wilmore did,

  • and they were talking about how he initially started out

  • as a stand-up but he couldn't break in

  • because everyone then was kind of like

  • the "Def Comedy Jam," "ComicView" style.

  • If I had tried to come out 10, 15 years ago

  • with this same style,

  • it would be incredibly difficult for me.

  • I was standing in front of this restaurant

  • and I was waiting for my friend

  • and this woman was like, "Excuse me, mama.

  • Sorry to interrupt you.

  • But can I take a picture of you?

  • It's just like, I love your hair

  • and I wanna show my hairdresser like exactly what I want

  • my hair to look like."

  • Which was like really nice, but kind of weird,

  • 'cause she was a white woman, very straight hair.

  • And I was like, "Uh, are you a racist?

  • Or am I a racist?

  • Who's racist?" Ya know.

  • But I took a picture. (laughs)

  • "Hot girl summer."

  • Eh, you know, I tried.

  • I really did try.

  • But then later when I told my friend that story,

  • she was like, "No, that's a porn thing.

  • That's a known porn thing.

  • They're gonna Photoshop your image into some weird porn."

  • And I was like, "Wow."

  • (audience laughs)

  • How bad is the porn industry doing?

  • You know, like really?

  • Like what porn entrepreneurs like,

  • "Get a scout out to Queens.

  • You find a tiny Black woman,

  • bad posture, hair like sideshow Bob,

  • and let's get her in here!"

  • Yuck. (laughs)

  • I just felt like if anyone knows me,

  • they know any realistic depiction of me

  • in a pornographic film, it's just like,

  • one second. (clears throat)

  • (laughs)

  • Microphone was a dick, did you get that ACDC?

  • But now I think a lot of the Black comics,

  • like Hannibal Buress, have sort of changed what it means

  • to be a Black comic.

  • - I was at a party last summer.

  • One of my friends gave me half a pill of of ecstasy.

  • I took it. It was smooth.

  • I was enjoying myself.

  • I don't know what it was about this particular batch,

  • but it made me okay with pissing myself,

  • like the whole thing. (audience laughs)

  • And I was in line for the bathroom,

  • I had all intentions on going the right way,

  • my heart was pure.

  • But then all the liquid fell out of my body,

  • the whole batch fell out of my body.

  • And I think under normal circumstances,

  • if I pissed myself, I would've said,

  • "Damn it, I just pissed myself.

  • It's time to get out of here."

  • But there was something about the ecstasy, you know what?

  • I pissed myself. But guess what?

  • I'm about to dance this shit dry.

  • Yeah, it was very exciting.

  • Some of my jokes have music cues, it's fun.

  • I want to do that punch line again.

  • Dance that shit dry.

  • That is very exciting. Y'all should try comedy.

  • This is one of the benefits of it.

  • Dance that shit dry, no, no, no, no, no, no.

  • (audience laughs)

  • I see a woman.

  • She looks very confused by the situation.

  • Don't worry, you're just watching a man

  • living out his dream in that joke.

  • - I don't know where you draw the line of

  • what's real and what's not real.

  • But I think the only way you can answer that is, again,

  • like I said, to speak your truth and what's true to you.

  • - If you can be authentic,

  • that's the thing that keeps you alive.

  • And it shows that you have a soul.

  • It shows you have a spirit.

  • It shows that you are connected in that people

  • will break bread with them.

  • People won't break bread with you

  • if they don't think you're authentic,

  • if they think you're trying to be another person.

  • - I think when it comes to comedy,

  • there's a standard that Black people hold to each other

  • that's not realistic because at the end of the day,

  • it's like, are you funny?

  • Do you make me laugh? Are you funny?

  • - If you're authentic, people will take notice,

  • whether they like you or they hate you.

  • That's who you are and people have to respect that.

  • I'm gonna tell you guys something because we're family.

  • Okay?

  • I'll tell you something I don't tell a lot of people.

  • I don't, I ain't even feel Black some days.

  • I feel like an alien

  • that snatched a Black body

  • and didn't do any research at all.

  • Didn't do anything. Didn't read a book.

  • Didn't watch a movie.

  • Doesn't know what "Boyz n the Hood" is,

  • but loves trains.

  • Like I don't,

  • I don't know if I haven't had enough dates for a grown man

  • or too many dates for someone who's autistic,

  • 'cause I'm definitely on the spectrum.

  • (audience laughs)

  • I talk about sharks too much on the front end

  • of the conversation.

  • - If you're able to find new perspective,

  • especially now in the over-saturation

  • that is our media system, then God bless you.

  • That's authentic.

  • You were able to come up

  • with a perspective that we weren't thinking,

  • that wasn't touched on already, kudos to you.

  • We're comedians.

  • We test perspective and we give perspective.

  • (upbeat music)

- I grew up in my neighborhood skateboarding.

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B1 中級

"Keeping It Real"社会と文化の迷路 - ダークユーモア (“Keeping It Real”: A Social and Cultural Maze - Dark Humor)

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    林宜悉 に公開 2021 年 03 月 01 日
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