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  • >> Stephen: WELCOME BACK, EVERYBODY.

  • MY FIRST GUEST IS THE EMMY AND TONY AWARD-WINNING ACTRESS YOU

  • KNOW FROM "MAMMA MIA!," "INTO THE WOODS," AND "THE GOOD

  • FIGHT."

  • PLEASE WELCOME CHRISTINE BARANSKI!

  • HELLO, CHRISTINE BARANSKI.

  • HOW ARE YOU?

  • >> I'M SO WELL.

  • HOW ARE YOU?

  • >> Stephen: I'M DOING AS WELL AS CAN BE EXPECTED.

  • >> I KNOW.

  • I KNOW.

  • >> Stephen: THANK YOU SO MUCH FOR BEING HERE.

  • >> FOR YOU, ANYTHING.

  • >> Stephen: HOW HAS YOUR QUARANTINE BEEN SO FAR?

  • >> WELL, I GUESS I'M EIGHT WEEKS IN, AND I'M HERE IN MY HOME IN

  • CONNECTICUT WITH MY THREE LITTLE GRANDSONS AND MY --

  • >> Stephen: NICE.

  • >> AND MY SON-IN-LAW, AND MY GRANDSONS ARE AGE ONE AND A

  • HALF, FOUR, AND SIX.

  • >> Stephen: WELL, HOW-- HOW IS-- HOW IS THAT TO BE

  • QUARANTINING WITH THE YOUNG GRANDSONS?

  • I BET THAT KEEPS THINGS VERY LIVELY?

  • >> VERY LIVELY.

  • THE DAY STARTS VERY EARLY.

  • AND THE ONLY TIME I HAVE ANY PEACE IS AFTER 7:30, WHICH IS

  • WHEN I HAVE TO DO MOST INTERVIEWS AND, YOU KNOW-- IT'S

  • THE ONLY TIME HOUSE IS QUIET.

  • SO IT'S BEEN A BIT OF A COMEDY TO, YOU KNOW, I WOULD THINK

  • EIGHT WOAKS OF QUARANTINE, WOW, I CAN READ THE COLLECTED WORKS

  • OF EDITH WHARTON AND HENRY JAMES.

  • AND I SPEND MOST OF MY DAY PICKING UP LEGO S.

  • >> Stephen: HOW OLD ARE THESE CHILDREN AGAIN?

  • >> ONE AND A HALF, FOUR, AND SIX.

  • IT'S ROCK 'N' ROLL HERE, LET MOW TELL YOU.

  • >> Stephen: AS I SAID BEFORE, SMALL BUT RELENTLESS OPPONENTS?

  • >> YES.

  • I CALL THIS "AUNTIE MAIM'S DAYCARE CENTER FOR BOYS."

  • >> Stephen: THERE HAVE BEEN SOME RED LETTER DAYS WOE MISSED.

  • MOTHER'S DAY, YOUR BIRTHDAY, BOTH IN THE SAME WOKE, I

  • UNDERSTAND.

  • >> YEAH.

  • >> Stephen: HOW DID YOU CELEBRATE THOSE?

  • >> WELL, MY LITTLE GRNSZ, THE THROW OF THEM CAME INTO MY ROOM

  • ON THE MORNING OF MY BIRTHDAY WITH A TRAY WITH COFFEE AND A

  • HOME MADE MUFFIN AND FLOWERS.

  • >> Stephen: COULDN'T ASK FOR MORE.

  • >> AND THE SIX-YEAR-OLD HAD AN ORANGE TROMBONE THEY BOUGHT HIM

  • WHEN HE WAS TWO, BUT IT'S AN ACTUAL SIZE TROMBONE.

  • IT'S JUST ORANGE PLASTIC AND HE TOOTED A FEW LOUD NOISES FOR ME.

  • >> Stephen: WAIT A SECOND, HOW WAS THAT RECEIVED BY THE PARENTS

  • THAT YOU GAVE A CHILD A TROMBONE?

  • THAT'S LIKE GUESSING YOUR CHILD A TIN DREM DRUM.

  • YOU'VE JUST GIVEN YOUR GRANDCHILD A NOISE MAKER AND

  • SAID, "HAVE FUN RAISING HIM?" >> IF I REALLY WANTED REVENGE ON

  • MY DAUGHTER AND SON-IN-LAW, I WOULD BUY THEM A DRUM SET.

  • BUT THIS COMES BECAUSE I HAVE SUCH A PASSION FOR MUSIC AND I

  • WANT TO PASS ON MOI LOVE OF MUSIC.

  • SO I TOOK MY LITTLE GRANDSON, EVEN AT THE AGE OF TWO, TO SAM

  • ASH IN NEW YORK, AND THEY SELL EVERY MUSICAL INSTRUMENT.

  • AND I TOOK HIM TO INTRODUCE HIM TO ALL OF THE DIFFERENT

  • INSTRUMENTS.

  • AND I SAID, "WHICH ARE YOUR FAVORITES?"

  • AND OF COURSE THE DRUM WAS HIS FAVORITE.

  • HE LOVED THE TROMBONE.

  • OF COURSE YOU CAN'T BUY A CHILD AN ACTUAL TROMBONE.

  • IT'S HEAVY AND UNWIELDY.

  • BUT THEY MAKE THE ACTUAL TROMBONE THAT ARE THE ACTUAL

  • SIZE.

  • AND WHEN HE WAS TWO HIS BIRTHDAY HE ACTUALLY-- IT TAKES A LOT TO

  • PRODUCE-- YEAH, HE DID IT.

  • HE DID IT.

  • >> Stephen: HE'S A NATURAL.

  • >> AND HOE DID IT AGAIN ON MOI BIRTHDAY.

  • AND ON MOTHER'S DAY, I TOCK A FIVE-MILE HIKE, AND WE HAD A LOT

  • OF-- A LOT OF OUTDOOR ACTIVITY MAKES US HAPPY, OBVIOUSLY.

  • ( LAUGHS ).

  • >> Stephen: YOU CELEBRATED ANOTHER BIRTHDAY RECENTLY, QUITE

  • BEAUTIFULLY, WITH SOME OF YOUR FRIENDS.

  • STEPHEN SOND MIME'S 90th BIRTHDAY, YOU, MERYL STREEP AND

  • AUDRA McDONALD SANG "THE LADIES WHO LUNCH" FROM "COMPANY"

  • ON SOND HAM'S 90th CONCERT.

  • IT'S BECOME OF BIT OF A SENSATION.

  • DID YOU KNOW THAT IT WOULD BE SO WELL RECEIVED BECAUSE IT'S JUST

  • FANTASTIC TO WATCH THE THROW OF YOU DO THIS.

  • ANOTHER REASON NOT TO MOVE ANOTHER STINGER

  • ♪ I'LL DRINK TO THAT ♪ >> I CAN ONLY TELL YOU THAT

  • MAYBE TWO DAYS BEFORE WE PUT IT DOWN, IN FRONT OF OUR CELL

  • PHONES, WOE ACTUALLY HAD A ZOM CALL BETWEEN THE THREE OF US,

  • AND WE SAID, "DO WE REALLY WANT TO DO THIS?

  • I MEAN, THIS COULD END OUR CAREERSMENT.

  • WE ANYHOW WORKPLACE GOING WAY OUT ON A LIMB.

  • >> Stephen: HOW?

  • HOW WOULD IT END YOUR CAREER?

  • >> BECAUSE-- BECAUSE WE WOULD BE SINGING IN THE COMPANY OF SO

  • MANY OF THE TRULY GREAT BROADWAY PERFORMING ARTISTS.

  • >> Stephen: SURE.

  • >> AUDRA IS NO SLOUCH.

  • SHE HAS WON MORE TONYS THAN ANYBODY AND THEN THERE'S

  • MERRILL.

  • BUT WE WERE GOING TO DO THIS TONGUE IN CHEEK.

  • AND THE WAY IT CAME ABOUT, AUDRA AND MERRILL AND I HAD TAKEN

  • STEVE OUT TO DINNER LAST YEAR BECAUSE WOE ALL ADORE HIM.

  • "LET'S TRY AND MAKE IT HAPPEN THAT WE CAN TAKE STOVE OUT."

  • AND AFTER THIS MARVELOUS DINNER AT AN ITALIAN RESTAURANT, WE

  • KIND OF VOWED THAT WOE WOULD DO IT AGAIN AT SOME POINT SOONER

  • RATHER THAN LATER.

  • SO IT WAS STEVE'S 90th ACTUAL BIRTHDAY IN MARCH, AND I

  • EMAILED HIM AND SAID, "YOU KNOW, WE REALLY HAVED TO THAT DINNER

  • AGAIN WITH THE THREE OF US-- THE FOUR OF US, BUT WE MAY HAVE TO

  • DO IT VIA SKYPE."

  • THIS IS BEFORE I WAS EVEN ASKED TO DO THIS BROADWAY CELEBRATION

  • ONLINE.

  • ANYWAY, I GOT THE CALL FROM ARE YOUULE ESPARZA, ABOUT THIS

  • WONDERFUL ORGANIZATION "ARTISTS STRIVING TO END POVERTY."

  • AND HE SAID, "WOULD DO YOU SOMETHING?"

  • AND I SAID, "WELL, OF COURSE."

  • AND I'VE ALWAYS WANTED TO SING "LADIES WHO LUNCH," AND

  • "COMPANY" WAS THE FIRST MUSICAL I SAW WHEN I GOT TO NEW YORK IN

  • 1970.

  • AND IT WAS THE 50th ANNIVERSARY OF "COMPANY" THE

  • BROADWAY SHOW.

  • >> Stephen: SURE.

  • >> SO THAT POPPED TO MIND, AND WITHIN A MILLISECOND, I THOUGHT,

  • WAIT A MINUTE, WHAT IF MERRILL AND AUDRA AND I DO IT-- THE

  • THREE OF US WILL SHARE THE SONG?

  • AND OILSTART IT OUT, AND EVERYBODY WILL THINK, "OH, OF

  • COURSE CHRISTINE IS GOING TO SING THAT SONG.

  • SHE'S ALWAYS PLAYING THESE SOPHISTICATED WITTY DRUNKEN

  • TYPES."

  • SECOND STANZA WE'LL CUT TO MERRILL, THIRD STANZA AUDRA WILL

  • DO, AND WE'LL DIVVY IT UP.

  • IT TOOK SOME DOING BECAUSE WE COULDN'T HEAR EACH OTHER.

  • >> Stephen: IT'S VERY HARD TO SING OVER ZOOM AND TO KEEP IT IN

  • THE SAME-- TIME SIGNATURE.

  • >> WE HAD-- WE WERE SINGING-- YOU KNOW, WOE CHANGED KEYS TO

  • ACCOMMODATE AUDRA BECAUSE SHE HAD SOME OF THE HEAVY LIFTING

  • VOANG LOW.

  • SHE HAD TO LET IT RIP.

  • BUT WE WERE DOG IT, YOU KNOW, IN OUR-- IN OUR SELECTIVE CAVES.

  • I WAS IN A BACK OFFICE, AND THE ONLY TIME I COULD RECORD THAT

  • SONG, AS I SAID, AFTER MY GRANDCHILDREN WENT TO SLEEP.

  • SO AT 8:00, GRANDMA IS DOWN HOAR IN THE OFFICE WITH SEVERAL

  • BOTTLES OF RED WINE, WHICH WERE MY PROPS.

  • >> Stephen: I HAVE SOME OF THOSE PROPS, TOO.

  • >> YEAH.

  • AND, YOU KNOW, THE FUNNY THING IS I HAD TO DO MULTIPLE TAKES OF

  • A SONG THAT REQUIRES YOU TO OPEN UP VOCALLY IN SOMETHING OF AN

  • ALCOHOLIC RAGE.

  • SO -- >> Stephen: I KNOW.

  • >> THERE'S THAT WONDERFUL PART OF THE SONG, WHICH WOE SANG, THE

  • THREE OF US SANG, WHICH ISANOTHER REASON NOT TO MOVE

  • ANOTHER VODKA STINGER --

  • >>-- >>--

  • >>-- I... I... I... I'LL DRINK TO

  • THAT."

  • CAN YOU IMAGINE?

  • THE GRANDMOTHER?

  • WHAT'S HAPPENING.

  • AND AT THE END OF THE SONG, YOU ARE VTO DO EIGHT RISES IN A ROW,

  • "RISE!

  • RISE, RISE!" I DO THIS.

  • I HAVE IT ON TAPE.

  • I THINK I HAVEN'T TRAUMATIZED THE CHILDREN.

  • BUT THE NEXT MORNING THE AFORMENTIONED FOUR-YEAR-OLD SAYS

  • TO ME AT BREAKFAST, "I NEVER WANT TO HEAR THAT SONG AGAIN."

  • >> Stephen: "THE GOOD FIGHT," THE "THE GOOD FIGHT" RETURNED

  • LAST MONTH FOR THE FOURTH SEASON.

  • THE SHOW HAS ALSO BEEN SORT OF ENMESHED WITH CURRENT EVENTS,

  • AND I UNDERSTAND THE CORONAVIRUS IS GOING TO SHOW UP IN THE SHOW.

  • >> IT REMAINS TO BE-- THEY HAVE NOT SAID.

  • THE KINGS HAVE NOT SAID THAT.

  • BUT I CAN'T-- I MEAN, EVERYTHING'S GOING TO HAVE TO

  • BE-- WE WILL ALL HAVE TO ACKNOWLEDGE THAT THIS GIGANTIC

  • THING HAS HAPPENED.

  • >> Stephen: HOW YOU CAN IGNORE IT?

  • >> HOW YOU CAN IGNORE IT?

  • MY HOPE IT'S ONLY UPSIDE OF THIS IS THE ACTRESSES GET TO WEAR

  • FACE MASKS AND WE'LL ONLY HAVE TO MAKE UP THE TOP HALF OF OUR

  • FACES.

  • AND IF WE'RE WEARING FACE MASKS, YOU DON'T REALLY HAVE TO KNOW

  • YOUR LOINS, DO YOU?

  • YOU CAN JUST DO IT IN A.D.R.

  • YOU KNOW.

  • SO THAT'S A POSITIVE.

  • I HAVE NO IDEA.

  • ALL I KNOW IS THE KINGS KNOW HOW TO WRITE THIS SHOW IN-- AS

  • CONTEMPORANEOUS AS ANY SHOW.

  • AND RIGHT NOW, THIS-- THIS SEASON FOUR IS REALLY ABOUT

  • GOING AFTER THE DEPARTMENT OF JUSTICE.

  • AND DIANE TAKES ON THESE PRO BONO CASES AND IT SEEMS SHOW

  • DISCOVERS THAT CASES ARE BEING DROPPED, AND CERTAIN PEOPLE,

  • WEALTHY, WELL-CONNECTED PEOPLE, DON'T HAVE TO COMPLY WITH

  • SUBPOENA S.

  • >> Stephen: WOW.

  • >> OFFICIAL RULINGS OR REVEALING THEIR TAX RETURNS.

  • DOES ANY OF THIS SOUND FAMILIAR?

  • >> Stephen: I DIDN'T REALIZE YOUR RUNNING FANTASY.

  • >> IT'S MY FAVORITE SEASON BECAUSE PAST SEASONS WERE ABOUT

  • DIANE BEING DRIVEN CRAZY BECAUSE OF TRUMP.

  • THIS IS GOING AFTER THE BIGICA HOONA, THE BIG ENABLER, SHALL WE

  • CALL HIM?

  • >> Stephen: SURE, WHY NOT.

  • WELL, LOVELY TO HAVE YOU HERE.

  • THANK YOU SO MUCH.

  • >> OH, THANK YOU.

  • IT'S ALWAYS FUN.

  • AND THANK YOU FOR DOING THE SHOW AND KEEPING OUR SPIRITS ALIVE.

  • I MEAN, GOD BLESS YOU.

  • MUCH LOVE.

  • >> Stephen: IT'S ALL THERAPY FOR US, TOO.

  • THANK YOU SO MUCH.

  • YU YOU CAN WATCH "THE GOOD FIGHT"

  • ON CBS ALL ACCESS. CHRISTINE BARANSKI, EVERYONE!

  • WHEN WE COME BACK, I'LL GIVE YOU PLENTY OF REASONS TO STAY

  • INDOORS.

>> Stephen: WELCOME BACK, EVERYBODY.

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どのようにクリスティン-バランスキー、メリル・ストリープ&オードラ・マクドナルドは、ソンドハイムの90のために "ランチの女性たち "を釘付けに... (How Christine Baranski, Meryl Streep & Audra McDonald Nailed "Ladies Who Lunch" For Sondheim's 90…)

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    林宜悉 に公開 2021 年 01 月 14 日
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