Name: マイケル・B・ジョーダン、スティーヴン・ケープルJr監督とボクシング映画をレビュー｜Vanity Fair| バニティ・フェア (Michael B. Jordan Reviews Boxing Movies with Director Steven Caple Jr. | Vanity Fair)
Uploaded: 2021-01-14T10:50:40.000Z
Duration: 7 min 28 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

Today we will be looking through some of the iconic movie.

Clearly see, Mrs Evan Ali, that I'm looking at the lighting someone that something different.

They had that kind of like in place everything now find a spot lit like the crowd is super lit when you cut to them.

But when you see here are you way shot this film that we had it on green screen hard boxing looks perfect.

I mean, I got a little bit taunting which Israel over exaggerated characters over exaggerated.

He's a little punching behind telegraph and everything is everything's like, overdramatic like super wide punches like over selling everything.

No love Ali now because they made her gloves fatter to help with the contact number.

My wonder behind the scenes of this so many times, Jamie Children.

And this is the story of icon, you know, legend, everything he's meant that was the mental game of the gaps in the chest.

Matches like I need to just hold on for a little bit longer.

Let me bluff my way through this little tired spot until I get my get my feet back.

Just strictly all punches, you know, half of fighters, tiny each other without gaining position, trying to get the advantage.

They were just the style of, like, you know, the short that also not wearing, uh, what was.

The thing is you guys want with a touch of the cups in the hole like a pilot got cups with nice transit is, uh I mean, what's interesting?

Yeah, this is what I'm feeling each other out.

And then Apollo, nothing's in the ring like everything is from outside of a buff again.

He's like, he'll be in close ups of people talking back and forth.

Everything is definitely from the audience perspective, which is really interesting.

You definitely took some bids from this was finishes.

And then, like a musical score two with music kind of kicks and was tired.

So if you look at the evening like they're really fast and really high, a lot of Mrs it's like more of a broader swath.

Boxing there's more like backyard broken, you know, because there was no glove.

So you felt like you were hearing the flesh.

Eyes a combination of this and raging bull.

If they have that on here, obviously, uh, isn't in my favorite movie of all time 1943 troll and did a good job tracking character, arts and emotions through this, too.

Like if you're trying to, like, long take, you have a camera fresh.

You just buried underneath it looking this slow.

A lot of his perspective throughout the entire fight shuts up.

That we did in this movie is straight down.

You can feel the aggression before the power behind it.

Our fight in the film way similar style with the overhead lighting on notice, that last fight try toe shows definition sound like this soft box over.

We need to help your muscles talk like that.

But no, it really does help get it is like the cinematic feel, just mimicking like, you know, older style, you know, colors and stuff.

You just tell the difference from the other films over saturated colors someone.

It's like the old family if you can't see the crowd in the back in a very earnestly first, like 10 15.

But the lighting is really hard for this from the side of flour around.

What gives you that, like a real boxing match?

Build a lot of no underdog story underdog story.

You remember that each round had their own art, which I think you'll like slide created that really like this whole round One is yours around to be Drago Feather on his back and forth, really argument out as much.

And what I dread about this one, too, is the coaching in the corner was very much accurate.

Taking notes, showing the chess match between like the corners and stuff taken adjustments and it's a woman.

You know, your body punches you could like.

You know, you could really make contact on that one.

He did a good job with holding him back after a while, I think the first couple of rounds, he was like Like stuff.

Take the And it was my God ring and felt him like, playfully tapped me.

字幕リスト動画再生

マイケル・B・ジョーダン、スティーヴン・ケープルJr監督とボクシング映画をレビュー｜Vanity Fair| バニティ・フェア (Michael B. Jordan Reviews Boxing Movies with Director Steven Caple Jr. | Vanity Fair)

stuff

perspective

mental

rhythm