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"My name's Tim Miller, and I'm the director of 'Terminator--
Dark Fate.'
This scene starts in Dani Ramos
and Diego Ramos's workplace.
They go to work at the factory where they're making cars,
and the terminator is tracking them there as well
as Grace, the protector.
So, you know, there are things that
are hallmarks of the 'Terminator' movies,
and then there are things where
we feel like we could go freestyle and change things
and bring something new.
So the fight has this rhythm to it.
There's a whole lot of moments in it,
but I think my favorite moments are really
the Grace-ascendant moments where
she has this sledgehammer and she's just beatin'
the crap out of the Rev-9.
And I think it's really the first time you
see just how strong she is.
We shot this in two locations that
is supposed to feel like one.
We shot the wider shots and some
of the chase parts of the scene
at a Mercedes factory outside of Budapest in Hungary.
But in the middle, we go into an assembly line area
where we have the main area of the fight.
And when that happens, we're transitioning
onto a set that was built on stage
at Origo Studios in Hungary.
And the reason we did that is because for stunts you really
want a controlled environment because if people are going
to get thrown on floors and into walls
and onto work benches and have engines fall on them--"
"My name is Grace."
"--you really want all that stuff to be safe in a way
that you can't if you're going into somebody else's house
to do it."