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  • hello subscribers and others who have come to watch this.

  • What you're about to see is a documentary I shot back in the late 19 sixties off this incredible French designer dress designer Treasure the top top top, top top.

  • And I was a young filmmaker.

  • I get to see the behind the scenes, and what you're about to see is a bit of what I saw.

  • It affected me profoundly.

  • It taught me something about the kind of precision vision focus required to do something as great as what she did with the things I was going to do.

  • So forget the assistant.

  • He runs around every nervous.

  • He's frightened all the time.

  • That's that's the style of a New York fashion designer.

  • Top of the line.

  • Forget the model.

  • She is a mannequin.

  • That's how she's treated.

  • It's a little offensive, for sure, but that's the way it is.

  • Watch to share.

  • Focus, intensity, vision, detail.

  • Quite incredible.

  • Hope you enjoy it.

  • You want to come?

  • Please, That we're going to see if we can do.

  • But you don't see that shows you.

  • Oh, no, not down.

  • Could you walk away except come here, then the shoulders out of shock.

  • I don't want No.

  • Yeah, I know, but I've actually because, you know, here I want everything.

  • Leave me.

  • May I please have a nice cup of hot coffee to warm it?

  • Yes, it Take it.

  • Take it up from the bags.

  • Do.

  • And I don't like the color.

  • So how was the first color?

  • You know I know.

  • I wanted to feel that low.

  • Come here.

  • Come here.

  • Yes.

  • I want this color to be away from the neck.

  • And you see, I put you think you're seeing I want in the nude.

  • Then you didn't it that we have.

  • You have some, but I want to show you what I wanted to Kansas thing.

  • Extremely Jude like this, but much more.

  • This is that under on the net.

  • I just want to get this very jude with my necklace so that it looks like it comes out from here.

  • Mr Just would take a beautiful fabric and start draping.

  • And it didn't get something beautiful.

  • Artifacts by cuts.

  • It just somehow starts in a certain line, and then it grows into something into a seat.

  • But he has a very strong feeling for fabric and by touching it and manipulating it.

  • She gets the right idea what it should be and how to.

  • And by doing it a life model.

  • I like the insulation off man of the body.

  • It's through this way because it certainly gives me more than just a plain dummy.

  • That's where we keep those girls in here.

  • Otherwise I will need him at all.

  • You know, I could work on those planes sometime.

  • I can.

  • Now here I like the transparent of you.

  • See what it does and the glitter.

  • No, it's not a last hit.

  • I have to work a little more.

  • I think that I have to do with this something that's going to let my woman show true.

  • I think that I should make a dress loose in love.

  • So that body, which will be covered by slipped tight form fits lip.

  • Mitzi would show too.

  • My, uh, design, which is going to be lose.

  • I think sometime I may spend and now to doing this and then destroy it completely.

  • It may not work out.

  • Sometimes you do things like this in about two minutes and he just comes out.

  • So I don't know.

  • I tell you Sometimes we have addressed kicking around for a long time, and it just pushed aside all the time.

  • It has nice lines, but nothing special.

  • And then family pulling takes it and adds a little detail or cut something away.

  • And it's something great and fantastic.

  • Everybody loves it.

  • It's just that little touch that she has.

  • Which gives you this, that magic.

  • You have a big piece of jewelry.

  • A nice big one.

  • I don't want a full dress, but I want Daisy to dance without something.

  • It's not big enough.

  • I know.

  • I'll show you.

  • I'm going to be.

  • I want to be almost like a real debate.

  • But much lager is good.

  • No more for you, but yeah, but not like a big so that I can catch the right in the front.

  • Livia, this one I want to do no next type place or something.

  • This is certainly for the lady who goes out.

  • It is.

  • And I left you in this.

  • No, hold on, because that's quite expensive.

  • No order here for me.

  • I don't want to cut a long lead.

  • You know, cutting and stabbing that $28 a yard is not something that I love to do it, but no ideas come continuously to flow.

  • And when you are in the midst of working as I am, the more you work, the more it comes because one thing leads to the other.

  • One.

  • Garment leads to the evolution of the other ones.

  • Sometimes you make a beautiful big evening breath and it doesn't come out.

  • Or maybe he'd come back.

  • But you see the possibility of something shocked that you could translate in tweeds.

  • Nothing like this I can't explain.

  • It is a process.

  • It's, uh, I don't know.

  • It becomes so natural to me.

  • As I said, I think about clothes when I go home in my bastard by read Ideas Come Flowing gets only the top that you never have the time to really make the clothes.

  • You just saw a portion of my movie.

  • There's other clips on my channel.

  • If you would like to Seymour subscribe.

  • If you are already subscribed, think about helping me out.

  • There's stubble Ewww that.

  • Paypal dot com forward slash me forward slash david Often films.

  • It'll give me the chance to spend more time doing this or patri on dot com forward slash all in a day I would really appreciate it.

hello subscribers and others who have come to watch this.

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A2 初級

デビッド・ホフマンはこの女性からクリエイティブな忍耐力を学んだ (David Hoffman Learned Creative Patience From This Woman)

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    林宜悉 に公開 2021 年 01 月 14 日
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