There's nothingworsethanmediocrityintheeyesofthisfanaticalmusicteacherplayedby J.
K.
Simmons.
InhisapproachtoteachingMilesTellersdeterminedjazzdrummerAndrewFletcheremploystacticsthatarecloserto a drillsergeantsthan a musicinstructorsanddrivesAndrewtoalmostunbearablelimitstogettheverybestoutofhim.
Fletcheris a manoftyrannicalmethod, possiblytheultimateexampleofwantingtopushpeopletosufferfortheirart.
That's thenick I fellinlovewithsociopathicandshockinglycomfortablewithherrationalizations.
Amyis a compellingcharacterstudyofsomeonewithnomoralcompass, herthought, processesandactionservice, a brilliantdeconstructionofthecoolgirlarchetypethatkeepspoppingupinfection.
That's howthekidswere.
Numbersix.
JohnWeg, JohnWickThisfilmcouldhavebeen a forgettableshoothimupifitweren't fortwothings.
Otherwise, withthathaircut, Sugaris a remorseLis, unstoppableforceofevil, a stylethatBardemreturnedto, albeitwithmorefeelingandhumorwithhisportrayalofSilvainSkyfall.
Seewhatyou'vegotforus, MrSilva.
We'reinnumberthree, HansLanda.
IngloriousbastardshavenowayofknowingifyouarefromIndiawithwho I am.