Name: これまでの世紀の残念な映画トップ20 (Top 20 Disappointing Movies of the Century So Far)
Uploaded: 2021-01-14T10:19:09.000Z
Duration: 21 min 15 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

don't you hate it when the hype Train builds to an anti climax Welcome, Tow watch Mojo.

関係詞節（制限と非制限）

And today we're counting down our picks for the top 20 disappointing movies of the century so far for this list for looking at movies released from the year 2000 on word that promised us so much and delivered so little.

Well, not all of these movies they're downright awful, per se.

We definitely wouldn't say no to a full refund.

Oh, I believe Sister Number 20 Quantum of Solace boned, I Need You Back.

After the Pierce Brosnan era ended on such a humiliating note, the James Bond franchise came roaring back to life with Casino Royale with a grittier tone in Daniel Craig's darker poor Trail.

We were ready for a new golden age of double 07 While Quantum of Solace is by no means the worst Bond movie, it was a significant step backwards coming off such a game changer.

Whereas Casino Royale took chances around every corner, this sequel played it safe with nonstop action, a forgettable plot and little insight into the man behind the spy.

Thankfully, Skyfall got bond back on track, although the Siri's hit another rough patch with a mixed bag.

That was Specter hung, noticing a Star Trek like pattern with these movies, Number 19 The Mummy.

While not many people were pleading with Universal to develop a dark universe, the idea of seeing all the classic monsters joined forces definitely showed promise in what's gotta be a record, The mummy killed the cinematic universe right out of the sarcophagus.

Actually, this wasn't even Universal's first attempt at a shared universe of monsters as Dracula Untold was originally seen as a potential launching point.

The fact that Universal dropped the ball twice made the money all the more infuriating.

This movie started World Building without even deciding what it wanted to be.

Combining elements of the Avengers Mission Impossible and the Brendan Fraser Mummy movies, Universal turned in a muddled mess that tried pleasing everybody but satisfied nobody You shot right.

The LX G brings together some of literature is most famous figures from Tom Sawyer to Captain Nemo, toe Henry Jekyll and Mr Hyde.

Sean Connery as Alan Quartermaine throw in the director of Blade and you have a snooze fest.

Given the colorful cast of characters, not to mention the inventive source material by Alan Moore and Kevin O'Neil, this movie should have had no trouble living up to its title.

There's nothing extraordinary about the steampunk adventure, however.

That is, unless we're talking about how extraordinarily dole it is.

We're not saying that this movie killed any careers, although Stephen Norrington hasn't directed anything since, and Connery did retire right after.

So yeah, this was kind of a career killer.

Number 17 Jurassic Park three Jurassic Park was the highest grossing movie upon release and even decades later, it is still what many of us associate with the term blockbuster check you wrote us is.

I will pay you the money, no matter what.

While the Lost World wasn't on the same level as its predecessor, it at least understood that a Jurassic Park movie is supposed to feel epic.

None of that gravitas is on display in Jurassic Park.

Three Everything from the uninspired title to the inexplicably brief run.

Special effects aren't especially special.

The plot feels like it was recycled from a B movie, and the dinosaurs lacked the dread that they once filled us with.

Well, that's what happens when you trade in a Tyrannosaurus rex for a spinosaurus.

Seriously, are you trying to be a downgrade?

So much trace I don't even know where to begin.

Will admit that the hangover isn't exactly the easiest movie to make.

A sequel to the 2009 hit told a self contained story about three guys trying to piece together their wild night of drunken escapades.

Aside from where the chicken came from, everything is resolved by the end.

Apparently nothing, because the hangover Part two was the exact same movie.

Save a change of scenery and substituting a monkey for the chicken.

It literally feels like the copy and paste in the first movie script changed a couple of words and called it a day on top of being unbelievably lazy.

The sequel is bizarrely mean spirited, with one character losing a finger.

Arthur Fleck, Number 15 Lady in the Water.

It may sound strange now, but there was a time when M.

Night Shyamalan was hailed as the new master of war.

While the endings to signs in the Village were polarizing Needs is still got excited whenever they heard the name Shawn alone.

Alas, Lady in the Water is where Shyamalan officially went off the deep end, forever changing the public's perception of him.

The film was apparently inspired by a bedtime story Shyamalan cooked up for his kids, but the script reads more like something you jot down on a bar napkin after having one too many precisely the moment where the mutation or beast will attempt to kill an unlikable side character.

This is the very definition of a vanity project, right down to shuttle on himself, playing a savior of sorts and a cynical film critic getting his comeuppance subtle.

Anything you know, I don't think I'm anything special.

The Time of the Dragon Riders This'll adaptation of Christopher Paolini's fantasy novel came out following Peter Jackson's Lord of the Rings trilogy and the first few Harry Potter movies.

It really shows in the end product, which feels like 1/2 hearted attempt to cash in on the swords and sorcerers.

There is nothing remotely unique about the film, from the stock characters to the generic setting to the formulaic plot.

Some critics may argue that the source material suffered from similar issues.

But one thing that Pelini's book got down that this movie didn't was the bond between Aragon and his dragon Supera.

That's what gave the story of beating heart, but their relationship is far too rushed, an exposition heavy year.

Thus this planned film franchise immediately went up in Smoke Number 13 Fantastic Beasts.

You may not know who he is yet, but he needs to be found.

The first Fantastic Beasts was a promising start to a new chapter in the wizarding world, but sadly, the crimes of Grendel bald sucked out much of the wonder and whimsy that made people fall in love with J.

Rolling screenplay needlessly shoehorned in characters from the books without doing anything interesting with, um, this took away from screen time that could have been used to develop new to Tina and other principal characters.

The stories somehow managed to be both convoluted and uneventful, making the crimes of Grendel bald feel like a minor stepping stone in a franchise that fans aren't even sure they want anymore.

Plus, there were barely any fantastic beasts this time around.

If the past decade proved anything, it's that the works of Stephen King are still ripe for Hollywood.

Since the Dark Tower, Siri's is largely seen as his crowning achievement.

It seemed like a good idea to bring the gun slinger and the man in black to the silver screen.

Rather than focusing on the page turning rivalry between those two, however, the film saw little Jake Chambers take center stage.