Soanassociateprincipalsharesthebirdiewithprincipaloverelbowhas a familyofinstruments.
There's regularoboe.
I'm sorry, I can't showyoutheohBaltimore, whichis a littlebitlonger.
There's anEnglishhornandthen a basic.
I'm thesoloBaltimoreofthePhilharmonic.
Nowyouwon't seethe A Baltimoreveryoften.
It's a rareinstrumentthecomposerBachusedovermoremultiple.
Andthatisoneofmyfavoritemomentswhenwehave a BachpiecelikeSTMatthew's PassionortheMagnificatThioPlaytheoboe, too.
Moresouls.
It's a bigdealforme.
Italiancats.
No, noquestion, WestSide.
I willsayThat's a 50 50.
I e havetosayMyexperiencerepresentingtheNewYorkPhilharmonicfortheBerlinWallconcertthatLeonardBernsteinconductedin 1989 hastobeoneofthehighlightsofmycareer.
Something, when I thinkaboutit, bringstearstomyeyestobeinGermanyonChristmasEve.
PlayingwithLeonardBernstein's andallthatthisconcertrepresentedwasonexperienceof a lifetime.
I havetosay I have a magicalmomentalmosteveryweekbecausemycolleaguesaresuchextremelyfantasticmusiciansjusttobeabletositonthestageoftheNewYorkPhilharmonichere, thisamazingsoundhearingthesewonderfulmusicalphrasesthatcomeoutofmyorchestra, itismagic, reallyeveryone.