He's gonna help the whole scale of it.

So today we've bean in wonderful air studios in the hole here, recording brilliant British musicians.

So this is the second upside we're doing.

But we're also doing the type of music that should go all the way.

I think it's like a shop window.

It tells you something about what's inside and makes you want to go in and find out what it is.

And I think that's what a good secret.

I think it's still a really interesting attempt to capture and to illuminate on aspect off your entire show, make you want to know more.

So it says something about the characters, something about the show, something about the world of the show.

But it's also beckoning you in.

It's also saying there's more, you know, come with us, and when the time is open, you're kind of settled into a into a sore frame of mind in the world where you're ready to find out what happens next.

We live in this world off previous Dracula music, I think for David know that there is a sense of said, Well, we've not seen this Dracula.

I am.

There's a lot of new aspects to Dracula that I hadn't seen before.

So So the little bit of reconsidering who he wasin trying, not thio trying not to do something necessarily that had been done before.

I, um this Dracula has relationships in a way that we might not have seen before.

You know, they might be psychopathic, hundreds of years old monster relationships, but their relationships nonetheless.

Fan hell saying, What is your interest in May?

I got that Van Helsing.

Who are you?

You're every nightmare.

Once an educated woman in a crucifix, we have got these characters who goes through the whole Siri's and way do follow them musically, hopefully thio a point that is satisfying resolution.

There is structure.

So for those who enjoyed music as an architectural underpinning to too serious, it was stores.

It was interesting tryingto trying trying to create a library off.

This is Dracula on that is old world, you know, whenever we need something, which which has a certain sort of a project, comes from our library, and it's not something that relies on something.

That reading this.

So it'll the newshounds are organic.

None of them are Elektronik.

You know, they're not generated by machine.

They are recordings of real things.

Leaving the following.

I was listening the other day.

The recording of episode one.

It was just really weird noise.

Understand a word that is a baby crying.

What if I leave?

What if I leave this place?

Right now?

No one is stopping you.

One of the key things we were saying.

We wanted to start a war like bring the stench of him into a room, you know, because he poisons everything.

You know, there's something toxic about how charming and a bane and amusing he could be.

He's also a beast.

So yeah, lots of choirs made out of screaming, distress, Children, wine glasses with bloody and rub like making percussion things.

I have coffins.

I mean, it's quite a car.

It's like being taken to dinner by a monster.

But you didn't.