Name: マギー・ギレンホール、「ドニー・ダーコ」から「ダークナイト」までのキャリアを語る｜Vanity Fair (Maggie Gyllenhaal Breaks Down Her Career, from 'Donnie Darko' to 'The Dark Knight'| Vanity Fair)
Uploaded: 2021-01-14T09:50:07.000Z
Duration: 17 min 24 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

最上級形容詞

I think the best performances the ones I'm most proud of are the ones where, in order to play them, I have Thio learn something about myself or grow in some way.

動名詞

And so the process of watching the performance is also the process of watching somebody change.

Hi, my name is Maggie Gyllenhaal, and this is the timeline of my career.

I know that water land and actually a dangerous woman also are my first imdb credits, which I mean, it's true, I'm in those movies, but, um, my dad directed water land and my parents made a dangerous woman together.

I have, like, one line in both of those movies, which was just a excuse, really, To go and visit my dad.

So feel kind of weird to be like doing this line of my dad's movie, although really nice to hang out with Ethan Hawke, who this'd mean like nineties and even Hawk was like there was nobody cooler and sexier to me.

Berkeley to do a play was one of the first real gigs I got.

I had a done like, teeny parts in a couple of independent movies, and then I moved to L.

A like to try to get some work, and I was doing a lot of auditioning, and my brother was doing Donnie Darko, and I went and auditioned for it.

I wasn't sure if I wanted to go play a little part in the movie that my brother was starring in, but I did it.

Brother and sister came really easily there.

A lot of feelings that come along with that and they're all in the movie.

It was nice to be a part of it and support him.

I didn't really have the space or the knowledge the craft Thio to express the things that were really important going on in my mind until Secretary and when I read Secretary and I thought, I don't know why, but I have to do this movie.

I went in and auditioned for Steve Sheinberg, the director, and we just We really understood each other and it was so clear in the room.

And then I was like Then I just heard like, Well, they're gonna offer to a bunch of movie stars first, and we'll see what happens.

So we just hung out and, you know, I just waited and waited and checked in all the time, and I knew I could do something really that was like me with it and finally came to me.

There's a scene first scene where Mr Gray Spanx Lee and has really complicated politically, really interesting, really strange tons of feelings.

But what would happen was he sort of would fall over me, and every time he would put his hand next to mine on the desk and I would take my pinky and, like, cover his pinky with it.

It would happen every time I would do that, and it occurred to me at the time I was like Oh, well, that's consent.

And I remember wanting to be sure that that was in the movie because otherwise I mean, you have to know that she's that she wants it, so I don't know who to tell.

So I told James Spader, who told Steve, Shane Berg, the director who shot it, and it's in the movie, and I'm very proud of that.

You had never been offered or had any access to bigger movies, Yes, but the bigness of that movie and that's sad.

And Julia Roberts and was so fun like I was in New York was probably 22 shooting this movie.

I loved Julia Roberts, and she was just gave me tons of great advice.

She bought me body Scrub, and she told me also about giving speeches.

She was like, Don't write every word down.

Get the idea, think through what it is you want to say and then get up there and be there, which I do.

I've got 2/2 years clean, clean in prison and I've been out for four days and I feel like using so bad.

Actually, Sherrybaby, I probably did more research than anything.

I spent a long time researching that, and in a way, that was my rehearsal.

I found it was more helpful to just go hang out in these places and see what everybody was wearing and how they were talking and meet people and find compassion, you know, for people who were living really differently than me.

And it was the first time in my life that I'd come across a situation where I didn't fundamentally agree with the director.

I was working with who was a brilliant, bright, exciting, inspiring woman.

It took us about a week to get on the same page.

We only had five weeks to shoot it, and I ended up actually using the conflict with my wonderful, lovely, very pregnant director to fuel basically Sherry's conflict with the world.

And she was wise enough and twice my age time to know how helpful that was.

I had just had a baby when I heard about the dark night.

Um, I I think Ramona at the time was like, six weeks old and you're almost on another planet.

At least I was I heard Chris Nolan wants to meet me, and I just was like, Okay, awesome.

I was like, well, milky and feeling very honest, you know, it's just, like, have a baby.

Things, especially just afterward, you know, is the priority.

We had a great conversation, and he basically said, I don't need to do this.

So it's just This gave me the script to read, and I had, you know, a day to read it, and someone was sitting outside my house and a car waiting for me to give it back to them.

Everybody in my world, my agent, my manager, you know of everybody was like, So you're doing this movie, E.

You know, I was I was afraid, though, on that scale I have to be.

You know, I I wasn't afraid and secretary to say what I thought I wasn't afraid.

And Sherry baby was a little afraid on the dark night, um, to really express all of my ideas.

Well, that was the first time I was ever in anything on that scale trying to find space for myself inside, it was interesting.

On the dark night, everyone was an expert.

Christian Bale and Heath, Aaron Eckhart and And I had a little tiny baby, so it was kind of an interesting combination of something very, very tiny, very, very vulnerable and small in my life, taking a lot of my attention and then something so massive and so kind of muscular and robust and big, and, um, kind of both in my mind at once.

Otherwise, that movie doesn't work because that movie is a tragic love story.

You have to be absolutely heartbroken that they can't be together and yet, of course, they can't be together.