Name: アドアストラの映画製作者たちが月のシーンを分解してみた｜Vanity Fair (Ad Astra Filmmakers Break Down the Lunar Scenes | Vanity Fair)
Uploaded: 2021-01-14T09:47:12.000Z
Duration: 17 min 41 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

My name is James Gray on the co writer and director of the movie ad Astra.

I'm the production designer and this is notes on the scene Way have looked like not identify Rovers approaching our position.

I think working with you is great for a designer because you have a vision.

No, I say do what you do and then you do something.

But you really care about what it looks like in the case of Bad Astra.

Like, what's the science behind that look?

And then let's twist it and make it appeal to us visually.

Also, we have we have a similar, I think way we find a lot of the same things appealing, attractive.

When I heard that James was doing a science fiction movie that was out in outer space, I thought, I have to see what he's gonna D'oh, You'd be little.

I found it remarkable, and it's always been interesting for me to do kind of near future, like not to scifi futuristic looking and that mess in really well with your idea of of vision, of the future.

Or this is the worst future if we don't want either of those we wanted.

Having trouble with pirates Since September, some countries been giving them safe haven.

They'll take hostages or go for our rovers.

I like to say that Ad Astra is the first movie ever shot in part on location on the moon and on Mars.

So in this frame you can see this part of the frame.

That's lunar photography taken, I think, by Apollo eight.

So this part of the frame Israel and of course, this our friend CG computer generated.

And what's very funny to me always, and people look at this sometimes say to me that part of the shot does not look really, and they're like, Well, that's the only part of the shot that Israel So it tells you that riel is not always, really.

Obviously you'll see all these like brand names or Atlantic Applebee's Yoshinoya Beef Bowl, Emirates Air.

This was our idea, which was that part of the moon would be taken over by a lot of chains and a lot of processed food chains.

Frankly, because that's what you're gonna be ableto ship to the moon with any kind of safety, and you not be able to grow much food on 1/6 gravity on the moon.

I think there was something nice also about how we wanted to throw in little bits of familiarity and nostalgia that their stations that are still going to be around and absolute that are the same product placement.

Because when you come up with a fake company like burgers, stud or whatever, people automatically know that it's fake, right?

But when you see like Applebee's, it always gets a laugh.

But this part of the frame appear This is mostly rial from lunar photography.

Again, I'd like to mention that the form of the colony being like a big, huge disk right inside the creator.

The form was taken somewhat from the central, fickle science of how to deal with gravity shifts on the moon.

This I was supposed to be like kind of banal, familiar jet right like commercial travel.

The blanket was expensive, like it was too costly.

The familiarity of it actually was, we thought quite helpful.

So you see that kind of ridiculous jetway?

It kind of looks a little familiar, even though the rest of it's very weird.

And of course, you have these things They'd have to be fully automated because walking around out there, there's no environment.

The shape of this pod was informed by the design of the interior that we wanted for the commercial travel, but also the shape of this.

This whole thing is based on what's called the Orion capsule, which they're currently building now as part of the Artemus program, which will send us back to the moon in 2024.

One of my favorite things you did in the picture.

A X, the Los Angeles airport, it says, welcome to Los Angeles.

And I said, Kevin, that's what I want when you get to the moon and you went okay.

All of this, This little ridiculous Logan, including may I say, the perfect use or misuse maybe of the cold holding is entirely from welcome to Los Angeles, and it says Los Angeles Colon, where the world comes together.

So it was changing Earth run, including this ridiculous seal, which, of course, in L.

So it's basically welcome to Los Ames except the moon, right?

And we talked a great detail about the casting and also the military person that was welcoming you.

If she's watching that, she's hopefully amused.

Now there is something else to talk about.

You have a wonderful I obviously thank you.

It's the color of what you would imagine, the underground of the particles that make up the moon's surface and also where we are, which is about to be seen.

The lunar station where they arrive, which was the underground station of the Empty A in Los Angeles under Union Square.

That's right, Union Station in states such a New Yorker Mt.

A Union Square, all the wrong terminology.

I think one of your early references was Penn Station, which is mundane.

It feels like it's falling apart a little bit.

It has a lot of commercialization again, with the subway sign and the D.

And right here we actually did lunar photographs that were from the same series that was at the Science Museum here in New York.

It's a very subtle detail there, almost like they're having a little art show photography.

I just wanted a little shout out because I'm very excited about this.

They are in There are the kids who scream.

We wanted a total mix of everybody from around the world because we wanted to say this would be some kind of weird, totally globalized multi polar world with tons of different types of people from all over the planet coming to the moon for one reason or another, and then you'll see, of course, the attack dog ready to keep order.

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アドアストラの映画製作者たちが月のシーンを分解してみた｜Vanity Fair (Ad Astra Filmmakers Break Down the Lunar Scenes | Vanity Fair)

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