I'm Gary.

I'm down.

We're the slo mo guys.

And today we're gonna be looking at memorable, slimmer clips in movies.

Matrix can't be the Matrix, you know, artists and music and stuff.

Say I was influenced by you know who or something or all these people.

We clearly see what the influences have come from.

This film must have influenced so much since the time it was released, probably the most famous slow motion scene or the most famous slow motion move.

This is time slice.

So it's like, different.

They're using stills cameras in a big sort of spiral pattern.

They haven't just shoved in some slow motion and times life just to make it look cool.

It's a huge part of being in the simulation, and because they Eliza simulation, you can potentially see from angles that reality wouldn't allow, like spinning around a mammal bullets.

But why?

I'm noticing now, because in times like you have to have, like, 100 and something cameras in a line.

There's actually a slight difference.

There's like a quite a jump between each camera, so the actual raw stills of this would have been like what they've done is like interpreted frames like like added little bits in between to make it smooth, like jump.

You can actually noticed that on the back of his coat there's some, like, weird, like warping artifacts.

Where against technology is now a lot better for interpreting between frames.

So if you just focus on one thing on his outfit, it just looks like a bit more fee.

Um, I've never noticed when I first wish it probably watched on DVD rest.

I think if they had to taste analogy to this scene, I don't know if it would actually be a CZ good.

I think they would definitely do it in C.

J would see JIA wouldn't be.

It wouldn't look as good.

I gotta say, though, if a bloke came up to me and started shooting like that, I wouldn't just lean backwards.

Yeah, I mean, I feel like I'm just opening up my groin to get in here.

He doesn't move his legs a toy.

It was going to say, also, if I was an agent or one of these guys trying to shoot an agent, I'd probably just go for the legs.

Is they never like this little tango are they always like moving the body?

I want to remake the Matrix.

Just shoot out kneecap.

The Hurt Locker.

This is one of those things.

Were explosions really fast?

You kind of need slow motion to see anything.

That explosion wasn't quick bang, and that's it.

This is another one of those scenes where it's like when I picture the Hurt locker, I picture this one shot in slumber definitely drags the emotion you'll be filling out.

Rather is too quick.

Bang.

It's like it drags out, and it sort of makes you feel about more.

Yeah, this is a lot of dread and hopelessness from seeing a human moving so slowly as something so deadly moving so much faster.

There's a ready, jarring moment where the explosions in slow motion and then you see like blood hit this friend of the screen of his visor.

Yeah, but that's in real time.

So it's a very jarring, shocking moment where you go from some ocean to suddenly the sort impact that has on the human body.

Just like bang.

It wasn't you could tell it wasn't a destination because we've done detonations before, and there's a shockwave that was a much slower explosion made to look faster because what they've done is but a small charge and then put a bunch of, like rubble and bits of foam and other things that mento look like the earth coming up everything.

So it was actually quite a relatively slow explosion because the scale of explosions go from pretty slow to really fast.

It's one of the things we notice quite a lot because we've shot so many different speeds.

There are loads of things that look way too fast for your eye, and then when you go to 1000 frames a second, you can actually start separating.

This thing is now much slower, but this thing is still really fast.

And then obviously you're going again.

It's like, OK, so now we can see an explosion.

Forman.

I used to find it funny when stuff goes the wrong way from explosion like there's that shot in Mission Impossible three, where something explodes behind Tom Cruise.

But for some reason, he gets to the right in to see it right now, which it looks really cool.

Very memorable.

Don't think would happen in real life.

So this is inception on Nolan Classic.

I think the most interesting thing about this one is the fact that it's not just slow motion for the slow motion sake is actually part of the concept of the film, so it helps portray something in the film.

The concept of being down a level in the dream slows time down.

You can literally see that with the slow motion.

Sometimes it's just showing you something that's happening quickly.

Yeah, it's almost like you have to use slow motion here to get the message across.

Or you would play the van falling into the war at normal speed, and then every other scene will be think would be a much short film.

It's true human reactions really slow as well, so if something did happen, he probably wouldn't even catch it.

I think what makes this sequence so good is that it lasts like most of the movie.

Yeah, it's like it's like the most screen time for Slow Mo because you always come back to that moment.

It was Everything culminates when it hits the war.

If in aliens to be watching this film, just like halfway through and not really understand the concept I'd be like, Why is there a van falling for ages?

Well, these other people are doing stuff that we understand their perception of time.

They'll be like defender this everything.

I'm not sure I like movies.

This one is X Men.

Days of future past.

I think this one is interesting because it's a nice combination of riel elements, something a lot of CG to sort of sweetened it all together.

You could save time in a bottle.

Yeah, I like the fact they had to put me think about time distortion in the fact that obviously is only pushing people's elbows very slightly because it's supposed to be happening very fast.

Yeah, it has a massive effect.

I get knocked over and punching everything.

Obviously it like this speed he's running around.

He saw running around a speed where a bullet is moving like this fast, which means that he would be cutting like massive tears through the air, be making big capitation tears, and everyone in the room would probably ended with burst ear drum.

You going a bit too?

I film about mutant.

Then you're like, actually, I think you'll find that be a shockwave from the Yeah, I imagine this was a lot of actual shots of the actors, tons of elements of just like splashes in all that rain and all that stuff.

And it's just a nice composition of everything together.

Do you think they show everything very separately and then comfortable together in one big thing, and then added, See joy to glue it together?

Pretty much, Yeah, unless that bloke can actually run that fast, I would say That's OK.

We've just shot the image of the movie, so I believed it.

Andi, you've ruined it for me.

Thanks.

So this is the wolf of Wall Street.

Do you think Leonardo DiCaprio just loves being in slow motion?

I think he does To eclipse.

Now who doesn't right?

Doesn't mean this sequence is interesting, because I assume for the actors that didn't necessarily have to do anything special for slow, it's almost like a normal scene just shot on high speed cameras.

You're supposed to be seeing his perspective.

It's slow motion, like it's like how his brain is interpreting that everything is moving in slow motion.

Maybe this adrenaline, you know, his brain's been completely affected by the drugs and That's a really good use of slow motion to show that.

Yeah, and it's just stuff you would normally see.

Like slow motion people, slow motion knocking and green clover and stuff.

Yeah, but you get obviously get that extra dimension of like, Well, that's what happens when you know when liquid falls through the air, you learn that as it spreads, the air sort of bubbles through it.

Let's fight very common anytime look good for us, but you don't really see it with your eyes.

This is Mr Mrs Smith.

It's the scene whether we're getting shot at the end, two of the best looking people to see in slow motion, I think, Yeah, I think that's why it's quite good.

See, that's this is the first clip we've seen.

That isn't as slow.

I would say this is only a few 100 friend of second supposed toe.

What will you do?

It was in the other clips, which is probably at least 1000 friends second.

Well, I think it's actually quite pressed about this scene is the choreography because you think they're not just doing those motions in slow motion and he's grabbing the gun, turning doing that.

They're doing all that as fast as they possibly can, and it's being slow down with.

The choreography is fast to make a match, but then you've also got these weird.

But I feel like the missiles and stuff coming in you'd be going much, much faster.

They would you have.

Compared to the speed, there will be a pretty slow moving projectiles.

You to duck a rocket.

Yeah, Thistles.

The Royal Tenenbaums with Wes Anderson.

I quite like the way they've used to emotion there, too, convey a bit of emotion, and with the music combined as well, it kind of yes, the effect.

Completely, very subtle.

Use of slimmer There's not.

There's no reelection, apart from just a regular data interaction, some walking off a bus, and I also like on on his shot just to seal that they are both insemination.

You vote with people walking the background, slow down in her shop, this like cars moving in the background.

So even though it's there's no all of action, you just you gonna sharing this moment with them.

It's very intimate.

Everything else is irrelevant, and I think it's almost a really good way to do stuff like that.

I think it was necessary in this scene as well, because if you imagine without the slow motion, it would literally just be a second of her walking off the bus.

Much has been like I mean, they could've shot like that, get extended that moment out.

I understand, but it wouldn't have looked as good as they've used to slow motion.

It definitely adds to it, for sure.

I think it just it.

It puts across how how much you can feel in such a short amount of time, because when you're thinking it's a few matter thoughts, you have him like a split second.

Yet it's so like the things I'm thinking about you right now.

Yeah, just lots of things.

This'd the bling ring.

It's weird because they're usually when there's music and exhausting music with the clip doesn't go with the dancing that I don't think any music is that I can't imagine jamming to that appearance.

I'm surprised with.

They'll look pretty good dancing.

It's very easy to look like a complete idiot.

I do it all the time.

You can become various off flap it, even parts of your face can move that you didn't really know where there but they all look pretty good.

I think they were definitely dancing full speed.

You can see the hair and everything and you can't really fall slower unless they were just very strange platforms just like bunch them up and down the slope.

That might be if someone told me that that was actually filmed in real time.

And everyone's wired like that Is the love efforts tried that?

My face.

Thank you.

I don't know if they've just, like, tensed and done it.

Maybe they will have special slow dances.

This is Baywatch once again.

Two phenomenal looking people with rock and Zac Ephron.

I know a lot of no love found him, I think, Zach, everyone down 1% is amazing.

It also shows you that in slo mo, even if you're pure muscle, it's still rocks around so much in slo mo, you're you're actually very jiggly.

If you're not all tensed up, I feel like it seems like this obviously very quick for the actors.

Just have a little bit of a run, will take care of it on the camera side, shooting it slow.

But I bet they wouldn't enjoy doing this.

They would have.

I bet I did.

Tons.

It takes just for the hell of it.

Running on the beach 2001 Space Odyssey Kubrick So brutal That scene is just so like Hey, it just shows you how long people have been using slow motor portray message This movie's from sixties.

What from reading?

That was Yeah, I think, with sort of skirting under 1000.

Yeah, Um, maybe 400 years.

I'm not sure it's kind of hard to tell.

Sometimes it looks really good as well, because this film you can scan film these days super high resolutions.

And it also has that same sort of theirs that window of time where people kind of switch to video for high speed.

But it was very early, high speed video.

So Slim always started off really good looking and then got worse.

And now digital video, high speed cameras there on pilot film again.

So that was us analyzing slo mo for movies.

It's fascinating to see them all back to back on all the different ways you can use slow motion for different purposes.

Yeah, I mean, when we do it.

We mostly do it to see this, like a scientific results or something silly or that we think will look cool.

But with films, there's also a lot of emotion involved.

Yeah, which we don't typically very little emotion with our stuff.

Yeah, I usually just tried to make you look as silly as possible.