字幕表 動画を再生する 英語字幕をプリント at this stage, after paying for a couple of decades, I'm kind of used to approaching things force with kind of like a creative violence, not in a physical way, but just in a mental approach. I tried Thio attack it, and by doing that I'm asking the surface itself to expose whatever it wants to be through history. It's bean wonderful and difficult for painters to exist on this plane of reality being creative, if that's what we want to call it. I mean, really, it's an action, you know, doing thing. You know, it's like love. You could talk about love as much as you want, but it's really a doing word. I thought once, if a magician does magic and there is no audience, does a magician do magic at all? And my resolution to that was that when a magician does magic and there is no audience, a magician doesn't do magic. It'll unless he's done something that fools himself. Otherwise, it's an illusion, you know, and it's a trick. Following that, I realized that the only difference between a magician and a painter is a painter doesn't do tricks. I guess those that consider my work, my comrades, workers, vandalism. They consider the fact that the mess, maybe the message and maybe that messages stop cleaning. Maybe it's important to be involved in a painting or documenting. Maybe it's not. Either way, it's I have no control over. It's just something I have done and need to do. And I'm actually not even that important in the whole thing. It is the energy that comes through May and, you know, be left point Didn't that's fun. There is no me, there's only us. And that rhymes with us. So we really chilling taking a ride. The things that I being attracted to is a child like comic books and pop culture. TV references, the idea of incorporating contemporary mythology. When I say that, I mean replacing the devil with Darth Vader and Jesus was Superman. You know, these kind of contemporary metaphors for, you know, these other spiritual symbols in the same way that Renee since painters painted from the Bible, this is my form of Bible, you know, Star Wars and whatnot. So it was then that I realized all this. I wanted to pay those pictures and it through doing so, I realized that they were my mode of understanding contemporary mythology. And then they became my my mode of communicating symbolism and contemporary mythology, heroes and villains winners and loses victories and failures. I think Alastair Crowley would be quite satisfied having Bean, you know, uh, activist in the in the concept of satire being the only logic, you know that the world is in a very dark place, you know, the same terribly wrong when disaster is stressed, his entertainment. And we see this on the news and in funniest home videos all the time and went context conditioning in the media play such a large role in informing how emotions should be conditioned towards different events. You know that the entire mainstream society is being taken for a ride when the same footage can be played on the news with intense soundtrack. You know, you could have millions of people crying, but if that same footage is put on funniest Home videos with some funny pop sounds were all laughing and wedding on pants.