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  • Hi, I'm Joachim Ronning, and I'm the director of 'Maleficent: Mistress of Evil.'


  • What was important for me in telling the next chapter of Maleficent was to continue exploring the relationship between Aurora and Maleficent.


  • I think that the lot of... at least my fascination with Maleficent is that she's unpredictable.


  • I thought it was interesting to explore how she would react being a mother of a daughter that is about to move out.


  • "Phillip asked me to marry him."


  • "Poor thing. He'll recover."


  • "My answer was yes."


  • "No."


  • "Yes."


  • "No."


  • "I wasn't really asking."


  • "Nor was I."


  • "What's next? You'll turn him into a goat?"


  • And of course, she's fighting it with all she has.


  • And at the same time, it's such an important part of the movie, you know, their emotional core.


  • So the scene was very, very important to show the tenderness between them.


  • "Love doesn't always end well, Beastie."


  • And of course, all this is shot inside on a soundstage at Pinewood Studios outside of London, and so everything you see here going into this, this is all computer animated.


  • We spent a long time researching that and designing this world.


  • And of course, using the first film as a template and an inspiration, I think we still wanted to take it to the next level.


  • And of course, for me as a film director, that's what I want to do.


  • I want to try to create something original.


  • "You want me to meet his parents?"


  • I think in this case, although it is a fairy tale, I wanted to try and somehow make it feel a tad more real, a tad more relatable than probably the first film.


  • "Please."


Hi, I'm Joachim Ronning, and I'm the director of 'Maleficent: Mistress of Evil.'


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B1 中級 日本語 TheNewYorkTimes 映画 イエス とっても ひらめき フィリップ

【映画で英語】『マレフィセント2』呪いのシーン (Watch Angelina Jolie Cast a Spell in Maleficent: Mistress of Evil | Anatomy of a Scene)

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    Helena に公開 2019 年 11 月 25 日